Author: Christian Barnard

Cleve West is one of the UK’s leading contemporary landscape designers. A five time Royal Horticulture Society gold medal winner, West has contributed to Gardens Illustrated Magazine, and currently writes a weekly column for the Independent as The Urban Gardener. I had the opportunity to meet Cleve West and the one thing that struck me was, he is a designer who follows his own path throughout all his artistic endeavours.

I hope this interview offers insight to West’s contribution, beyond the garden.

Cleve West – When I first took on an allotment on the outskirts of London, some eight years ago, there were no waiting lists and for the next two years the council encouraged me to take on neighbouring plots. Now everyone wants one! Not only are there waiting lists, but the council are now asking plotholders for ideas on how to free up space for new allotment holders. Some think this is a round about way of saying “can we have the plots back please?” The rumour is causing quite a stir and most plotholders, including me, will be very reluctant to give up plots we have worked so hard on especially as many people see allotments through rose tinted specs. The reality is a lot of hard work (at least 10 hours a week for 10 rods) which most newcomers aren’t prepared for and the initial burst of enthusiasm soon wears thin when faced with weeds that re-grow and a whole host of creatures that want a share of the spoils.
But as peak oil looms and we continue to become more aware of the positive effects of thinking more locally it stands to reason that the urban food movement is not a passing fad. The UK is short of space when it comes to allocating land for new allotments so it may well need a mini revolution in how we use our gardens.

If I had to build my garden again and didn’t have an allotment I would seriously consider turning the whole garden over to vegetables. People who aren’t interested in gardening or are unable to garden might soon think about sharing their land in order to let those without space to grow food. I’m pleased to see that Hugh Fearnley-Whittingstall is championing ‘Landshare’ (www.landshare.net) as it helps owners who would otherwise struggle to look after their gardens. This I suspect will become more popular once people get over their privacy hang-ups and will lead to some interesting projects and a strengthening of community values. Gardeners are quite a resourceful lot especially faced with a challenge!

Christian Barnard – You have been designing show gardens since 1994 and accumulated five RHS Gold Medals. You have also been active as an RHS Judge for quite some time now. What changes have you seen in show gardens over the past 15 years? How have the issues of our changing environment affected the shows and designers work?

Cleve West – I came to garden design at an exciting time when experimentation and throwing caution to the wind really did push the boundaries of how we perceive our gardens. Of course there were a lot of gardens that didn’t work through perfunctory use of the so-called ‘new’ materials such as glass, steel etc but it’s also possible to create a contemporary garden using ‘traditional’ materials.

My first ever show garden in 1994 was an organic garden. All plants had been grown organically and 90% of materials were reclaimed. Today there is even more concern for the environment (a good thing obviously) but reclaimed materials are becoming increasingly scarce so often there’s a dilemma when creating a new garden in terms of environmental impact. Some show gardens reflect our concerns for climate change (eg planting drought tolerant species) but one gets the feeling no one really knows which way things are going to pan out.

The very notion of a show garden is perceived by some as wasteful so I’m pleased that the last two of my show gardens have been rebuilt. I think this may become increasingly popular and a cost effective way of getting even more publicity for sponsors. The best thing is that the quality of garden design at the Chelsea Flower Show has increased markedly and, while there will always be a nod to traditional gardens (a waste of time and resources in my book but it keeps visitors happy apparently), contemporary design has at last been embraced by a wider audience.

Christian Barnard – Who do you consider your mentors and how have they impacted your work?

Cleve West – I am fortunate to have had John Brookes as my tutor and mentor. His work was a big early influence. Since then I’ve never set out to emulate another designer’s style. There are many other designers that I admire but like most designers I think architecture, landscape and the client are the biggest influences on a project.

Japanese gardens have been influential for their sensitivity to space and the landscape but I’ve no intention of ever building one. Good quality sculpture (there is so much tat out there it’s unbelievable) is really inspiring and lately I’ve had the good fortune to work with French artists Serge and Agnes Bottagisio-Decoux at the Chelsea Flower Show and now with a private client. Working with such talented people is extremely rewarding.

Christian Barnard – With climate change, local food security and the respect for green space gaining influence, what is the garden designer’s role in pioneering these changes and improving our quality of life?

Cleve West – I used to think that garden design was an indulgent occupation/luxury that didn’t contribute much to the global good. It may still be so in some cases but our current concern for the global effect of the activities of homo sapiens has made many of us in the landscape industry scrutinize the way we go about our work. We are faced with new challenges in terms of responsible, sustainable and innovative stewardship but designers are well-placed to inspire positive influences on the environment and communities.

Of course the practice of gardening itself, from ornamental creations to growing food is incredibly life-affirming reminding us that the simple things in life are often the best things to strive for in order to enhance well-being. They’re also relatively cheap.

Christian Barnard – What landscape design projects rank among your favorites? Why do they stand out?

Cleve West – My favourite is for a private client in Normandy (not open to the public). It has sculpture by Johnny Woodford and some steel pyramids made by a local ironmonger literally a couple of miles a way from the site. It looks after itself mostly with robust perennials and trees doing most of the work. A new client in the same region is looking for a similar dynamic but using sculpture by Serge and Agnes Bottagisio-Decoux.

Closer to home, I was fortunate to have a Chelsea show garden re-built at the sponsor’s (Saga) HQ in Folkstone. It is my favourite garden in the UK.