Chuck Byrd

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  • #158091
    Chuck Byrd
    Participant

    There were several books out in the late 1970;s (Plan Graphics, Plan and Section Drawing, etc..) that showed many examples of monochrome graphics. Of course, it could have been that the drawings were originally in color, but the books presented them in “black and white.” Some were obviously monochrome, though. I remember doing projects in school on brown butcher paper drawn with a sepia pencil and marker. Back then, you could also get a “sepia” print just as you could a “blackline” instead of the standard “blueline” from drawings on tracing paper or vellum. The main thing is just to experiment with different media, and find a method you’re comfortable with. Check with your local art supply stores for book and maybe even advice. It can be done, and done well….

    #157476
    Chuck Byrd
    Participant

    I walked out of a Mike Lin workshop at a CELA conference at LSU in the late ’70’s. Why? Because I was already drawing and sketching using this “style.” But I was taught by Buck Abbey and Van Cox – both L.A. prof’s at LSU. They probably leaned the method from Mike himself. I was also snagging a copy of every book on architectural and site graphics I could find at the time. I did “buy into” the style as a whole, though. I find that it did and still does enable quick, broad-stoke results for idea generation. Details can be refined from there. I’ve never been a good “artist,” so the style helped me cheat a little on getting my point across – to teachers and later to clients and fellow professionals. I could do a 10-12 minute sketch to convey an idea, and then pass it off to a younger colleague so they could take the idea and start to develop the detailing needed to pull the project together. I always found that the style really shown when drawing section and elevation views. 

    I should point out that Ace Torre’s method of tilt-up perspectives have had a similar impact on renderings and presentation graphics, at least in the Southern US. The methods are tools. Tools should be used – but they should be sharpened now and then….. there’s always room for improvement. I appreciate good graphics – mainly because I’m so lousy at them!

    #160100
    Chuck Byrd
    Participant
    #177400
    Chuck Byrd
    Participant

    I think this community has the potential to do what none of the national or international organizations have been able to do – unite our profesession in all its many aspects and let the grass-roots guys and gals in the trenches have a voice in policy making and design innovation. Congratulations, and keep up the good work!

    Chuck Byrd, CSI, CDT
    Jackson, MS, USA
    BLA, LSU 1981

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