Article by Pooja Wahane – A review of Rosa Luxemburg Garden, by Atelier De Paysages Et D’Urbanisme, in Paris 18 ème, France. Can someone work within a set of constraints in which the scope of innovation is almost negligible and still come up with a brilliant idea to transform an abandoned place into an aesthetically appealing, habitable, and comforting space? F.H. Jourda offers a promising answer to this — the Rosa Luxemburg Garden. Rosa Luxemburg Garden is an active railroad space that went from being an urban wasteland to evolving into a beautiful, semi-open green corridor. It is an exemplary example of how to combine architectural sensibilities and sustainability.
Before and after views of the open-sky garden
The aquatic gardens and the planted strips. Image courtesy of Atelier De Paysages Et D’Urbanisme
The garden’s home, Halle Pajol, witnessed the beginning of the industrial era and the evolution of railways in Paris. In 1926, due to demands for parcel transportation, a long metal hall, in art-deco style, was constructed on the site as a loading platform for goods. The concrete building was fully functional until the industrial activities met an abrupt halt. After this — much like the fate of all industrial buildings abandoned due to end of the era — Halle Pajol turned into an urban waste site, lying fallow until 2002.
The aquatic gardens and the planted strips. Image courtesy of Atelier De Paysages Et D’Urbanisme
The playgrounds of the open garden. Image courtesy of Atelier De Paysages Et D’Urbanisme
Working on an abandoned site is never an easy task. There are no laid-out, straightforward instructions, because each site is unique and holds a different set of obstacles. The past story, the present scenario, and the future impact all have to be considered when redesigning such a particular space. The vision for Halle Pajol was to build a safe neighborhood on an old railway site — a new urban rehabilitation that would structure the site into two safe cities – the first being the urban activities and services and the latter being the residential living and hotel logistic.
The aquatic gardens and the planted strips. Image courtesy of Atelier De Paysages Et D’Urbanisme
The playgrounds of the open garden. Image courtesy of Atelier De Paysages Et D’Urbanisme
Halle Pajol has come a long way from its abandoned roots, embracing new technology along the way. Now, it boasts a solar, photovoltaic power plant that is the second largest in all of France. The site’s power demands are met by the production of 410,000 kwh/year through 1,988 solar panels covering a total area of 3,500 square meters. New technologies being incorporated include a power pipe system and dual flow VMC.
The aquatic gardens and the planted strips. Image courtesy of Atelier De Paysages Et D’Urbanisme
View of the covered garden, under the metallic frame of the Halle. Image courtesy of Atelier De Paysages Et D’Urbanisme
The before and after rehabilitation pictures of Halle Pajol are striking, because they almost seem unbelievable. Halle Pajol is a perfect example of how a holistic approach can transform a space completely. If we apply this concept of urban renewal to all abandoned structures, a new neighborhood can be cherished by everyone. When shall we take this major step?
View of the covered garden, under the metallic frame of the Halle. Image courtesy of Atelier De Paysages Et D’Urbanisme
Project Name: Rosa Luxemburg Garden Location: Paris 18 ème, France Site Area: 9,500 square meters Completion: 2014 Clients: Ville de Paris Authors: F.H. Jourda (team’s representative) / In Situ Paysages et urbanisme Collaborators: Infra Services (global engineering), LEA (lighting design), Sol Paysage (vegetal engineering) Project Management: Emmanuel Jalbert (director), Marie-Gabrielle Beuvier and Fabrice Lazert (managers) Collaborating Firms: Groupe SEGEX / AGRIGEX Budget (garden): 3,025,000 € ht Jardins: 3,390,000 € ht Recommended Reading:
Article by Pooja Wahane
Article by Irene Crowo Nielsen – Barangaroo Reserve by Peter Walker and Partners Landscape Architecture (PWP), in association with Sydney-based Johnson Pilton Walker Architects and Landscape Architects, in Sydney, NSW, Australia. Move over Opera House, Darling Harbor, Harbor Bridge and Bondi beach, there is a new kid in town. Barangaroo Reserve is definitely competing for a top-three spot for tourist attractions in Sydney. A six-hectare abandoned industrial dock area in Sydney Harbor dating all the way back to 1836 is now gone. Rising from its ashes is the Barangaroo Reserve, a lush headland park with its historical shoreline reclaimed. The land has literally been lifted 18 meters to match its original landform profile. Local residents are able to walk straight out from their houses and visitors are able to walk directly from the streets, through the park, towards the harbor for the first time in 140 years! Imagine the views!
Barangaroo Reserve. Image credit: PWP Landscape Architecture, www.pwpla.com
Barangaroo Reserve. Image credit: PWP Landscape Architecture, www.pwpla.com
Barangaroo Reserve is named after an influential Aboriginal businesswoman from the time of early colonial settlement in Sydney. Barangaroo made an income from selling surplus fish to newly-arrived, hungry colonials. In fact, she was the first Aboriginal woman to do so. Barangaroo Reserve is a re-created headland park situated on the Western Harbor foreshore of Sydney´s Central Business District, it opened September 2015. Before 1836, one could walk around Sydney´s foreshore without losing connection to the waterfront.
Barangaroo Reserve. Image credit: PWP Landscape Architecture, www.pwpla.com
Barangaroo Reserve. Image credit: PWP Landscape Architecture, www.pwpla.com
PWP Landscape Architecture has cleverly designed the park in three levels, level 1 being the “Foreshore/Promenade”, level 2 being the “Bush Walk” and the upper level 3 being the “Upper Bluff”. The Foreshore Promenade runs along the harbor in a 2 km continuous public waterfront walk alongside a stone wall marking the historic 1836 foreshore edge.
Barangaroo Reserve. Image credit: PWP Landscape Architecture, www.pwpla.com
The Foreshore is built with large sandstone blocks, a material that references both the topography and the building material of early Sydney. The style represents the natural formation known of the coast as “tessellated pavement”, which bears its name because it is a relatively flat rock fractured into polygonal blocks that resemble the tiles of a mosaic floor. The sandstone was excavated onsite using more than 10,000 sandstone blocks. When tidal water gets in the sandstone blocks, it creates different opportunities for engagement; sitting, looking at tidal pools, rocky beaches, to mention a few.
