Author: Land8: Landscape Architects Network

We’ve all experienced it at some point — that sinking feeling when you know a landscape project isn’t going to pass. Toe-curling anger, frustration, regret, shame, embarrassment … and that’s just the tutors. There are many reasons why landscape architecture student projects fail to achieve a passing grade, and over the last decade, I’ve seen and heard just about all of them. Often, students focus on the poor grade as the primary negative. It’s not. The true downsides of project failure include the impact on self-esteem, confidence, and motivation and the impact on proceeding projects. To help you make sure projects get through the grading process unscathed, I’ve put together a list of key things to keep in mind. The list is not exhaustive, but it should help. 10. I love your Caesar salad, but I actually ordered steak

Although the design brief represents the hub of any landscape project, it is often overlooked, ignored, or avoided out of fear or forgotten in the excitement of design ideation. “Eh … we’re supposed to have sections and a model; I didn’t see that in the brief?” To avoid serving Caesar salads when steaks were ordered, do the following: Read the brief a number of times, highlight keys points, have a discussion with colleagues, form a consensus, ask questions, pin it to your board and make a point of revisiting it numerous times over the project duration. No matter how wonderful your ideas, always deliver what was asked in the brief. 9. Did you read the small print? Learning outcomes are statements used by tutors to inform the grading process.  They are often ignored by students, as they may appear complex. Many students simply skip over them in the rush to see what they have to “produce”. Outcomes should clearly indicate what is expected; they sit beside the wider design brief in terms of importance. Read them carefully. Ignore them at your peril. 8. ‘Cause I just like circles, that’s why The most important word in a landscape architecture student’s vocabulary should be WHY? The search for WHY is a foundation stone of design education; it underpins all conscious design decision-making and, for those with passion, it fosters a lifelong inquisitiveness. Design is a purposeful and intentional process, and good projects are always well justified and rationalized. WHY should be a known. If you want to fail a project, start your presentation with eh, well eh, I just, kinda sorta like swirly lines and stuff.  

7. A matter of principle and element 

Following closely behind WHY are those three magic words — line, shape, and form; they are proceeded by color, texture, harmony, and all the design principles. Projects that succeed will be built on these, and students should be able to articulate how they have utilized them to deliver their design intention. If your proposals are not built on these, what are they built on?  6. The Offset generation CAD has done much to lessen the impact of the more onerous aspects of design. But for the young design student, it can restrict ideation, create the illusion of completeness, and result in proposals devoid of human experience. Worse still, designs trapped on screen limit the important social iteration process so important in design development. Want to do well in a project? Leave CAD until you have a well-rounded idea.  5. Devil in the details The first inkling a tutor will have that a student doesn’t understand what they’re doing is drawing scale: Small drawings usually indicate poor understanding of detail. Want to demonstrate understanding? Go large. Talk millimeters rather than meters. 4. Talk is cheap … so stuff your face Design is an iterative process that succeeds best in a social setting. The strongest projects are those that emerge through dialogue and open questioning. If you’re hoping to do poorly, stay at home, don’t talk about your ideas to anyone, and never invite any questions. Want to do well? Attend every class, develop a thick skin, open your ideas up to everyone, and ask, ask, ask. 3. Bad timing

Managing time is a real challenge for new design students. But as experience builds, they should be able to identify and structure how time is best allocated. In the real world, clients could care less about excuses for non-completion. If you want to do well, learn to manage your time effectively. Move deadlines forward. 2. Indecent proposal There’s nothing worse than a brilliant idea poorly presented. Well, actually, the converse is probably worse. Paying attention to presentation is vital in landscape architecture. Many projects fail to cross the line because insufficient energy is devoted to how ideas are communicated. Want to avoid the presentation pitfalls? Re-read the brief, allocate time, plan the structure and content of both graphic and verbal elements, practice, and treat every presentation as a professional interview.

1. Objects and features

A classic but understandable mistake that can seriously undermine the quality of a landscape project is over-emphasis on objects and features. Young students often attach to the tangible qualities that objects offer. In the best cases, they are able to spin a spatial composition around them; but more often than not, objects are simply “plonked” into an area with little consideration given to what’s “left over”. If you want to avoid failure and strengthen your process, focus on the creation of space: The objects will look after themselves. This list could go on, and I’m sure you could add to it. Passing student projects is not about being a graphic designer, an artist, a horticulturalist, an engineer, or a computer whiz (although these things can come in handy); it is about engagement, awareness, passion, thirst for knowledge, the ability to recognize failure as a learning opportunity, and, most importantly, the willingness to learn from mistakes. Related Articles:

• 7 Things You Should Never do as a Landscape Architecture Student!
• 100 Lessons Learned From Studying Landscape Architecture
• 10 Tips Every New Landscape Architecture Professional Needs To Know

Article written by guest writer Barry Lupton MGLDA Barry Lupton has spent the last 15 years dividing his time between creating gardens and landscapes, lecturing in design and environmental studies at Senior College Dun Laoghaire, and writing on industry matters. He can be contacted through his website: www.barrylupton.com Return to Homepage  Feature image: Image credit: Joy Brown / Shutterstock.com

A Path in the Forest is an incredibly beautiful and elegant installation making its way through the trees up to the sun in a park in the heart of the city of Tallinn, Estonia. It was created by Tetsuo Kondo Architects, a Japanese firm, as part of the urban installation festival LIFT11. The festival was one of the activities offered by the City for European Capital of Culture in 2011. A set of artistic, architectural, and landscape design projects was put together to enrich the surrounding environment and create new experiences for citizens. The company presented a similar spiral path at Architecture Biennale in Venice, but this iteration is slightly different. The Estonian walk takes the visitor through an indoor cloud artificially created from three layers of air pumped into the space. The architectural studio puts the human common perception of the surroundings under question.

