Author: Land8: Landscape Architects Network

The Infinite Bridge, by Gjøde & Povlsgaard Arkitekter in Aarhus, Denmark. In 2015 the duo of Gjøde & Povlsgaard Arkitekter debuted their sensational Infinite Bridge which lets us experience the impossible. As if walking on water, we are being given the opportunity to encounter our surroundings from a whole new perspective- not to be experienced anywhere else in the world. The Infinite Bridge was built and exhibited as a part of the annual international biennale- “Sculpture by the Sea 2015”, which takes place in the coastal and picturesque Danish city of Aarhus.

The Infinite Bridge

The architects have chosen the bridge to be circular as to allow its users to encounter the surrounding landscape from limitless angles and orientations. This feature creates a sensation of experiencing the changing surroundings of the bridge as an endless, living panorama. We, as users suddenly become aware of the harmonic relation between the natural landscape of the bay and the city around it. The different layers of the landscape now make one magnificent whole.

No Railings!

The fact that the bridge is not limited by any type of railings whatsoever, not only helps to enhance the beauty of the view, but also lets its users soak their feet in the sea, when the tide is right. Users are free to use the bridge in any way they wish- they can walk around it, stand on it, sit or even jump into the water as the deck of the bridge rises between one meter to two meters above the sea surface (depending on the tide).

Undistracted, Limitless View

Not only is the bridge’s shape proof of the architects’ solid analysis of the design- it’s diameter and positioning have also been carefully thought about. The diameter of 60 metres allows the strolls of the users to take just enough time- the bridge is not too small, nor too big. 60 metres of diameter seems just right for we do not get a sensation of dizziness, as the bridge is not too small, nor do we get tired as our walk on the bridge is not too long. Also, this quality allows the users to interact with each other naturally- on our circular walk we are being given countless opportunities to meet new people- otherwise impossible to be experienced and enjoyed in everyday urban scenario.

In addition, the bridge is made of 60 identical wooden elements placed on metal pillars housed about 2 metres into the sea floor. The metal elements are almost invisible, as their colour blends in perfectly with the sea. The bridge- it’s deck, and elements used in the building process are as simple as possible- the symmetry and harmony of the elements used don’t distract us from the view we are being surrounded with.

Natural Geometry

Being positioned partly on the beach and partly in the sea The Infinite Bridge’s geometric shape (believe it or not) follows the natural contours of its surroundings. The Bridge is located at the mouth of a small river valley stretching from the coast into the nearby forest, hence accentuating the key feature of this part of the bay.

Modern Sentiment

The infinite bridge is not only an excellent landscape feature, but also is a symbolic connection between the old and the new. The bridge touches a site where a pier has been once located. Back in the day people used to arrive there in steamboats, mainly for the Varna Pavilion sitting on the hillside above the beach. The Pavilion with the scenic landscape surrounding its terraces, restaurant and dancehall was once one of the most popular destinations in the area. The now non-existent pier was a connecting point between the seaside and the Pavilion. The landing dock of the pier was a focal point of the area, as we could admire the pavilion in its all grace- right from the pier.

The modern Infinite Bridge now re-establishes this connection between the historical Pavilion and the sea, giving us an opportunity to cherish the relationship between the natural landscape of the sea, river valley and the forest and the city of Aarhus. This sentimental feature of the Bridge only adds to the potential of not only the bridge, but also the site it is located in.

Art given a function

When looking at the Infinite Bridge we wonder if this is architecture or art? Gjøde & Povlsgaard are well known for their extraordinary landscape features which can easily be taken as art. It is no surprise then, that their Infinite Bridge shines a new light on the definition of functional art in landscape architecture. The circular bridge creates a setting where people can meet and soak in the natural art being the landscape from a completely new perspective. So keeping all of the above in mind, let me ask You two simple questions: Are You a fan of extravagant and surprising art? Or maybe are you a fan of meeting new people in unusual places? If Your answer is “yes” to either of the above questions, then the Infinite Bridge is something you definitely need to see!