Barangaroo Reserve. Image credit: PWP Landscape Architecture, www.pwpla.com
Barangaroo Reserve. Image credit: PWP Landscape Architecture, www.pwpla.com
The “Bush Walk” is a great contrast to the open Foreshore Promenade. It is a more intimate, shaded path, densely packed with bushes and native trees, that runs up-slope. It terminates at the “Upper Bluff” with picture-perfect views of the Harbor. The Upper Bluff is the highest point of Headland Park. It has gentle slopes that invite users for relaxing recreation. In contrast to the shaded Bush Walk, Upper Bluff is more open, but with clusters of large fig trees and eucalyptus.
Barangaroo Reserve. Image credit: PWP Landscape Architecture, www.pwpla.com
The vegetation strategy for Barangaroo Reserve has been important in the concept of the park and the landscape architects state on their project site for Barangaroo Reserve a planting strategy that divides into three separate layers:
Barangaroo Reserve. Image credit: PWP Landscape Architecture, www.pwpla.com
Barangaroo Reserve now consists of more than 75,000 plantings native not only to Australia, but which are site-specific to the Sydney region. In fact, 79 of the total 84 species chosen are native to Sydney Harbor dating 200 years back to the time of European settlement. Many of these species was hard to find in the local nurseries so seeds and cuttings were collected from wild sites around Sydney Harbor and the Hawkesbury River. 16 mature fig trees and 89 cabbage tree palms were transplanted into the park because the Authority wanted Barangaroo Reserve to open with maximum visual impact. Much of the planting is on steep terraces that follow the line of the foreshore.
Barangaroo Reserve. Image credit: PWP Landscape Architecture, www.pwpla.com
Barangaroo Reserve. Image credit: PWP Landscape Architecture, www.pwpla.com
Being a visitor at Barangaroo Reserve is anything but boring. One could say it is a park and an entertainment space that appeals to all ages. The headland park features everything you need for an active or relaxing day out with your family or friends; bush walks, lawns perfect for picnics, shared walking and cycling tracks and two new harbor coves. There is even a massive cultural space built beneath the park called “The Cutaway” which is used for indoor events and exhibitions.
Barangaroo Reserve. Image credit: PWP Landscape Architecture, www.pwpla.com
PWP Landscape Architects and the rest of the team have successfully managed to revitalize a 6-hectare former impermeable container wharf into a 6-hectare permeable headland park, mixing something old with something new. The connection with the other Sydney headlands has been restored while at the same time a complex ecology system has been implemented all together with a revitalized park! How would you set out on a task like this?
Barangaroo Reserve. Image credit: PWP Landscape Architecture, www.pwpla.com
Project Name: Barangaroo Reserve Location: Sydney, NSW, Australia Size: 6 hectare Date of Construction: 2015 Client: Barangaroo Delivery Authority (BDA) Awards:
Recommended Reading:
Article by Irene Crowo Nielsen
Article by Meenal Suresh – Metro Forest Project, by LAB (Landscape Architects of Bangkok), in Prawet District, Bangkok, Thailand Have you ever wondered how nature would define a city? Bringing elements of nature into cities has been the hallmark to many city planning schemes. Green spaces improve the health of city dwellers, attracts tourists, act as a neutral meeting space for citizens of all types, statuses and wealth categories. A city is often the flipside of nature – sleek, synthetic, man-made, and slightly impersonal. So what makes a well-thought-out urban city? Of late, innovative solutions are in the rise such as a forest in the middle of the Thai capital. How has the PTT Metro Forest helped Bangkok? Why is it considered a big deal? Read on to find out what sets this manmade forest apart.
Exhibition Building and the Forest. Photographer: Rungkit Charoenwat
These days when finding a green patch in Bangkok is equivalent to searching for a needle in a haystack, it is almost impossible to believe that an oil and gas company PTT created a 4.74-acre green space amidst the urban sprawl. “After all this time we have finally come to realise that we have neglected things that are important to us. So, we decided to grow a forest in the city,” said Prasert, PTT executive vice-president for social responsibility. “After all this time we have finally come to realise that we have neglected things that are important to us. So, we decided to grow a forest in the city”
Located at the Eastern fringes of Bangkok in the suburban district of Prawet, close to the Suvarnabhumi International Airport, lies PTT’s Pa Nai Krung. It is an ecological regeneration project that aims to promote afforestation, eco-sustainable reforestation, and instigate “green awareness” among the public.
Outdoor theatre lawn. Photographer: Rungkit Charoenwat
Living edge. Photographer Rungkit Charoenwat
The stream. Photographer: Rungkit Charoenwat
Japanese botanist Dr. Akira Miyawaki’s planting techniques were implemented. He says the best way to build a forest is to plant native trees and allow them to grow naturally. Best management is no management. Praset adds “We’ve planted a variety of trees, mixed between fast- and slow-growing plants, that provide shade to replicate a real forest. When they are all mature, there will be trees, shrubs and herbs all over“. “We’ve planted a variety of trees, mixed between fast- and slow-growing plants, that provide shade to replicate a real forest…“ Plants of different types, heights, growth periods and foliage are grown on mounds of earth with small streams of water encircling them like miniature islands. Plants are carefully grouped according to successional rate and appropriate water-to-ground surface-level growing conditions. For example, species able to survive during intermittent flooding conditions were planted along the riparian edge. While atop the berms, a diverse mix of deciduous forest plants and lowland dipterocarps cover the area.
Skywalk. Photographer Rungkit Charoenwat
The project focuses on creating a total water area of 1.2 hectares for wetland species. These forests reduce flooding in the locale during the wet season. Circulating water systems help in the vegetation growth while a water cascade adds to the aesthetics. Efficient water distribution and recycling systems have been employed keeping in mind the necessities of each plant separately.
Skywalk. Photographer Rungkit Charoenwat
The LEED Platinum-certified, Land Art-inspired outdoor exhibition centre aims at being a medium where landscape will be constantly evolving, generating new experiences every visit. The project allows the traveller to move along visually from a very densely built exhibition centre to the observation tower. The link between these spaces is the forest itself. The single-storey long exhibition venue has a central area made up of curved rammed earth walls. At varied spots along the inner sides of the wall are artworks like ‘Seeds of Wild Origin’ in transparent resin.