What is LIFT11 LIFT11 is a festival featuring 11 urban installations. They are selected through a design competition, which Kondo won.  The studio was invited to create the path. The 95-meter-long walkway is situated in a beautiful forest known as Kadriorg. Trees have grown there for more than three centuries, making it a majestic landscape. The elevated path was crafted from 139-millimeter steel pipe and a thin steel sheet that weaved among the trees, ultimately not using a single column. This design of the tree top walk detail gives visitors the opportunity to see the forest from another perspective. Instead of looking from the ground up, the path takes the viewer amidst the overstory of the tree canopy. Undoubtedly, a pleasurable experience! It is an invitation for humans to investigate further, to feel something new, to examine nature in a different way. It is truly a harmonious project between nature and structure, in the sense of its creation and shape. The installation doesn’t stand for itself, as a piece of art, but instead elegantly underlines the natural beauty. Despite its charm and success, the installation was temporary for the festival. But it is an inspiring example that can be repeated or reinvented, a fine solution that provides a way to give identity to an urban park, to make it more attractive for curious citizens. Boomkroonpad: Tree Top Walk 

A Path in the Forest; credit: Tetsuo Kondo Architects

The idea of a tree top walk above the forest is actually not new. “The treetop” Boomkroonpad is a tourist attraction and part of an educational theme park in the Dutch province of Drenthe. Visitors can walk a 125-meter-long trail above the treetops and climb spiral staircases in order to experience incredible panoramic views. Nevertheless, these projects have a common ground: gaining knowledge. The call is for new experiences, for breaking the patterns, for reinventing the surroundings to make them better, and for adding new value. The designer said it best: “It is a piece of architecture which exists for the woods as the forest exists for the architecture. We cannot change the form of the forest, but we think the various elements in a forest can become one entity in this condition. “I hope that we can experience a forest, architecture, and an environment which we do not know yet.” Have you encountered similar walks high in the trees? Article written by Slavyana Popcheva  Featured image : A Path in the Forest; credit: Reio Avaste all other images courtesy of  Tetsuo Kondo Architects

The city of Detroit could soon look much less like a city, and much more like a wilderness bringing to life an urban forest.  Due a high concentration of vacant properties, it has long served as a palette for designers to test large scale interventions in an aging urban core. Only recently has one of the many proposals start to come to life.  Locally based Hantz-Woodlands has reached a deal with the State of Michigan to purchase 1,500 parcels of land for $500,000, with the intent of planting an urban forest on what is now mostly a vast landscape of abandoned homes and overgrown weeds.

The revolutionary urban forest

The project will take place in the Indian Village Neighborhood on Detroit’s southeast side.  Within the perimeters of the project (Van Dyke to the west, St. Jean to the east, Mack to the north and Jefferson to the south) there are 180 city-owned vacant homes. What differentiates the Hantz-Woodlands project from some of the other outside groups is their commitment to invest and improve the neighborhoods, not only from a personal standpoint, but part of their new contract. Hantz employees have already begun regularly mowing overgrown lots, inspiring nearby homeowners to get involved as well as take better care of their own property. The plan is to be carried out in the next 2 years, with intent to demolish at least 50 vacant homes, and plant entire blocks with hardwood trees.  The trees selected are mostly Oak, Maple and Poplar, so they will reach full maturity in roughly 50 years, proof that this project is truly an investment rather than temporary relief.

You may also like our Top 10 Sacred Trees, which includes oak and many more great specimens. Transforming the city into an unique landscape None of these planted zones will be private or fenced off, but rather open to the public. The hope is that the people in the community will transform and adapt the spaces to fit their needs- the trees are simply a framework.  Although residents are encouraged to help maintain the new green space, Hantz will cut the grass regularly and ensure proper growth of the trees for the duration of the project. Some critics of the project have questioned why more isn’t being done in terms of creating a productive landscape for urban agriculture. Proponents say that the concept of urban food forests, as found most notably in Seattle, is not feasible in Detroit for several reasons. The pros and cons of an urban forest A large amount of the soil is contaminated from industrial waste, and the climate is much more frigid than that of the northwest, eliminating many of the options found in Seattle.  In fact, Hantz-Woodlands is itself a faction of the larger organization Hantz-Farms, whose main focus is…you guessed it… urban agriculture.  In Detroit, however, they have opted for a different approach that would focus more on solving social and environmental issues, although it is a goal to implement food systems if possible. The plan would create grassy lawns shaded by clean rows of trees, with the intent to provide safe, visually appealing parcels of land that had previously been dangerous eyesores. Below: Hantz Farms: Detroit’s Saving Grace Detroit has seen countless proposals due to its status as the poster child of dying industrial cities of the Midwest. Architects from all walks of the profession have had a hand in putting forth new ideas to reinvigorate a city that has become a shell of itself. All this interest has seemed to finally result in tangible results, and perhaps the tables have turned, with the city now serving as a positive example for others.  Officials from Cleveland and Indianapolis have taken an interest in the project, proving that once someone takes that bold step of turning a plan into reality, others take note. Article written by Peter Salamon. Featured image:  Atomazul / Shutterstock.com