WATCH: The Infinite Bridge – Den Uendelige Bro 1080p HD

Full Project Credits For The Infinite Bridge

Project: The Infinite Bridge Architects: Gjøde & Povlsgaard Arkitekter Location: Aarhus, Denmark Project Year: 2015 Photographs: Aarhus I Billeder, Peter Hastrup Jensen, Danish TM, Courtesy of Gjøde & Povlsgaard Arkitekter, danskebilleder.dk Video: Aarhus I Billeder Show on Google Maps Recommended Reading

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Article by Joanna Łaska

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If you don’t specialize in something, you play the risk of being highly replaceable and achieving standard results. Carving out a niche for yourself is one way to avoid this happening. Have you ever had any doubts that landscape architecture may not be your calling? Perhaps everyone’s had such uncertainties at some point of their studies. After all, to become a landscape architect, one must sacrifice a great deal of time, resources and efforts. It is perfectly normal to speculate on the question, “Did I choose the right career for myself?” And what if five years at the university have passed unnoticeably, and you find yourself at the crossroads because you don’t have a clue which way to go. If you have come to the conclusion that being a landscape architect isn’t your dream job, what actions would you take? Would you chuck away everything and direct yourself to something entirely new and different? Naturally, you have every right to do so. But you have one more right as well. To take a view from another angle with us.

Remember, whatever you do, make sure you make the most of it. Landscape architecture is a multi-disciplined subject. Once you’ve gone through this field, you are faced with a sea of opportunities. Just imagine diving into that infinity. Imagine that landscape architecture is the sea, and there are numerous secret treasures hiding in the sands. These are the niches. They are small, narrow, and often hard to spot. But that’s only because precious things are hidden inside them. Niches in landscape architecture can be either a way to stand out from the rest or they can be a rescue beach for those who want to lead out of the mainstream. Regardless of which one of the two cases refers to you, dive with us to uncover what lies at the bottom of the sea. You will surely be surprised.

1. Hardscape

As it is hard to cover each niche individually, we will start with one of the most extensive – the hardscape. It is assumed that planting design is landscape architects’ speciality, but not unless opportunities lure on the built environment’s components. Think of pavement and lighting design, pool and water features, or for example fire pits, barbecues, and planters. Each one of these hardscape elements can become your niche and your trademark. But this will only happen if you make every endeavor become the virtuoso of it.

One such example we would like to present to you is a landscape architect who has found her vocation for natural pools. Draw on Claudia Schwarzer’s experience in designing natural swimming pools in the article below and snatch a grain of inspiration.

2. Outdoor furniture

The second niche a landscape architect can flourish in is the field of park or garden furniture. An additional interior design qualification may be required, but in some cases it may not be compulsory. And even if you have to invest some resources, regardless of money or time, or both, this is how our world functions – you have to give to get. Do you wish to become an outdoor furniture master? Are you willing to know how to design or combine furnishing? What styles, what materials, what colors to use? If you feel curious about the answers of these questions, you may have just found your niche. And if right now you’re wondering where to start from, check out the article on Vanessa Gardner Nagel’s book – The Professional Designer’s Guide to Garden Furnishings.

One more source of exquisite furniture design can be found in the innovative work of Escofet, a Barcelona-based industry designing and manufacturing high-quality products in architectural concrete and cast stone.

3. Art Installations

Diving deeper into the matter of landscape architecture niches, we keep carving out to reach the favorite of all – art installations. Perhaps that’s the part of landscape architecture where art prevails over everything else. And when accompanied by mechanism and interaction, the final result is unthinkable, irresistible and most of all – a magnet to people. Are you seeking for a more creative aspect of landscaping? A field which takes you beyond the limits of the traditional profession? A niche where the impossible happens in a most enchanting way?

The matchless work of names like Anthony Howe, Giles Rayner and Cao & Xavier Perrot from Cao Perrot Studio, are world-class examples of staggering art installations and sculptures. See for yourself:

WATCH: Contemporary Art Installations by Cao | Perrot Studio with SWAROVSKI ELEMENTS

4. Children Playgrounds

Our opportunity exploration continues with another adventurous part of landscape architecture – the playgrounds. The greatest concern here is not to forget that besides being fun and exciting, designing for children is first of all a huge responsibility, requiring extensive knowledge of regulations and safety standards. Do you think you possess both, immense imagination and, on the other hand, a strong sense of conscience? If you believe that you can coordinate them, then you should direct your efforts to become a professional in children playgrounds.

Carve is a design and engineering bureau well-known mostly for the planning of spaces for children and young people. Engaging and interactive design, accessibility and integration are keywords for Carve’s designing team. Their projects speak for themselves.

5. Planting Design

Now that we have come to the “living” matter of landscaping – the vegetation – we should examine what chances sneak in that niche. Just like the hardscape, the soft scape offers a variety of trends. A landscape architect can become for example a florist, or why not study the principles of ikebana or bonsai? Even if you’re not interested in something particular, why don’t you try to create your own new niche? Study those top ten names in planting design in the article below and pay your attention onto what makes each one of those designers unique? Don’t miss the chance to see how Adam Woodruff, a successful plant designer, uses tropical plants and seasonal annuals to frame his recognizable individual signature.