Exhibition building. Photographer: Rungkit Charoenwat
Keeping in mind the different age groups of visitors, it has various zones of interest, including a Cinema Room showing short films, the Impact on Town Exhibit that raises awareness on why Bangkok needs its dose of wilderness, the Wild Bangkok Exhibit– the history of Bangkok through stories that a grandmother is telling her two grandkids starting from years ago when Bangkok was a vast land filled with rice paddies and luxuriant vegetation to the present urban jungle, and an exhibit sharing the knowledge gleaned from the combination of reforestation projects implemented in the forest.
The stream and the forest. Photographer Rungkit Charoenwat
Skywalk top view. Photographer: Rungkit Charoenwat
Skywalk. Photographer Rungkit Charoenwat
The materials are derived from nature. The heat-resistant rammed earth walls are a combination of soils of multiple colours (clay, red oxide, etc) from various areas of Thailand. The patterns, colours, coarse texture and manual construction techniques add beauty while further connecting one to nature. Low-pollution-emission materials are used such as bricks, interlocking blocks made of clay, and bamboo. A green roof insulates the building.
Forest walk. Photographer Rungkit Charoenwat
Separate parking has been provided for bicycles, energy efficient cars, fuel efficient cars, eco cars, electric vehicles, etc. A photovoltaic cell has been installed to generate renewable electricity to the building at 16800kW/yr. In short, as a visitor expressed – “All I want is to stand in a green field and to smell green, to take air, to feel the earth want me, without all this concrete hating me.” Do you think the project has achieved in being the “Green Roadmap for Bangkok”? Is it the beginning of recovery from the much-favoured but undesirable concrete sprawl? Leave your comments below.
Roof Garden. Photographer: Rungkit Charoenwat
Project Name: Metro Forest Project Location: Prawet District, Bangkok Area: 4.74 acres Design Phase: 2012-present day Construction: Began in May 2013 Client: PTT Public Company Limited Landscape Architecture: LAB (Landscape Architects of Bangkok) Principals: Tawatchai Kobkaikit, Boontarika Wannapin Landscape Architects: Nantawan Sirisup, Akachai Werasakulchai, Hatacha Sukprakob, Punyada Klinpaka Horticulturist: Thannaphat Tonnuea, Tiprada Tingklub Recognition: Finalist for Rosa Barba Prize, presented at the International Biennial of Landscape Architecture in Barcelona in September 2016. Consultants and other collaborators: Ecological Forest Consultant: Dr.Sirin Kaewlaierd Landscape Design Consultant: Assistant Professor Dr. Angsana Boonyobhas Architectural Design & Interior Design: Spacetime Architects Interior Design of Mini-Theatre area: designLAB NLSS Energy & Green Building Consultant: A49 Exhibition Design: PICO Commissioning Authority: SCG Green Building Department Lighting Consultant: LD49 Structural Engineering: H. Engineer MEP Engineering: MITR Quantity Surveyor: Langdon & Seah Thailand Construction Management: EDA Consultant Contractors: Main Contractor: RITTA Softscape Contractor: CORDIA Waterfall Contractor: Tropical Garden Rammed Earth Sub-contractor: La Terre Earthwork Contractor: Psatanachod Kanyotha Recommended Reading:
Article by Meenal Suresh
Article by Maria Giovanna Drago – A review of the park design at Drapers Field by Kinnear Landscape Architects, in Waltham Forest, London, UK. Drapers field has been in a controversial debate in the last five years. It’s located in Leyton, London, where used to be social housing with relative facilities – Drapers Field was a green area including a sport field – until 2008, when a Compulsory Purchase Order had been emanated due to the urban plan redesign for the Olympic Games 2012. So fences had enclosed it and Olympic sheds were installed. “It is not said that what has been taken will return.” said a local resident to a journalist. After the Olympics were held, KLA was designated to reshape three parks in Leyton by the London Borough of Waltham Forest Council. In particular, they were asked to make the Drapers Field a key area bridging the east London communities with the former Olympic Park. They were commissioned with the renovation of the sports facilities and the pre-existent Pavilion, along with the development of a playground.
Drapers Field. Photo courtesy of Kinnear Landscape Architects
These are the five key points – valid in every area or project – that the architects have developed to make the park a local success:
.. so people are encouraged to visit it even if they are not interested at first. A route to the nearby Chobham Academy, located in the former Olympic village, cuts through the green grass diagonally. It goes from the north-east Leyton High Road to the south-west Temple Mill Lane. Therefore students from the neighbourhoods can walk it daily and meanwhile enjoy a different – and safe – landscape from the usual sidewalk. It is bicolored with earth tones and black to distinguish the bike route from the pedestrian way: the first one is enriched by obstacles and bumps at different heights to add fun to the experience and to challenge users’ skills while learning to bike.
Drapers Field. Photo courtesy of Kinnear Landscape Architects
Drapers Field. Photo courtesy of Kinnear Landscape Architects
.. so that the project stands out in the urban surroundings and in the gossip of people. The “waves” are the park peculiarity: developing along the route, they give a sense of movement and accompany the walk. Can you imagine everybody chatting about a “park with the waves”? Never forget, as word of mouth is better than advertising!
Drapers Field. Photo courtesy of Kinnear Landscape Architects
Drapers Field. Photo courtesy of Kinnear Landscape Architects
Perhaps the far more simple way for people to meet, gather, and live in a public space, at Drapers Field, parents can relax at the pavilion while the children run wild. The existing building has been renovated; it is right next to the parking lot, and retains its characteristic yellow brick and grey tiles of the pitched roof, but it presents a new large glass entrance that overlooks the park. Furthermore, it has been equipped with changing rooms for players, so that they can come here directly from work without popping home and may go out straight after.
Drapers Field. Photo courtesy of Kinnear Landscape Architects
The local community was concerned about not getting back the playground after the Olympics and that the area was going to be transformed into something too luxurious instead. It is usually important to know the desires of those who are the immediate beneficiaries of the area, otherwise, they risk misunderstanding or disregarding the project. Today, architects prefer to consult locals more and more often as they can give their contributions and start to feel the project is more suitable to their needs.