As 2013 grinds to a halt, it only seems fitting that here at LAN we sit down and take stock of the year gone by. With such a slew of world-class landscape architecture projects — either freshly consummated or procuring maturity through phases of design implementation over time — choosing only 10 was no easy feat. With an emphasis on waterfront revitalization and urban greening, here are the top 10 projects of 2013. 10. Victorian Desalination Plant Green Roof,Bass Coast, Australia This 26,000-square-meter piece of land art minimizes the dominant visual impact of the seawater processing plant along Australia’s Bass Coast. With no established green roof industry in Australia, no strict standards needed to be adhered to when designing the roof. The roof showcases key principles of water-sensitive urban design and represents the potential that green infrastructure has in realizing energy reduction through increased thermal performance, carbon sequestration, and reduction in carbon concentrations. 9. Ceramic Museum and Mosaic Park- Jinzhou, Dalian, Liaoning, China by  Casanova + Hernandez Architecten

Landscape and architecture, mosaic and museum: These unite as one element through the design’s clever visual consolidation of built form and nature. The vivid hues of this polychromatic composition are the result of four colorful flower species and the fractural remains of Chinese porcelain and ceramics. These materials reference the region’s once prosperous pottery trade and the many centuries of commercial and cultural exchange.  8. Wenying Lake, Datong, China Known as the “Mother Lake”, this invaluable reservoir acts as the essential water supply for the city of Datong, considered the most polluted city in the world. Simple yet effective environmental planning strategies have been put in place to combat the ramifications of continual urban development and degradation, restoring the water quality and ecological value to the region. See this project here  7. St. Jacques Ecological Park, Saint Jacques de la Lande, France by Bruel&Delmar. St. Jacques is located in the northwest of France, the park being a dividing line between two neighborhoods at the bottom of a valley. The notion that water takes the form of its vessel holds true in St. Jacques, with the precious resource being ubiquitous on all scales throughout the park. Ecosystems are protected and further developed through skillful water-sensitive urban design, and as a result the design was awarded a national prize for “Wetland area in Urban Context” in 2012, with phase 3 complete this year. 6. Crown Sky Garden–Chicago, Illinois, United States, by Mikyoung Kim Design Located within the Children’s Hospital of Chicago, the Crown Sky Garden provides an intimate refuge for inpatient children. The 5.000-square-foot area of the 11th floor has been transformed into a restorative healing garden, providing a rich experience through the use of light, water, and vibrant colors. Atop this, the 12th floor acts as a protected treehouse space, designed for children with health conditions preventing them from engaging the main garden. Opened in November 2012, the design has deservedly won a 2013 ASLA honor award. 5. Mill River Park and Greenway–Stamford, Connecticut by OLIN The restoration of Stamford’s integral waterway allows the return of its natural flow and reverses the effects of its damaged ecological systems. This new urban oasis is a place for visitors and inhabitants to gather, play, reflect, and engage with the reclaimed river’s edge. Several new phases of the park are under way, aiming to further activate the banks of Mill River and extend the greenway south. 4. Lotus Lake Park–Kunshan, Suzhou, China by Integrated Planning and Design Lotus Lake Park is a revitalized urban waterfront situated in the canal village of Kunshan, China. Water and music are of significant value to the local community, and have destined the park’s two key landscape elements. The resulting landscape provides restoration for despoiled habitats, wetlands, and waterways, while simultaneously creating public open space for recreation and education.  3. Leicester Square–London, United Kingdom by Burns + Nice Also featured as our number 7 in our  Top 10 Squares for Detailing ,this historic West End square is one of London’s most frequented areas, attracting around 2 million visitors each and every week. The design draws influence from the late 19th century form of its central gardens. Spatial separation of the square is established through a “white ribbon”, acting as informal seating, along which sits a “green ribbon” of sweeping textural planting. Once an unkempt public space, the square’s thoughtful and contemporary design has provided London with a new type of urban space. The firm responsible, Burns + Nice, have earned numerous accolades this year for the design. 2. The Australian Garden, Royal Botanic Gardens Cranbourne–Cranbourne, Australia by TCL Landscape Architecture Urban Design Australia’s largest botanic garden devoted to the display of native flora stakes claim to the best landscape project of the year award at the 2013 World Architecture Festival and also featured in 10 Great Projects Showing why Australia are Leaders in Landscape Architecture. Users are taken on a metaphorical and experiential journey through the ever-changing Australian landscape. Situated on the site of a former sand quarry, the garden illustrates the artistry of landscape architecture through an assimilation of horticulture, architecture, ecology, and art. 1. Gardens by the Bay — Bay South–Marina Bay, Singapore by Grant Associates Opened mid last year, this 54-hectare, verdant wonderland is the first of three distinct gardens that aim to form Singapore’s new urban oasis by the year 2015. Bay South is comprised of a collection of special horticultural gardens, each containing mass flowering and colored foliage. The visual highlight is the 18 iconic“Supertrees” — uniquely designed vertical gardens suffused with tropical climbers, epiphytes, and ferns. Through its intelligent environmental infrastructure, Bay South is a fine example of multi-disciplinary collaboration, and has recently been awarded the 2013 Landscape Institute Fellows’ Award for Climate Change Adaption. There you have it — 2013 summed up in 10 amazing  landscape architecture projects that will continue to prosper for years to come. Now, keep your eyes peeled for our “Top 10 projects to look out for in 2014”! Article written by Paul McAtomney Featured image; credit: John Gollings

For countless generations, humans have disposed of their dead in the landscape — in churchyards, burial grounds, and cemeteries. The design of these “deathscapes” can tell us a lot about the cultural Zeitgeist of the time. The earliest human burial is thought to date back nearly 350,000 years ago. Since this time, every human culture has disposed of their dead in the landscape in a variety of ways. With the world population now in excess of 7 billion, we take a look at how the landscape can accommodate our dead in a sustainable way. Landscape, design and death The method of burial or commemoration of the dead, and the design of burial grounds, can tell a lot about the culture of the deceased and their generation. In western culture, we are influenced by a Christian heritage, living in what could be described as a post-Christian culture. This has inevitably influenced the design of our cemeteries.

