Joan Long

I thought I would contribute some different digital and hand techniques I’ve experimented with over the last few semesters as an undergrad. Before I returned to school for Landscape Architecture I enrolled in a 12 month cad drafting course and read all the landscape graphics books I could get my hands on, which still seem sort of…[Read more]

To all:
check out my new discussion group: townscapes, villagescapes

Does anybody have any suggestions or examples for rendering a master plan in a desert environment? I’m trying to finish up my capstone project so I can graduate and I’ve run into a little snag. I go to school in the south so drawing a rocky barren landscape with clusters of cactus is a first.

what is the best size of image so that it does not distort, I noticed that many of the images, including mine are being stretched into a tall and “squeezed” format, are these do to i9mage size or my computer settings?

Yeah, you’re probably just over thinking it a little. I used the chart in the LEED AP Walkthrough, which is probably the same as the one on IntheLeed.com. I will say that there weren’t that many questions that related directly to project roles in the particular question pool that I had when I sat for the test (maybe 5), what I can say is that…[Read more]

thought I would add a few images, I work mostly digital but started with ADs, Prismacolors, and pencil, Am loving Corel Sketchpad, Corel PainterXI, and Photoshop, base work is done in AutoCad, Sketchup, Sketchpad, or scanned original, rendered on Wacom Cintiq in combination of Painter and Photoshop…

Land F/X is a great tool if you are going to do a concept to working drawings set and are looking for real world ability to create and modify a great set of plans, it is functional within Autocad and now BricsCad ( a cheeper version of ACAD, which looks very powerful for the price), and LandF/X functions with SketchUp (which is not a TOY as stated…[Read more]

Great to see examples of everyone’s work!

Anyone still studying to pass under LEED 2.2:
There are 2 resources that I used to study that I think were critical to success, I think these have been mentioned before but If you’re on the fence about what resources to spend your money on here’s what I think are the two best values:

I have to throw my support behind Intheleed.com’s LEED AP…[Read more]

GCBI WEBCAST: NEW LEED CREDENTIALS
this is a very helpful video that explains the new credential system for LEED 2009/3.0

Hey Jason, looks like the department has decided to ask you to lecture this coming Fall. I know it seems like it has taken forever, and I apologize but we have been very busy restructuring our program and interviewing potential department heads. The good news is that they still want you to come and lecture and the program is doing great. I also…[Read more]

Thanks Jason. Will have to get hold of his new book as well.

Has anyone used epiphytes on green walls, and if so what success rate did you have. How did you attach them to the walls, simply on a wire trellis structure or did you use something more intricate – any info would be great!

FYI – Public comments on the Guidelines and Performance Benchmarks Draft 2008 are now posted on the Sustainable Sites Initiative website for review. http://www.sustainablesites.org/report/

Try this website for requirements to remain accredited – scroll down to see the answers:
http://www.everblueenergy.com/leed-exam-prep-leed-2009-update.html

Brandon,

What year did you graduate from USU? I’m a BLA ’06 myself. Your stuff looks awesome. What is the name of your firm?

I know several who have taken his Color Mastery workshop and were very favorably impressed.

Has anyone taken Richard Scott’s Sketching on location workshop?

yep, sure I could contribute! well done Jennifer

I noted Rico listed Ace Torre as an influence. I recently completed an extensive article profiling Torre for next month’s (May 09) issue of Landscape Architecture Magazine. It’s an in-depth look at his design drawing philosophies and techniques, with step by step photos of Torre in the studio creating one of his famous “tilt-up” aerial drawings.