Drapers Field. Photo courtesy of Kinnear Landscape Architects
Drapers Field. Photo courtesy of Kinnear Landscape Architects
Drapers Field. Photo courtesy of Kinnear Landscape Architects
Project Title: Drapers Field Landscape Architecture: Kinnear Landscape Architects Location: Waltham Forest, London, UK Client: London Borough of Waltham Forest Budget: £2m Scope: Restoration of a public space Completion: 2014 Recommended Reading:
Article by Maria Giovanna Drago
Article by Irmak Bilir – The National Gallery / ICN DESIGN Landscape Architects, Singapore National Gallery Singapore shows us how to integrate two national buildings with landscape architecture successfully. It is one of Asia’s most significant architectural projects in the cultural sphere. It is designed between two national and neo-classical buildings of Singapore. One of them is the former City Hall and the another one is former Supreme Court, completed in 1929 and 1939, respectively. It was the main aim to integrate these buildings and their surroundings for the art gallery as well as to integrate exterior and interiors. The landscape architecture project makes us see them better in a coherence. An extensive group from different professions are worked at the National Gallery of Singapore. The leading company is studio Milou architecture in collaboration with CPG Consultants Pte Ltd, and the landscape architecture company is ICN Design Landscape Architects. The opening of the gallery was held in November 2015, on the day 50th Anniversary of Singapore’s Independence. And the project won Excellence Skyrise Greenery Award and Design of the Year President’s Design Award both in 2015.
The National Gallery. Image Credit: ICN Design Landscape Architects
The National Gallery. Image Credit: ICN Design Landscape Architects
The gallery spaces, a public atrium, dining terraces and the elegant roof garden and a venue ,where people can put on shows, are the landscape project’s parts, and all of them designed to make people have an amazing experience while they enjoy the gallery. ICN Design’s professional work includes soft scape and water design, design and documentation, implementation inspection, and for the landscapes features; streetscape and public realm, grand roof garden, roof terraces. Variation of spaces(scale, character, etc.) is created with small touches inside the buildings, rooftops and at the 3.000 square meters extensive outdoor garden of the National Gallery. Vents and voids are well-integrated into the overall landscape. New walkways which radically change the circulation and allow visitors new perspectives are added between the buildings. The competition jury is appreciated the team how they transform the visitor experience while changing very little things.
The National Gallery. Image Credit: ICN Design Landscape Architects
The National Gallery. Image Credit: ICN Design Landscape Architects
An upper (level 4) and lower (level 3) sky bridges, located in the atrium where the main entrance is, link both City Hall and former Supreme Court. These two bridges offer grand vistas of the buildings. Moreover 5 m tall, and 129m long massive vertical green-walls extending the length of the building. One wall is adapted to suit shady conditions, and the other to Singapore’s tropical climate. Fresh tropical greenery softening the light to interior galleries. These green canvases create a strong visual and physical connection.
The National Gallery. Image Credit: ICN Design Landscape Architects
For integrating interior and exterior, a filigree metal and glass structure roof is designed, which drapes over the monuments, is letting in daylight while serving as a screen against the harsh tropical sun. The roof filters the light, filling the atrium and many of the interior spaces with natural light. The roof system is supported by tree-like steel columns and stretches across both buildings. It gives a sense of continuity between the two buildings and softer ambiance. The rooftop’s of the former City Hall and the Supreme Court was previously empty, and not opened to the public, so people could not experience the view. The rooftop garden, located on Level 5 & 6 of old City Hall, is open to the public now, and it is possible to enjoy new perspectives of the buildings and 180 degree views of the spectacular city skyline and seascapes, with garden spaces, water features, and dining areas while they are at the buildings’ highest points. The surface of the rooftop is smoother luminous and it allows to reflect even soft shadows. For creating flexible spaces while exhibitions and events, movable planters and large pots were used. Furthermore, the roof garden helps to reduce the heat-load within the building with planting. National Gallery inspires with it’s architecture, landscape architecture and modern art from Singapore, Southeast Asia, and the world. In two weeks after the opening of it, the museum attracted about 170,000 visitors. What do you think about landscape architecture’s role in integrating the historical buildings and creating new public spaces on this project? Let us know in the comments below!
The National Gallery. Image Credit: ICN Design Landscape Architects
Project Name: The National Gallery Location: St Andrew’s Road, Singapore Landscape Architect: ICN Design Landscape Architects Architects: Studio Milou Singapore, CPG Consultants Image Credits: ICN Design Landscape Architects Project Year: 2009 Client: Ministry of Communications and Information Owner: National Gallery Singapore Capital partnership Completion Date: November 2015 Recommended Reading:
Article by Irmak Bilir
Article by Kurt Longland – A review of Green Arena, by Stradivarie Associated Architect, in Cavallino-Treporti, Italy. Stradivarie Associated Architects powerfully combines storytelling and imagination in the ever-changing Green Arena. Through a series of the architects’ drawings, we are free to interpret the scene and draw our own conclusions on the meaning of the site. But before we delve deeper into the arena’s outcome, we first need to understand the project’s context and scale. Green Arena is located 15 to 20 kilometers east of Venice, Italy, in the town of Cavallino. The site is largely a temporary space that regularly changes occupation throughout the year. It is home to markets, tourists, campers, and public transportation.
Green Arena by Stradivarie Associated Architect. Photo credit: Gianna Omenetto
Providing that sense of identity was part of Stradivarie’s work on the project, which broke down the market area into a three-stage investigation and implementation: Make Up, Plug In, and Green.
Green Arena by Stradivarie Associated Architect. Photo credit: Gianna Omenetto
In viewing the project, storyboards, and available imagery, the most interesting aspect is the collection of illustrations that show snippets of life in Green Arena These can be seen in a number of combinations, much like pieces of a storyboard that can be arranged in a variety of ways. It could be as simple as introducing each element of the design scheme or demonstrating pieces a story.