In Christian culture, death is seen as a transfer of the spirit to the afterlife. Key to the method of burial in Christian cemeteries and churchyards is the belief in the resurrection of the flesh, come judgment day. This inevitably influences the design and form of the graveyards. For example, all Christian burials face east (the direction believed to be from where Christ will come again) and are located within consecrated ground such as churchyards. Therefore, the most logical spatial arrangement is to orientate the burial plots in rows. This gives rise to a formal, rectilinear, design. The legacy of this rectilinear design can be seen in many secular post-Christian, interdenominational cemeteries such as Arlington National Cemetery, a military cemetery.

During the Victorian period in the U.K., dynasty and remembrance began to dominate the landscape of death, with elaborate decorative tombstones and monuments intended to communicate the wealth, affluence, and status of the deceased, as exemplified in the infamous Highgate Cemetery in London.

What is a green burial?

Presently, there is a growing trend in the west for Green Burials. With the increasing focus on minimizing one’s carbon footprint during life, many people are turning to natural burial practices as a way of demonstrating their eco-credentials. In a similar way to the Victorian burials’ attempt to communicate the affluence and status of those interred, nowadays many people are interested in what the next generation will think of the way they treated the environment.

In many ways, Green Burial makes a lot of sense. According to the Casket and Funeral Association of America, 70,000 m³ ofhard wood, 90,272 tons of steel, 2,700 tons of copper and bronze, and 3,130 m³ of embalming fluid are buried through traditional burials every year — a substantial drain on limited assets! Cremation also takes its toll on the environment. Statistics from the Cremation Association of North America show that it can take two to four hours at temperatures ranging from 760 to 1,150 degrees C to fully cremate a body. This is estimated to be roughly equivalent to the energy required to drive 4,800 miles, or 7,725 kilometers. Added to this are the considerable toxins that are released into the atmosphere during cremation, such as carbon dioxide, lead, nitrogen oxide, and hydrogen fluoride (to name but four).

The practice of a Green Burial

Green Burial involves the interment of the body without embalming, using natural coffins or caskets to enable the body to decompose naturally, returning its nutrients to the ground. The aesthetics of Green or Natural Burial Grounds often reflect the environmental choices made by the interments. Gone are the rigid formal lines and large tombstones, in favor of woodlands, meadows, and open fields, as can be seen in sites like Binningwood, Westall Park, or Prairie Creek Conservation Cemetery.

This paradigm shift in our deathscapes has further reaching consequences though, as we gradually change our perception of the landscape of death and remembrance. In her article Cemetery Park, Sonia Jackett examines how St. George’s Field in Leeds has been transformed from a cemetery into a public park, while Southern Cemetery in south Manchester (the U.K.’s largest cemetery) has been designated a National Nature Reserve for its biodiversity.

Deathscapes for the 21^st century will inevitably depart from the rectilinear form-language of the post-Christian typology to a more naturalistic form, and, like Cemetery Park and Southern Cemetery, will have to fulfill a multitude of functions, from providing space for relatives to mourn to performing green infrastructure functions such as habitat, biodiversity, and public recreational space. While there is currently a dichotomy between traditional cemeteries and natural burial grounds, the future may see the lines between these two typologies blur, and as seen with St. George’s Field, old cemeteries may even be overhauled to meet 21^st century needs.

Find out more about Green Burials at www.finalfootprint.com Recommended Reading:

• Graceland Cemetery: A Design History by Christopher Vernon
• Stories in Stone: A Field Guide to Cemetery Symbolism and Iconographyby Douglas Keister