6. Aquascaping

Getting to the heart of our topic, we have reached one of the hottest and most eccentric niches – the aquascaping or as some call it, the water gardening. Aquascaping is the art of arranging aquatic plants, rocks, pebbles, and driftwood in a visually aesthetic manner within an aquarium. Most often, the aquascape houses fish, or other aquatic animals, but it can be filled with plants or cliffs only. All that underwater fairytale, however, needs to be designed with great consideration. Numerous factors like filtration, carbon dioxide levels sufficient to support photosynthesis underwater maintenance, algae control and lighting should be confirmed in order to get functional and artful aquascape. If you find the underwater world luring, magical and captivating, think about directing to that incredible craft. Take a look at those grand prize works from the world’s largest nature aquarium and aquatic plants layout contest – the International Aquatic Plants Layout Contest (IAPLC)

7. Vertical Gardens

Living walls are another attractive subdivision of landscape design. Brand-new and antique at the same time, their fascination is overwhelming and continues to spread all over the world. Is it because we are so used to perceive landscape architecture only in its conventional horizontal appearance? We can’t know that for sure but one thing is indisputable – when we speak of vertical gardens, one name occurs to our minds – Patrick Blanc. Patrick Blanc is a French botanist, who is known as the first to design the ‘modern’ pattern of green walls, supplied with a full hydroponic system, an inert medium and multiple exotic plant schemes. His spectacular projects include Quai Branly Museum in Paris and the Parliament in Brussels. He has become an inspirer to many designers like Flora Grubb for instance, who designs living walls for private clients accentuating on succulents. Before jumping to any conclusions, we offer to you some helpful information on the history of green walls and a few amazing facts about them in the two following articles: Would you dare to become the next Patrick Blanc? It’s all up to you.

8. Ecology and Sustainability

We are switching over to our next tendency in landscaping – the ecological and sustainable design. It is yet another popular movement nowadays, which gathers speed not without reason. If you are a broad-minded and forward-looking person who cares about causes such as nature preservation, biodiversity stimulation, recycling techniques, rainwater management or anything related to our environment’s welfare, you might consider specializing in that stream.

There is a plethora of credible sources which you can use as a starting point, if you’re still hesitating on whether that is your calling or not. Nigel Dunnett and Andy Clayden may help you on that task through their insights shared with us in their book Rain Gardens. See the book review here. One more book review reveals the basics of Designing the Sustainable Site, as the name suggests. Sustainable practices and strategies are gathered to provide a useful tool in the hands of future-oriented designers. Take a look at it here.

9. Tourism and Theme Parks

Our niche exploration is setting on one more obscure part of landscape architecture – the correlation between tourism, theme parks, adventure trails and landscaping. Are you keen on planning thematic tourist routs, studying various places’ folklore and history and reinterpreting those traditions in design? If tying nature, authenticity and people together in a beneficial social and economic manner sounds thrilling to you, you may have just found your walk of life. One thriving example of tropical tourist resort design displays excellently how strong the power of interaction can be. How to design a sensory experience and make it unforgettable to visitors? See how Enviro Tec did it.

The second project deserving your attention is Quilotoa Crater Overlook, which stands out with minimal yet sheer human intervention in design, community support approach and mostly, natural wealth preservation. How did Quilotoa Crater Overlook capture nature without destroying it? Find out here:

10. 3D visualizations and graphic design

Our last number is set for a niche suitable for technology lovers. As landscape architects, we have to be able to work with numerous computer programs to visualize our ideas. Some designers suck at renderings, but others seem like they have a bent for it. If you are from the second kind, why don’t you master that skill? If spending long hours in the company of a computer doesn’t frighten you and if 3-d modelling is your way to express yourself, go for it. Check out our useful articles on computer renderings and see if the artist in you is awakened.

• 5 Top 3D Modeling Software Programs for Landscape Architects
• 10 Incredible Plugins for Sketchup
• 10 Photoshop Tutorials for Advanced Photoshop Skills

Are there more niches to carve out?