Green Arena by Stradivarie Associated Architect. Photo credit: Gianna Omenetto
Another feature to note is the constant use of a vibrant yellow on important features and elements. While it ties everything together nicely in the drawing package, its importance in the landscape will be seen later. The creation of a scene can also be viewed in the plans. For example, the inclusion of a figure holding an umbrella in the rain might strike the viewer as odd, because it’s from a bird’s eye view. Such unusual perspectives spark our interest.
Green Arena by Stradivarie Associated Architect. Photo credit: Gianna Omenetto
Green Arena by Stradivarie Associated Architect. Photo credit: Gianna Omenetto
This hint of a narrative helps explain why the site is quite open, passive, and — to some — stark. The design of Green Arena is not meant to show off the site, but to create a stage or scene — an arena — for other activities, occupations, and visitors, allowing people to use the space as they see fit. This suits the adaptable and evolving nature this market area contains.
Green Arena by Stradivarie Associated Architect. Photo credit: Gianna Omenetto
What Green Arena has been able to achieve is a very quiet and relatively peaceful space that allows anyone to engage with its elements as he sees fit. The use of the vibrant yellow, which originally seemed odd, provides clear direction in the finished landscape. The yellow signs and markers act as a way finder and easy identifier, both within and outside the site.
Green Arena by Stradivarie Associated Architect. Photo credit: Gianna Omenetto
The minimum contouring and circular layout, while informed from the market area itself, give enough variance to separate the arena from the market space and provide enough internal interest to distract the eye instead of offering a view of a flat surface. Additionally, the use of sand filling the outer edge, with the grassland in the middle combined with deciduous trees, creates some very pleasant imagery. Some of the most interesting features can be found at the entrance. The entrance, as shown at the beginning of this article and seen again as “Illustration A”, is a solid wall with the cutout of a silhouette of an adult and a child. This interesting design gives a sense of scale and ownership, representing people, not private transportation.
Green Arena by Stradivarie Associated Architect. Photo credit: Gianna Omenetto
This, combined with the fact that the site is a market, drives home the idea that the arena is a place for people. The entrance is a quite effective and simple piece of artwork for a landscape that is often seen as empty or only temporarily occupied. The multiple elements in Green Arena allow everyone’s experience to be unique. It is unfortunate that due to the locality and time of review, we have been unable to see how Green Arena copes and adapts to these multiple uses. However, what has been achieved is the adaptability of a scene and a space.
Green Arena by Stradivarie Associated Architect. Photo credit: Gianna Omenetto
Project Name: Green Arena Location: Cavallino-treporti (Venice), Italy Area: 3100 Mq Green Arena Completion Date: 2015 Landscape Design: Stradivarie Associated Architect Consultant: Federico Cicutto, Valeri.zoia Architetti Associati Photographer: Gianna Omenetto Client: Municipality Of Cavallino Treporti Firm: Proscavi Srl – Energy Snc (Electrician) Budget: 205.000 Euro Recommended Reading:
Article by Kurt Longland
If you live in a Victorian cottage, does your garden design have to be all roses and sweet peas? Does 21st-century architecture call for sleek grounds with nary a messy tangle of geraniums? Well, there are certainly some house and garden combinations that might appear jarring at first, and a few design rules it might be better to follow, but from there it’s pretty much a matter of personal taste. From where we sit, if what you want around you will make you happy, then go for it and let your creative spirit fly.
The one thing that there’s really no debate about is that no matter what style your house is, your lawn (if you have one) should be healthy and green. To leave yourself free to create the flowering garden of your dreams, consider using a professional lawn care service like TruGreen Canada. With lawn chores off your to-do list, take a look at some general guidelines that will help you plan your garden, no matter what style you’ve got in mind. Climate and Garden Zone The best plans will go awry if what you’d love to see growing in your garden won’t survive in your part of the world. So the first step in deciding what style of garden to plant is to do some research. You may have to revise your plans to accommodate reality, but you still might find some reasonable alternatives to what you originally had in mind. New varieties adapted to non-native environments are always being developed, though it’s not likely you’ll find a banana tree that will grow in Calgary. Good nurseries in your community should only carry plants that thrive locally, but be careful if you’re buying plants and seeds online. Don’t get carried away by some exotic bloom that will wither as soon as you put it in the ground.
Style aside, decide what you want to be able to do in your garden. Do you want a comfortable space for entertaining? A children’s play area? Somewhere you can retreat into your own private world? An area to grow herbs or vegetables? Also consider if your dog will have free access and what that will mean for fragile plantings that aren’t raised or fenced. A garden should be beautiful but don’t forget to be practical, too.
Regardless of the kind of garden you’re planting, you don’t want its scale to be dwarfed by your house, and conversely, you don’t want it to swallow your yard, either. Choose plants that will have impact without being overpowering. And remember that plants will grow. It takes patience to wait for something to reach its full height or width and give the effect you want, but better to wait than plant something you’re going to have to fight with forever because you put it where it didn’t have growing room. As for architectural elements of the garden, like walls, arbors, walkways, steps, and so on, there are basic design rules of proportion that date back to antiquity and have stood the test of time in creating spaces that are pleasing to the eye. One is the Golden Ratio, a formula of length to width, which appears in everything from the pyramids at Giza to some patterns in nature, like the spiral pattern of leaves. Related to the Golden Ratio is the Golden Rectangle with a ratio of about 1 to 1.6, which would translate, for example, into a raised bed measuring 5 by 8 feet.
Part of the pleasure of a garden is being able to see it from inside your house. When you’re planning, take some time to consider the view from your windows. Also take into consideration whether a plant that’s going to grow tall will block those views.
In order of size, plan where you’re going to put trees, shrubs, and perennials. After that, because you can change them every year, decide where you can place annuals. Following the rule of putting all of your large plants in the back and graduating to smaller ones as you get to the front can be boring, so mix it up a bit. You may have so many favorite flowers that you’re tempted to plant just a few of each so you’ve got room for them all, and that can certainly create a joyous jumble, but there’s also something to be said for including a sweeping swath of one variety that delights the eye. Recommended Reading:
Article by Angie Olsen Featured Image: By BodnantGarden – Own work, CC BY-SA 4.0, source
We take a closer look at some excellent tips for improving your garden shed so that you get the most of this room outside your home. A lot of homeowners have come to terms with the fact that a shed is always messy and dirty; the truth is that it doesn’t have to be that way. Many houses now have gorgeous yet functional sheds that are not only good for storing tools and other items but are also comfortable to work in all day. Making your shed cleaner and more comfortable is not difficult either. These next few tips we are about to discuss will help you improve your garden shed in no time.