Article written by Ashley Penn Return to Homepage

It’s a common misconception that homeowners don’t need lawn maintenance as much in the winters as they do in the summers. In fact, improper maintenance can lead to snow mold and other lawn diseases, while the fallen winter leaves can smother the aesthetic appeal of the grass and flowers. The cold season also reduces the soil’s natural capacity to eradicate weeds and increase the green on the turf, which also requires the use of herbicides and fertilizers to keep things running. But with a proactive approach, you can make the lawn disease-free and maintenance free as well as prepare it for the season ahead. And the best part… You can contribute to nature while maintaining the lawn with these 4 organic additions below: 1. Start seeding Winter is the time to fix up the bare patches because the grass plants will have ample time to grow into a healthy root line that will transition from the winter into the spring season. If your lawn has one of the warm grasses like St. Augustine, you can also place extra winter grass seeds. This is because the warm grass usually loses color and becomes inactive in the winter, so winter grass seeds will make sure you have green grass throughout, until the lawn is covered by snow. 2. Harvest some fruit Growing fruit on your own trees in the winter is one of the most satisfying lawn care activities for homeowners. Apart from new trees, you can also prevent the congestion and loss of productivity in the existing trees by pruning: mainly for apple trees. However, it’s not as simple as it sounds, because there are a lot of factors that come into play, such as the ability of the lawn to withstand the new plantation, the health of the soil etc. Moreover, looking at the selection of apple trees from Willis Orchards, you can see there are several varieties. Therefore, you’ll need to understand the condition of your lawn to determine its fruit planting ability and then decide on the type you want to grow. 3. Use eco-friendly fertilizers Eco-friendly fertilizers utilize natural nutrients so they don’t promote acidity in the run off or soil. The food web of the soil stores them until they are required by the plants, promoting a sustainable lawn over the next few months. You can combine the use of eco-friendly fertilizers with organic matter and use compost to top dress the soil. While you may find it difficult to spread the compost, the results will make it worth the extra effort–or you can use compost tea, which is easier to spread. Don’t waste organic fertilizer on clover, dandelions and other broad-leaf weeds: remove them with bare hands. 4.  Keep the clippings, but get rid of the extra thatch There’s a difference between thatch and clippings, and thatch doesn’t result because of the clippings. The reason you should retain clippings in the winter is that it contains 90% of water, and allows the nutrients to return to the soil. On the other hand, thatch becomes a barrier for air, water and nutrient so the soil’s health is comprised. Some thatch on the lawn is acceptable. How do you provide for your lawn during winters? Feel free to leave comments. Article written by guest writer Brooklyn Williams

We know you all enjoyed our GIF party part 1 Life as a Landscape Architect; now here’s our second addition The 10 stages of being a landscape architecture student.

Being a student is hard, but being a landscape architecture student is even harder! We know you must be very busy – as usual – but take a break from your projects for a minute and come have a laugh with us – after all, a relaxed mind is a productive mind!

Stage 1: You start off bright-eyed and bushy-tailed…

Stage 2 : Confidence grows, starting to realize the power you have…

Stage 3: “Hang on, I’m incredible!”

Stage 4: Social life? What social life?

Stage 5: “The world is ending and I’m going to save it!”

Stage 6: “This is getting a bit too technical, I’m an ideas man!”

Stage 7: “Should I set up a blog? I’ll set up a blog, then the world will see how professional I am.”

Stage 8: “I could work anywhere in the world!”

Stage 9 : “My lecturers are my friends!”

Stage 10 : “Why can’t I get a job?…”

– We hope you have enjoyed! –

Of course we are not trying to put you off becoming a Landscape Architect, (in fact here’s 10 Great Reasons to be a Landscape Architect) We aim to show you are not alone in this journey – you will see it will be worth all the effort. 🙂

Check out our first GIF party: Life as a Landscape Architect.

GIF party put together by Julia Lucchese Featured image: shutterstock.com

Parks, squares, waterfronts, gardens, water features, art, creative and natural playgrounds, industrial, installations, residential parks, private gardens, restorations and many more directories for landscape architecture can be found  in this selection. The latest news,  best practices from professionals and students all around the world are available on the internet. This is the quickest way to find them now. But be careful and try not to overdo it. It is addictive! With this warning, here are the best online resources for landscape architecture. 10. Pinterest

It is a huge resource of outstanding landscape architecture pictures. It can help you  browse for inspirational ideas, impressive designs of all kinds, parks, gardens, details and plants. 9. GAP photos, Garden and Plants

Similar to Pinterest, Gap photos supplies more than 300 000 pictures of garden design and horticultural projects quickly and easily. Keywords  suggest  the main plants that are used in the specific garden you are looking at. Great help for quick and fruitful research for the garden. 8. Land8 Besides the great amount of projects, photos and videos, this is a website where you can also participate and enrich it with a project, opinion, or enlarge your awareness for the field of work through the blog. I have recently peered in a discussion about job interviews. 7. Landscape + urbanism For projects taking a broader view, zooming out from the scale of the private garden and landing on the scale of the city. For those who want more than inspiration, but are eager to go  deeper into a certain topic, this is the right place. Here theory and practise come together. Besides the rich directory of the blog, it can redirect you to  numerous other websites in different languages  according to the topic that you are interested in. 6. Playscapes

An essential part of landscape design, each of us dreams for a place  to find a great variety of playgrounds. This is not appropriate for those of you looking for standardized playgrounds. Here can be found creative playscapes from artist and designers with great awareness of what a good quality  children’s playground should be. 5. Landezine Visually beautiful website with excellent organization promoting landscape architecture. It is well supplied with photos and good quantity of information for the projects. 4. Landscape Architecture Magazine  The monthly magazine of the American Society of Landscape Architecture has a history since 1910. It is a valuable piece in your online library. 3. World landscape architecture It will keep you up to date with the latest projects, competitions and news around the world. 2. Landscape Institute

The UK based equivalent of ASLA is a priceless resource for landscape architecture related topics, projects, jobs, news and guidelines. 1. ASLA ASLA promotes the highest level of care and design about landscape architecture. It’s a great place for information about everything related to the topic. From how to start your journey as a landscape architect, the best ways to continue it and online learning, to data about important conferences, competitions for professionals and students and latest news in the field. From private gardens to large scale public realms, this list of the best resources will keep you well informed, up-to-date, interested and more passionate about landscape architecture. You will encounter the numerous ways the profession can inspire you, increase  awareness of the importance of landscape architecture to you and to the wider society as well. Article written by Slavyana Popcheva.