Having gone through those ten different niches within landscape architecture, we can generalize that each one of them has something special, significant and stirring. That only proves once again how mercurial and versatile the art of landscaping is. We managed to carve out ten amazing niches for you, but don’t you think there are more numbers to be added to the list? The sea of opportunities is infinite, so even if you can’t find your niche now, why don’t you create it yourself? Which niche would you add to our list of opportunities? Recommended Reading

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Article by Velislava Valcheva

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We were contacted by LAN fan Ignacio J. Raffa, who wanted to get the landscape architect and fiancée in his life a thoughtful gift for her birthday. His fiancée, Evelyn is a 22 years old 2nd year Landscape Architecture student at the University of Buenos Aires, Argentina and she is currently  doing a language course in Germany. Ignacio, a software engineer from Argentina jumped to the occasion and decided to purchase a LAN VIP Subscription in her name. So from fiancé Ignacio and all of us at LAN, we’d like to wish Evelyn a very special happy birthday and we hope she gets all the inspiration she needs from all the wonderful projects and ideas that we share here on LAN. Below you can see some of Evelyn’s student work: 

If you wish to purchase a gift subscription for someone you care about, you can enter the recipient’s email and create a password for them then finish the process as normal using your payment information. Just click here. Remember we also have LAN merchandise, which you can pick up here. Return to Homepage

Comturey-Keller green roof, by ZinCo and Thomas Steinmann, in Mainau Island, Germany. Even though green roofs have existed in architecture for centuries, their proliferation is a rather new trend in today’s world. More and more innovative solutions in green roof systems are being found, from succulent rooftops to full-scale gardens placed on top of buildings. Looking at all of these fantastic designs, we may think it is almost impossible to come up with a project that will surprise thousands of potential users. But let’s have a look at the Comturey-Keller green roof in Germany. Located on one of Germany’s biggest islands — Mainau Island — Comturey-Keller has had something unusual to offer its users since 2014. Originally a medieval fortress, the Comturey Tower has been redesigned and rebuilt to meet the needs of modern-day users. The tower has been turned into a one-story restaurant with a façade of 80 square meters overlooking Lake Constance. The former fortress is surrounded by countless baroque castle gardens, which amaze visitors with their floral splendor.

But the biggest attraction is the park located directly on its roof. With an area of approximately 1,500 square meters, the park is definitely a surprise among the historical gardens of the Mainau Island. The rooftop garden is accessible directly from the ground on three sides. The park becomes a metaphorical junction between the historical gardens surrounding the building and the tower’s new, contemporary design. This also gives the impression that the restaurant is fully made up of greenery, which only adds to the delight of the view before us. Recommended Reading: 

• The Green Roof Manual: A Professional Guide to Design, Installation, and Maintenance by Linda McIntyre
• Green Roof Construction and Maintenance (GreenSource Books) (McGraw-Hill’s Greensource) by Kelly Luckett

Thousands of Plants, Thousands of Possibilities

With plenty of places to sit and even lie down, the park has been designed in such a way as to meet the needs of its modern-day users to the fullest. With more than 12,000 plants and upward of 200 species, the roof of the Comturey-Keller blends in seamlessly with its floral surroundings.

Parasol-like trees give an all-day supply of shade, which can be a life-saver on hot summer days in Germany. Perennials marking the pathways flow freely from one side of the roof to another, continuing the “hydrangea-path” on the ground below.

Connecting to the Historical Context

Even though the park has a contemporary design, the carefully thought-out use of plants in the project connects the restaurant with its historical surroundings. Despite its strictly geometrical features in the forms of platforms and sitting areas, we do not get a sense of detachment from the whole of Mainau Island. Also, several wooden podia have been constructed on the front edge of the roof, which can be used for admiring the view of Lake Constance or for sitting.

Materials used in this project are mainly metal and wood, which can be associated with a modern design. But when we have a closer look at the park, its surroundings, and its use of planting, all of these elements fall together to make a beautiful and harmonic whole.

How Was It All Made Possible?

Being the world’s most famous green-roof constructor, ZinCo has yet again proven its genius in green-roof construction. In cooperation with Thomas Steinmann, ZinCo has made a green bridge connecting the historical past of the design surroundings with the modern trend of rooftop gardens.

Careful Calculations Allow for a World-class Design

The innovative construction of the rooftop has given the landscape architects a lot of freedom in their design process. With its maximum and minimum weight carefully calculated and with its construction and drainage system, the roof could be treated the same way as any other on-ground area. The special hillside location of the restaurant brought some unusual aspects into the design process; the green roof could not be too heavy or too light, so that it could withstand the slope pressure acting on the whole of Comturey-Keller. The newly built tower at the sandstone cliff has resulted in a narrow but very long roof with an approximately one-meter-high parapet going along the whole front side of the rooftop. This feature and the adjoining canopy are wood panelled, and both of these features have been designed without an incline, allowing the water-retention irrigation system to work properly.

But how do you build a full-scale park on top of a tower without its roof collapsing?

The most appropriate solution in this case was the use of one of ZinCo’s build-ups –“Roof Garden” — which was combined with a multi-layer construction of bituminous and waterproof roof membrane, protection mats, drainage, and water-retention elements. The last of these is filled with a crushed, mineral brick substrate that provides excellent water storage while allowing excess water to drain through the underlying channel system. On top of the construction lie filter sheets and substrate — partially humus and mineral.