The main reason why a shed feels uncomfortable and packed is the lack of proper storage and organization. This is a very easy problem to fix, especially now that there are prefabricated shelves and storage solutions designed for sheds of different sizes. Start by organizing your tools and the items you store in the shed. Don’t hesitate to throw away things you no longer need; yes, I’m talking about that old tyre you keep in the corner and other old junk you’ll never use again. Next, install some shelves and plastic containers to keep everything organized. You can label each plastic container and group items based on frequency of use, types and other factors. As you start storing more items in shelves and containers, you’ll be able to feel the effects immediately. Don’t forget to label every container as you store your items too. Labelling makes retrieving the tools you need a lot easier. You should also stick to storing everything neatly to avoid cluttering your shed again in the future.
Depending on how you plan to use the garden shed, there are several improvements that are worth considering. Switching from glass windows to plastic ones, for instance, is a good idea to consider. Plastic windows are much cheaper and won’t break as easily. These plastic replacement shed windows are also more durable, so you don’t have to worry about common problems such as scratches. A good ventilation system can also change the interior ambience entirely. Roof ventilators work particularly well for sheds. Better circulation will make working inside the shed for a long time much more comfortable. It will also help fight off dust and excess moisture. Lastly, a skylight or roof windows will make the shed a lot brighter without increasing your energy bills.
One last thing to consider when you’re in the process of improving your shed is security. Sheds are often not built to be entirely thief-proof, but that doesn’t mean you can skip installing a good set of locks and securing the interior properly. Padlocks and clutch-head screws are the things to use if you want to quickly – and affordably – secure your garden shed. You can also tint the shed windows or install a screen on the interior side to make it more difficult for thieves to see what’s inside. As you can see, improving your garden shed is not a difficult thing to do. Get started today and you’ll have a comfortable and organized shed that you can use more frequently. Recommended Reading:
Article by Veselina Dzhingarova Featured Image: CC0 Public Domain, source
We take a look at 5 rules to follow when tiling outdoor area to achieve the best results and make incredible landscape designs. Renovating the outdoor area with some beautiful tiles is a good idea to make it more interesting and eye-catching. Just like the indoor tiles, the outdoor ones are being offered in a vast majority of colors, materials and textures. However, contrary to the indoor space, tiling an outdoor area has some peculiarities that you should be aware of. In this post, we’ll go through the must-know ones.
Probably the most significant factor when choosing the right outdoor tiles is how you plan to use the space and what weather conditions are primary in your area. These are the most popular types of outdoor tiles you can consider: Ceramic tiles. They are the best options to use indoors and, provided that they have a sufficient PEI rating, can be used outdoors as well. If you decided to use ceramic tiles outdoors, do not glaze them as this would make the surface slippery when it’s damp outside. Porcelain tiles. Being much stronger and less prone to water absorption, these tiles make a better choice for the outdoor areas. Many come with a non-slippery texture. Quarry tiles. Coming in a very limited color range, these tiles are thick and dense. Home owners love them as they add a nice touch of Mediterranean design. Sandstone tiles. This is a great solution for patios. Remember, however, that they need to be properly sealed in order not to absorb water. Granite tiles. Of course, this type makes the most durable tiles. It doesn’t absorb water and salt and you don’t have to seal the tiles. Limestone tiles. These tiles are beautiful and strong and are a great choice for outdoors. The only drawback is they can easily be ruined by acids (both natural and acidic detergents) so be sure to seal the surface. Travertine tiles. This is a type of the limestone tiles which is famous for its spongy look. Just like the limestone, travertine tiles are very strong and durable but subject to the negative impact of acids. For this reason, make sure to seal the tiles. Soapstone tiles. These tiles make an exquisite choice for the outdoor area, even while being quite soft and, therefore, subject to scratches. You can fix the scratches with a mineral oil textures. Slate tiles. These tiles have a unique uneven surface which gives them a natural air. If you live in a warm region, you can safely install them outdoors. In colder climates, these tiles can crack. Outdoor rubber tiles. While not having that beautiful natural look, this type of tiles is great in terms of safety. It’s non-slippery and, coming in a vast array of colors and patterns, can be a perfect match for many homes. Outdoor deck tiles. If you’re a fan of DIY home renovations, these tiles will come in handy. You don’t even have to buy nails or adhesives. Just place them on the outdoor area and that’s it. Outdoor carpet tiles. Basically, these are square carpet pieces. You can easily remove, replace and clean them. They are non-slippery and could be installed in any outdoor area.
The climate you live in greatly impacts your choice of outdoor tiles. Warm climates allow for softer tiles, while colder regions call for tough, strong tiles. You wouldn’t like your brand new tiles to crack all over once the temperature falls to -2°, right? Before purchasing anything, consult a seller with regards to the weather conditions you live in. Don’t go for cheaper options – installing inappropriate tiles can not only turn out to be costly but dangerous to your health too.
It’s especially important to carefully check your outdoor area for any cracks, hidden valleys, etc. The surface should be smooth and even, otherwise the tiling process is going to be difficult, if not impossible. The area should be even enough to tile it.
Depending on the material and climate, the tiles can behave differently than you might expect. Sometimes factors such as sunlight or excessive moisture can cause the tiles to contract or expand. It’s a good idea to keep an eye on things after you installed the tiles.
In most cases, it’s recommended that you seal the tiles with a proper solution (depending on the tiles you used). That’s because the outdoor tiles are naturally exposed to a much stronger climate impact than indoor tiles. For this reason, you’d want to provide them with an extra layer of security. These practical tips will guide you through the process of buying and installing the tiles for your outdoor area.