What happens when landscape meets work of art? Art takes the scale of landscape and the results may be very exciting and unexpected. Discover the most extraordinary pieces of land art that challenge the imagination and engage a more creative and courageous approach when designing the next project. 10. Singing ringing tree This singing sculpture is set in a windy landscape near Lancashire, England, and when the wind blows it produces music. 9. Windstalk This conceptual project combines art, landscape, energy issues, and … romance. More than 1,200 55-meter-high stalks are lit up by an LED array, creating a dreamy star-like night scene. The stalks are organized in a logarithmic spiral resembling the center of a sunflower. The power of the project lies in the fact that it works as a wind turbine array and states that renewable energy can be beautiful, as well. 8. Light and Geometry Interventions Spanish artist Javier Riera and his project challenge the imagination with a disruptive picture of the landscape. Using powerful light, he projects geometrical patterns onto natural landscapes. Thus, the projections can appear to transform a treeline into a two-dimensional plane or to add geometrical shapes to the wilderness. 7. Intricately Patterned Land Art That is Washed Away by the Tides Now, I am sure you have never tried this on the beach. Intricate land art patterns appear just for some hours during the day under the garden rake of the artist before the tide sets in and the waves wash them away. 6. Snow Art by Simon Beck A similar example, but more durable, is the snow art of Simon Beck, a map maker and artist who has been drawing paths with his old-school snowshoes since 2004. Some of his artwork is inspired by the snow itself and the beautiful patterns of snowflakes. 5. The Sky Crater One of our Top 10 Irish Landscapes, the magnificent “Crater”, part of the woodlands at Liss Ard, finds place in this compilation as a landscape project that plays more with humans than with the landscape. Lying on the stone structure — on the bottom — and looking at the dome above is a truly extraordinary experience! 4. Horizons Gibbs Farm is home to more than two dozen pieces of art spread over a 1,000-acre site in North Auckland, New Zealand. Gibbs calls the farm a “sanctuary for the senses”. The stunning works are a massive horn-like sculpture and a 544-meter-long white picket fence that snakes through the landscape. But Neil Dawson’s 45-foot-tall steel may be the most famous of all – a framed outline of a napkin fluttering through earth called Horizons. 3. A Forest by Jim Lambie The last additions to this bizarre collection belong to the same sculpture park that is comprised by many contemporary artists, sculptors, and land artists. The art works in Jupiter Artland are landmarks, events, and confrontation on the journey of discovery. The artist used tessellated panels of painted chrome peeled back to reveal splashes of color. The artwork has a long-lasting dialogue with the natural surroundings, since the changes of the seasons reveal a vast palette of colors. 2. Suck by Anish Kapoor Moreover, to really confront the perceptions, the artist Anish Kapoor placed a 17-square-foot cage in a peaceful surrounding at Jupiter Artland. This cage enables the viewer to witness a void sinking into the Earth, leaving a sense of dislocation and fear of being pulled into the depths. 1. Cells of Life The latest finished project is the “cells of life” landform. The designers nurture the idea of land art as a relationship between each artwork with the topography of the landscape where it is situated. This is the key concept of land art. With its playfulness and diversity in shape and form, it is an outstanding piece of land art. To perform art on the landscape means to take a path that can lead to an open-ended journey. Rule breaking, surprising, touching, beautiful, and sometimes non-understandable land art is a different perspective for designing. See the diversity and create your own piece of art! Recommended reading:

• Land Art by Ben Tufnell
• Andy Goldsworthy: A Collaboration with Nature by Andy Goldsworthy

Article written by Slavyana Popcheva Return to Homepage

You go to university to learn. Everybody knows that. As a student, increasing your level of intellect week after week is a rewarding feeling. This due to the aptitude of your lecturers and the knowledge they impart to you. Be that as it may, there are numerous bits of invaluable know-how that aren’t in your curriculum. Here are 7 things you must know to succeed as a student. 7. Keep up to date with the industry

Be aware of what’s going on in the world of landscape architecture. Things like projects, news, trends, research, opinions, or topics of concern – the list goes on. Landscape architecture is an industry that’s continually evolving and growing, with so many exciting facets to explore and be well informed about. Keep browsing websites like this! 6. Start networking Be it fellow students, industry professionals, friends of friends, or even the guys in charge of the workshops, you should be making as many social acquaintances in the industry as humanly possible. You never know when you may need a helping hand at university, and getting to know people in the industry may just come in handy when you go searching for work experience. Universities often have organised meet and greets with local professionals, go to them! Learn all about networking with the pros in our feature article 10 Easy Ways for Landscape Architecture Students to Network with Professionals 5. Real world office experience Your lecturers obviously possess an abundance of knowledge. Regardless, it’s important that at some stage throughout your studies you actually go and see how things are done in the real world. Firms are often happy to take you on; after all, it (usually) isn’t paid. You’ll get a feel for what it’s like to work in a professional environment, start the next semester with a supeme level of knowledge, and put yourself in a great position to be employed as a graduate. 4. AutoCAD and Photoshop won’t make you great designer A level of proficiency at AutoCAD and Photoshop is a great resource to have at your disposal, and something you should be aiming for as you progress through your studies. However, upon unearthing the power of these programs, students often implement them too early in the design process, quashing any creative sparks that may have been close to flying. This consociates directing with number 2 below. Keep drawing! 3. Ask stupid questions Asking stupid questions may seem like stupid advice, but it’s not! Forget about how dumb you might feel – if you don’t understand something, stick your hand up. 99% of the time the rest of your classmates will let out a subliminal sigh of relief as they are all wondering the same thing, but too embarrassed to ask. Chances are you’re spending a great deal of money to be at university, so make sure you leave class each day with a new level of intelligence, not confusion. 2. If you can think it, you can draw it It may take some time to succumb to this notion, but it’s true. As designers, putting pen to paper and visualising ideas quickly and effectively is essential. If you weren’t adept at hand drawing when you started university, chances are that unless you keep practicing, nothing much will change. Just sketch stuff, it doesn’t have to be pretty! Make the skill of representing ideas on paper second nature. See more excellent examples of free-hand drawing in our Sketchy Saturday Top 10 1. Discover your own study/social life balance All student landscape architects know how time consuming and intensive university can be. Despite the high workload, it’s important to maintain some form of social life while studying! I know, sometimes ditching all that drawing to go out with friends on a Saturday night simply isn’t an option. But more often than not, the time you spend procrastinating in front of your desk is better spent just enjoying yourself. Just don’t overdo it. You’ll come back to your work feeling less stressed and with improved cognizance. Being a student can be great fun, but at times it can seem arduous. The aforementioned tips are designed to make your life just that bit easier throughout the semester. Admittedly, I’m sure there are many more, these being the ones I’ve found resonate strongly. I hope they help! Article written by Paul McAtomney. Featured image:  Tyler Olson / shutterstock.com

