Zsófia Gonda

interesting topic and love your take/enthusiasm regarding japanese design. I can’t really comment on the lack of japanese LA’s but I feel japanese landscape design lives through many designers. I live in miami, florida. and the manufactured naturalistic approach as seen through japanese designs compliments our native landscape well and I see…[Read more]

Oh yeah. My blurred vision is starting to clear up! Thanks very much. Keep ’em coming.

Thanks Loe, very flattered.
I think it’s something to do with our approach to empty space. We have experienced shortage of flat land from the beginning. So, finding flat and open land was the first step. Some could find a plot in a ‘urban’ site (in medieval term) which is small and cluttered by neighbours, the others found a small plot on mountain…[Read more]

Hi Yuko. I am always enthralled by good japanese design and always wonder why such simplicity in design is so difficult to master. I hope to find some answers in this group.

Nice to meet y’all.

At your request Jonathon I am going to attach one of my recent plan view renderings for your evaluation of its strengths and weaknesses….I would like comments from whomever has some input….good or bad…..It will be in the above discussions…

Lets get this party started! Show us some examples….

Response to comment by Brent Farrar, I have used turpentine and pastels on normal paper. you get a similar effect of watercolour, but the paper does not wrinkle, this was my solution to getting the watercolour feel without all the hassle.

Hey Brandon….thanks for the invite. I use Vectorworks to create landscape designs…..do you know where can I find more information on realistic coloring techniques to use on my Vectorworks drawings so it looks like I used real colored pencils. Are there any other ways to make the drawings look high end? Peace!

Hi everyone, i’m the new kid on the block from SA.

Wow, 97 members-strong!

Thanks!
I think we can have fun at least! That’s guaranteed.

Hi
I join, lets see what we could doing there.
I am in Tokyo, but stupidly enough busy to enjoy more shoppping mall after work than garden and scape.
Hope things gonna change….
A

Sad to see like-a-minds leave the profession and seek totally different jobs these days. Actually I pick small works from Europe/Middle East, and I have not heard much hopeful news in the country for a while. On the other hand, I have come across enthusiastic Japanese garden fan in Europe. So I created the group to share the true stories and info…[Read more]

hi brent – sketches i will do directly onto watercolor paper. but more complex drawings can be done on vellum or trace, scanned and then printed onto even very heavy wc paper using the (awesome!)epson 3800 printer – amazing – looks just like an original pencil drawing…

if you are doing watercolors by hand, what is the best way to get the architectural image onto a watercolor type paper?

Some answers to a some questions two pages back: I count L. Azeo Torre and William Kirby Lockard….hehe, and Reimon buyco….as inspirations. My weapon of choice for the draw? A Pilot Rollerball for fine lines, any felt tip pen (Pilot or Pentel) for medium weight lines, and any thick marker (Sharpie, inevitably)…all black. On tracing, or plain…[Read more]

Hello Victoria.

About digital watercolors, try this link

http://betaforum.sketchup.com/showthread.php?t=47779

and links connected to this discussion. You have to be a member of the SketchUp Forum though, it fyou can’t access the discussion directly.

Cheers

Tatiana, the best method I found effective is to collect 50% up front then final payment before you release documents/drawings. Let them know up front and in most cases they will be OK with that. When You call them to tell them their project is finished, tell them you will email or fax the invoice to them and to bring it and the payment when they…[Read more]

How do you deal with a client who was in a hurry to get a project into his hands, but now is far behind with payment?

Great Group Brandon!