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Article by Oleg Yemchuk Featured Image: By Eowkdfnd – Own work, CC BY-SA 3.0, source
UrbanLISP is celebrating; in 2016 the app store exceeded 100 AutoCAD commands. As a holiday offer all commands are now available FREE as social download! Of the many programs we use in landscape architecture AutoCAD is an essential one. For years now I develop AutoCAD commands, like the ones in the video above, inspired on projects in urban design and landscape architecture by renowned offices. In my UrbanLISP app store you can find the more extensive ones. This year I managed to release a whopping amount of 16 new commands. WATCH >>> UrbanLISP promo
Through that there are now over 100 commands available for you to download. A number that is reason for celebration. How do we celebrate? By offering all commands for free! Temporarily you can download ALL commands as a social download. Tweet or post the command on Facebook and you can download it for free and try it out for a while. 100 commands with a video to show what the command does. There’s about 4 hours worth of video material you can watch. That is a lot! So where to start? In order to get you going I give you my personal top 5 of AutoCAD commands from the UrbanLISP app store and I will tell you why it’s one of my favourites.
WATCH >>> Hatch Random
Download here Hatch Random is one of the first commands I’ve written and from my favourite category of commands; the randomisers. I was working a lot on urban plans for new residential areas, like this one in Amersfoort, the Netherlands, organising the plots and houses. The idea behind these plans was that every house should be different or at least be read as The idea behind these plans was that every house should be different or at least be read as individual house like you would see for instance in the historic centre of Amsterdam. A house is a place where a person or family lives, it’s part of your identity. As nobody is the same nor should the house be. A garden is an even stronger expression of personal identity. Like people, few gardens are exactly the same. This is something you can express easily in a plan drawing. By applying the colour green in a variety of shades randomly to the gardens you get a very expressive drawing.
WATCH >>> Categorize
Download here One of the main tasks in the development of the plans mentioned above was the organisation of the plots. The masterplans I’ve worked on often contained no less than 500 plots. The plots are the saleable parts of the plan so the clients always want to know how big these plots are. Although it is possible to write the area of a polyline in it, with 500 to a 1000 plots the amount of numbers dance in front of your eyes. With Categorize however you can hatch the plots on a layer according to its size. As a result you get a very graphic representation of the size of the plots in your plans. All of a sudden calculations become fun!
WATCH >>> Dimension Level of Polyline
Download here Besides plan drawings it is very common to make sections in landscape architecture to see the spatial ratios of your plan. They are also useful to understand the levels in your plan. This dimensioning tool combines very basic AutoCAD features into a powerful command for landscape architecture. The command uses a basic AutoCAD line entity as a reference for the level in your section. After all a level is a flat surface so a line is a perfect way to represent a level. In every section you can make a contour of the space. When you create a polyline to emphasise the contour you have a second basic AutoCAD entity. By applying ‘Dimension Level Polyline’ the command places a multileader, the third basic AutoCAD entity, pointing to every vertex of the polyline. The multileader shows the distance between that vertex and the line representing the level. So in one action you add all relevant levels to your section.
WATCH >>> Measure Alternating
Download here In the masterplans I’ve made the main roads are often guided by rows of trees in order to create beautiful lanes. It is common practise to draw a tree as a block. Measure and divide are two native AutoCAD commands that place trees on linear entities such as lines, arcs and polylines. I took these principals to make many similar commands with a lot more options. After all, in landscape architecture you should be able to place a tree on the exact position you want it to be without too much hassle. ‘Measure Alternating’ is such a command. What I like so much about this command is the composition of the trees in the end is of mathematic perfection based on one single linear entity. Creating a row of alternating trees along a line is not that hard. Creating it along an arc is a bit harder but still doable. Creating it along a polyline with a lot of curves, something that occurred a lot in the masterplans I’ve made, is extremely time consuming and hardly ever done right. ‘Measure Alternating’ is an easy way to do this. Besides it being quick the mathematic perfection makes the plan drawing easier to read. Be sure to make the polyline segments tangent to one an other, as I described in a previous article.
WATCH >>> Grass in Elevation
Download here Although I am a big fan of blocks I am reluctant to use them when it comes to nature in sections and elevations. You can use blocks for grass for instance. When you do however you will always read a repetition of that block. Grass in reality never shows any repetition. Besides, the stretches of grass you need to draw are hardly every exactly the length of that block. That means you have to cut or scale the block somewhere, somehow. Not to mention let the block follow curving landscapes. ‘Grass In Elevation’ allows you to pick a linear entity and draws grass on it. It does it randomly so the grass doesn’t show repetition and it does it on the exact length of the linear entity so you don’t need to remove anything. It is one of the essential commands in my work. Through this top 5 I try to show a glimpse of the many ways work in AutoCAD can be optimised. There are so many ways! Whether it is for conceptual designing or engineering. Whatever you use it for, you’ll find out drawing in AutoCAD becomes a lot more fun. Browse through the app store or have a look at the previous articles I’ve written for LAN. Follow UrbanLISP on Twitter or Facebook and receive tips a few times a week. Enjoy!
Article by Rob Koningen. Recommended Reading:
Article by Brooklyn Williams – We take a look at methods for bringing green back to the city, some of which you can do yourself today to make an instant impact. The first inquiry in a game of twenty questions tends to be “is it animal, vegetable or mineral?” Here “vegetable” means all kinds of plant life, not just the broccoli and cauliflower mom tried to get us to eat as a child. Whether for food, exercise or recreation we humans have a need to interact with the plant life around us. Human ingenuity has created ways for those of us in urban and suburban areas to bring some of the greenery closer to us.
Besides being a classic song by The Drifters, “up on the roof” is where architects and city planners are creating green areas. Take a close look of an aerial photograph of any urban/suburban center in the world and two things really jump out.
Aerial Photo of a City from our eBook – Green Roof Construction | The Essential Guide
Concrete Plant Park; credit: Malcolm Pinckney-NYC Parks
Even if there is no access to outdoor areas to plant gardens, there are ways of growing fresh herbs and vegetables inside. Examples here can include: Aeroponic—Something simple like the “as seen on TV” hanging planters that grow tomatoes and peppers year-round is one idea. Aquaponic—A simple and affordable idea I have seen is an enclosed symbiotic tabletop herb garden. A planter is set on a small fish tank, the plant bi-products feed the fish (typically a beta fish) and the fish cleans the water. Window Box—We’ve all seen the wood boxes hung outside off the window sills somewhere in our life. Today, there are pre-made systems where a small planter and a soil pod with seeds implanted are boxed together. Stick the dirt pod in the planter, water it, provide light and grow basil or lemon grass right over the kitchen sink. From macro to micro there are ways to bring greenery and food into the urban environments we have created.