This article is about the unsung side of landscape, which does not always translate into a glamour shot or critical praise. This isn’t about starchitect archiporn, its about all those smaller interventions that when added up makes the real city, which people inhabit. It is in these interventions where we look to the landscape for something more than aesthetic design. It is where we the people seek something in return. We all know that in many ways society — especially affluent society– is prone to being unwell. I don’t have to tell you about diet, substance abuse, obesity, Type 2 diabetes, mental illness, and social isolation, because chances are if you subscribe to LAN you probably know these facts. The big question is, what do we do about it? The Urban Land Institute (ULI) recently released a report called Building Healthy Places to promote discourse and action in the area of public health through public space. This article takes the 10 points set out by the report and evaluates them in the hope that it may provoke and promote thought about this very important discourse. 1. Put people first

This seems like an obvious statement; however, there are several factors that prevent this. First, much of our urban spaces are development driven. Construction costs money and retail is often given preference over non-commercial entities. Although commerce such as hospitality can activate space, it is up to designers to push for non-commercial spaces that allow people to gather without the need for commerce. William H Whyte’s The Social Life of Small Urban Spaces is an interesting look at people and space and may be a good place to start. Note that even when commerce is regarded as a positive, it is provided as the lowest cost  —  such as a street vendor or a busker over an expensive cafe or festival. 2. Recognize economic value Under many development models, a return is usually sought directly from an investment with little consideration to the urban value outside that investment. The sum of the parts is not greater than the whole. There is a remarkable productivity value from a healthy population, as well as the potential for huge savings in health care spending. 3. Empower champions for health It’s easy to throw around the word community under this point; however, here’s another word, which I think works as well. This word is subculture. Outside blood ties and school networks lie our personal interests and the way they are manifested into group identity. Many activities create these subcultures, which are generally quite enthusiastic about their lifestyle choices and will rally behind anyone who is looking to facilitate a part of their identity and life in public space. These people are the support you might need to create that active space. They can provide influence through power of the people. You may be surprised how compelling a little enthusiastic support can be. 4. Energize shared spaces Everything is linked with energy; any Star Wars geek can tell you that. Energy, however, can become stagnant if not replenished with other energies; any hippie can tell you that. Creating spaces with multiple programs and variable programs is important to consider when creating healthy public space. Seeking opportunities to direct flows to the entire public realm, such as back streets and forgotten corners to create activity enriches and broadens possibilities. 5. Make healthy choices easy I think we have ourselves to blame for this one. If we all were not so eager to sue, could you imagine the amount of amazing things we could have in urban space? Liability is one of the largest preventers of active space, as no one wants to get sued. It seems that in many cases, authorities would rather have a heart attack than provide a healthy lifestyle choice that may result in a twisted ankle and a lawsuit. While some countries are very progressive about this topic, many are not. We need to promote active choices within society today and cater accordingly to encourage all people to engage in activity. 6. Ensure equitable access Life is expensive and people do not always have the money for commercially driven activity. This may go back to the economic development model, which shapes much of our cities. The people who need healthy public space options the most are those on low and fixed incomes. Groups such as the elderly need to be targeted by designers as a prime opportunity. The elderly are often not the greatest spenders and are overlooked. However, adult playgrounds are a tremendous example of catering to this group of deserving citizens. 7. Mix it up Ask any ecologist. An interesting ecosystem is a diverse ecosystem. This also applies to cultural and social ecosystems.  It’s probably when somewhere like Brunswick is more interesting than somewhere like Toorak and why gentrification is annoying and destructive to the growth of activity and culture. Mix it up! Enough said. 8. Embrace unique character I’m not sure what to make of this point outside of taking risks, but risks don’t win jobs unless you’re already quite proven or have nothing to lose. Risks sometime suck, which is why they are called risks. I really don’t know what unique character is. It’s like, what’s alternative music? Next. 9. Promote access to healthy food There’s got to be more to this than providing fresh fruit over hamburgers. Once again, it comes back to development models driven by direct returns of investment. Access to healthy food directly relates to the ability to serve or sell healthy food.  If there’s nothing available but hamburgers and unwholesome options, chances are you might end up eating unhealthy. 10. Make it active At the end of the day, if you want to sit on your butt, watch David Letterman, and get fat, it’s your choice. However, if you do not wish to do this, then active choices must be available and appealing. Accessibility is the key. Relevance is crucial. They teach us this in first year, but it really doesn’t make sense until you see another sad, obese kid sitting around with nothing to do, not giving an SFA about DS. Public space is a potential frontline against the burden of disease and the promotion of public health. Two barriers to this are development models where the value of a project is directly assessed by its capital return and the threat of liability. It’s not all grim; there are some great ideas and innovations popping up every day, and people continually find ways around the system. I’d like to think most landscape architects have good intentions at heart and it is only economics that ultimately prevents these intentions from becoming reality. 10 Principles for Building Healthy Places is a great initiative that will hopefully spawn lots of debate and action. This article is my opinion on the subject, but the more important question is, what do you have to say about this topic? Article written by Stuart Beekmeyer