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Article by Brooklyn Williams Featured Image: By Ryan Somma – source
Article by Agmarie Calderón Alonso – Koningin Juliana Square, by Delva Landscape Architects Urbanism / Powerhouse Company, in La Haya (The Hague), Paises Bajos (The Netherlands) Koningin Juliana Square, by Powerhouse Company and Delva Landscape Architects Urbanism, is a proposal that will connect the train station (Den Haag Centraal) in The Hague with the square, creating a way for visitors and the community to enjoy a new kind of space. Through an efficient configuration of pedestrian, bicycle, and vehicle circulation, the square will function as a guiding entrance toward the center for incoming visitors and local commuters. In addition, a new bicycle parking basement under the square will increase parking capacity while freeing up the square as a social gathering space. It is important to note that the greenery in The Hague has always been protected — in the early Middle Ages by the counts of Holland and, from the 14th century onward, by forest wardens and citizens alike. These efforts have been supported by the 1576 Act of Redemption, a law banning the felling or selling of trees. Thanks to this act, we can today enjoy this great site — Koningin Juliana Square, named for Koningin Juliana, or Queen Juliana, who reigned from 1948 to 1980.
© DELVA Landscape Architects Urbanism Powerhouse Amvest Synchroon KJ Plein Centraal station Den Haag Koekamp Park Entree_Montage Park entree
The plan for the square is to emphasize the landscape design, architecture, engineering, and program implementation. The open entrance hall of the train station merges seamlessly into the square, with the absence of doors or gates but with views of greenery such as autumn moor grass (Selseria autumnalis) and blue-green moor grass (Selseria heufleriana). The square serves as place of orientation, but also as a space for lounging. The design does not limit itself to Koningin Juliana Square, but continues as a connection into the adjacent Koekamp Park.
© DELVA Landscape Architects Urbanism Powerhouse Amvest Synchroon KJ Plein Centraal station Den Haag Koekamp Park Entree_Montage Entree
Creating a connection is part of the plan for this area also known as “The Hague carpet”. Each space has a specific identity in relation to its context or use. Much of this space is surrounded by museums and public buildings, and the intention for Koningin Juliana Square is to design a “green carpet” extending toward the historic center, the Museum Quarter, The Hague forest, and the beach.
© DELVA Landscape Architects Urbanism Powerhouse Amvest Synchroon KJ Plein Centraal station Den Haag Koekamp Park Entree_Montage Park
Knowing the daily path of the sun, the landscape architects have composed a unique architectural form that will allow the right amount of sunlight for the space. They have created a “kiss & rise” zone where traffic flows easily through Den Haag Centraal station, passing within an open façade line toward Koekamp Park. Traffic flows are managed in a subtle and casual way through the manipulation of leisurely undulating green hills.
© DELVA Landscape Architects Urbanism Powerhouse Amvest Synchroon KJ Plein Centraal station Den Haag Koekamp Park Entree_Montage Stadshal – Copy
Having a space that people can actually enjoy passing through no matter what the time of day is a challenge in itself; having a space that connects to other important points in the city is a masterpiece, in my eyes. Conceptualizing the site into a clear space or area within the city, giving it a new “face”, was very important. The design team was able to make it work because they went into this project thinking correctly about the space, volume, density of the area, and how people would and could go through it.
© DELVA Landscape Architects Urbanism Powerhouse Amvest Synchroon KJ Plein Centraal station Den Haag Koekamp Park Entree_Montage Paviljoen
Utilizing the interaction between Koningin Juliana Square’s green hills and Koekamp Park’s greenery, which bleeds across the road and into the square, brings it all together. The undulating hills resemble The Hague’s historic dune landscape, providing a social, leisurely space that mitigates the need for tree planters and exhibits a variety of different shrub and tree species. For example, the design uses calcicoles, which grow well in calcium-rich soils like those found in The Hague.
© DELVA Landscape Architects Urbanism Powerhouse Amvest Synchroon KJ Plein Centraal station Den Haag Koekamp Park Entree_Montage Fietskelder – Copy
The architects have used an integrated approach based on the principles of a circular economy, in which waste flows are mitigated through reuse and recycling. This allows the station building to perform well in terms of energy consumption, but also in terms of water and waste management. The goal is to create a sustainable environment. The design also uses granite bordered by water-permeable asphalt with a brown top layer, a material inspired by traditional Dutch towns, that contributes to an atmosphere of a city park.
© DELVA Landscape Architects Urbanism Powerhouse Amvest Synchroon KJ Plein Centraal station Den Haag Koekamp Park Entree_Montage Paviljoen en Plein in de avond
In the area of the planting, the strength of the green hills is enhanced by tree rooting but also by the introduction of flowering bulbs, such as Giant snowdrop (Galanthus elwesii), Lady Jane (Tulipa clusiana), and Reticulated iris (Iris reticulata). The flowers will create beautiful and colorful moments, blooming in spring and dying off no later than April. Along the edges of the hills, a variety of ornamental grasses and perennials appear, adding to a dynamic and exciting array of colors. By developing an area that creates a connection within different spaces in the city, the landscape architects have conquered design, form, and composition, having the broad idea of using space correctly and introducing sustainable concepts to what could have been only more buildings. What experience can you create by connecting built spaces with landscapes?
© DELVA Landscape Architects Urbanism Powerhouse Amvest Synchroon KJ Plein Centraal station Den Haag Koekamp Park Entree_Montage Avond
Project: Koningin Juliana Square Architect: Delva Landscape Architects Urbanism / Powerhouse Company Collaboration: Metabolic, Skonk, IMd, Goudappel Coffeng, Nelissen Location: La Haya (The Hague), Paises Bajos (The Netherlands) Year: 2016 to present Budget: € 50,000,000 Size: 42,000 square meters Recommended Reading:
Article by Agmarie Calderón Alonso