Welcome to the 6th edition of Sketchy Saturday, sponsored by Sprout Pencil, a pencil that grows! This week we had a particularly hard time making our selection and choosing the winner not only because all the drawings you sent us were awesome, but also because we have a reward for the best sketch! The winner will receive a lovely gift from Sprout Pencil! Nevertheless, here it is – a brand new selection of our readers’ drawings. We hope you enjoy it as much as we did!

10. Scott Simbler

“This sketch was created on a rainy day sitting at a coffee shop on the east side of the river bank in the city of Bordeaux. I tried to capture the depth in which the colossal bridge links the two sides of the city with the beautiful skyline in the distance.”

9. Lindsey Tabor

“The Yu Garden is ironically located in Shanghai’s Chinatown.  I completed this sketch in 2010 while traveling abroad with fellow design students from Ball State University.  I fell in love with the wooden structure’s architecture, as well as its surroundings that seemed inevitable and produced by nature, although clearly a designer is responsible for this effect. “

8. Leo Lee, a student at Chung Yuan Christian University,  Taiwan

“This is the valley terrain at north Taiwan’s mountain, about 500~700m above sea level.Taiwan is a sea-island so we don’t have a long river. Our river is very short and flows fast.This is why we have so many huge stones. Thousands of years ago, before the erosion occurred, this place was also a valley. At that time, turbulent waters brought many huge stones along with it. After thousands of years, erosion made  the river change its path. The stone remained,and the tree growth became woodland. That is why we see this landscape.”

7. Mael Matthews, Landscape architect and art educator

“This is an interpretation of Salts Mill in Yorkshire, UK. It was produced for a client who wanted the vibrant mixed use of the site to be represented. The building houses a gallery, shops, cafés and performance spaces. I decided to focus on a futurist approach to the piece. The work was produced in acrylic paint on board after extensive site visits which involved  site sketches and photographic recording.”

6. Andres de la Bastida, architecture student, Ecuador

“This is the internal patio view of a low density housing project. Drawn using markers and a creta color pencil on a black cardboard I used a three point perspective technique and my rulers.”

5. Nur Alia A.Rashid, landscape architect at Lineworks and Space Sdn Bhd

“The sketch is all about a traditional house located at Kampung Endah, Bantimg, Selangor state, Malaysia. The house  was built about 70 years ago. The owner hasn’t changed the architectural features of the house. The small shelter outside their house also functions as a wedding venue where people can come and cook together for the wedding. Also, open lawn in front of the house allows kids to play with kites or other traditional games from Malay culture. Behind  their house a small room was built which  used to be an outdoor toilet  in the past.”

4. Pelagio Jimmy Arguelles Murallon III, project designer, Manila, Philippines

“This sketch is part of our company’s project in China with a classical French design theme. It shows a commercial plaza where one can immediately interact with the people utilizing the space. An intricately stylized water feature surrounded by lush green topiary in unvarying formation makes the scene more dramatic.”

3. Damian Ayarza, Argentina

“The black and white sketch belongs to a project in the north of the city of Buenos Aires. This is the access to the residence. It is drawn in different hardness pencils on paper.”

2. Ian Jakeway, United Kingdom

“This sketch is the main bird’s eye view of a series of sketch views for a garden design proposal. The design comprises of a series of raised terraces that radiate away from the house to form a series of semi-circular courtyards, tiered gardens, sloping flowerbeds and water features. The sketches were drawn using pencil on trace paper, scanned and then colour ‘washed’ in Photoshop. I am now increasingly being requested to produce hand sketches to communicate design proposals to clients in preference to pure CAD. Client: Thomas Hoblyn Landscape and Garden Design.”

1. Inhwa Park, South Korea

“The river seems to flow towards one tree, the biggest on the river bank. This place is an artificial space, not made by nature, but it looks natural due to the original trees and rocks; you could see lots of crag rock, rough trees and the grass. I  felt freedom on the rough bench which is in the foreground, facing the river which diverts its course towards a particular tree.”

This drawing concludes today’s Sketchy Saturday sponsored by Sprout Pencil. We congratulate the winner and we assure you, that we admire the talent, skills and imagination shining through in all the submitted drawings.

If you feel you can do just as well, why not try your luck and send us your work for a chance of winning a wonderful gift from Sprout Pencil?

Article written by Marta Ratajszczak.