The substrate depth has been increased to two meters in parts lying closer to the hillside, allowing better modeling of the landscape. All of these elements make up an extremely bearable and long-lasting system that allows users not only to walk on the roof, but also allows for small maintenance vehicles such as road sweepers.

Railings for Security and Good Looks

Being a part of a bigger whole, the Comturey-Keller roof needed to be equipped with an integrated system of railings, not only protecting users, but also in some places acting as trellises for some of the plants in the park. The railings were especially required in the most accessible area at the front edge of the roof, where users stop to admire the view of Lake Constance spreading before them.

Construction Details

The railing system has been directly integrated into the green roof build-up and is kept in place by the superimposed load of the roof construction. The load of the railings is evenly distributed by the use of plastic plates and underlying metal reinforcements.

So if you are ever in doubt about whether contemporary planning and historical surroundings go together, here is the answer: They definitely do. The Comturey-Keller is the best example to show us that landscape design today is much more than just trying to get all of the elements of a project and its surroundings in the same style. Landscape architecture now has no limits, and we can easily mix modern and historical in one design. And if you don’t believe me, come with me to Germany’s Lake Constance and let’s see the Comturey-Keller together. It is definitely a sight to see!

Full Project Credits for the Comturey-Keller green roof

Project: Comturey-Keller green roof, Mainau Island, Germany Construction Year: 2013-2014 Roof Area: approximately 1,500 m² Architect: Hein Architekten Landscape Architect: Thomas Steinmann Recommended Reading

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Article by Joanna Łaska

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The Blue Island, by Island Chen, in Matsu, Taiwan. Every year, thousands of people are drawn to the beaches of Taiwan to witness the glowing and sparkling water at night. What many don’t realize is that this beautiful spectacle is causing some serious damage to the environment. Island Chen, a recent graduate of the MA in Industrial Design from Central Saint Martins College, is trying to solve this problem by creating an installation that will not only act as an educational tool, but also maintain the tourist attraction. The county of Matsu is the smallest in Taiwan and also one of the most underdeveloped. This, coupled with its isolated location, has restricted its potential for economic development. However, since 2012, bioluminescent algae — called Dinoflagellates — has been blooming in the waters along the beaches, causing the surface of the ocean to sparkle with an ethereal blue at night. This phenomenon attracts many tourists to Matsu each year, and has become a main source of the county’s economy and an ingrained part of its cultural identity.

Bet You Didn’t Know It Was Caused by Red Tide

Many people know this type of algae as Red Tide, the common term used for harmful algae blooms that occur in waters such as those of Taiwan, China, Australia, and the United States. The particular species of Red Tide that occurs in Matsu is known as Noctilluca scintillans; it has a red pigment that turns the water dark and dirty-looking in the day, but is attractive at night.

Ammonia produced by the algae is deadly to many forms of marine life and causes severe allergic reactions in humans. While the blooms are a natural phenomenon that feed on organisms on the water’s surface, their frequency, duration, and intensity are increased by nutrient pollution.

Environment or Beauty?

Dinoflagellates are common organisms in all types of aquatic ecosystems; about 90 percent of them are plankton. They are an integral part of the first link in the aquatic food chain: photosynthesis. Almost all other organisms are dependent upon this energy transfer for their subsequent existence. There are two types of Dinoflagellates — heterotrichous and heterotrophic. Heterotrichous algae play an important role in many ecosystems, including providing the foundation for the aquatic food chain, supporting all fisheries in the oceans and inland, as well as producing about 70 percent of all the air we breathe.

However, the species Noctiluca scintillans found in Matsu is heterotrophic, and it can be devastating to marine life and local fisheries. While it does not produce neurotoxins the way other similar organisms do, its role as both prey and predator eventually magnifies the accumulation of toxins in the food chain. The algae multiplies quickly in waterways with an overabundance of nitrogen and phosphorus, particularly in tropical areas where the water is warm and the weather is calm. These spectacles have become a nearly nightly occurrence because of the pollution from China and local agricultural waste. The people of Matsu can’t stop the pollution coming from China, and the bioluminescent algae is now a part of the local culture that largely supports the tourism industry. Therefore, Island Chen came up with the idea of having nature adapt to the local waste.

Why Not Both?

The Blue Island is a bio-digital installation that utilizes agricultural waste as food for heterotrichous Dinoflagellates, building a visible ecosystem. Within the contained environment of the glass box is a re-creation of the Dinoflagellates’ natural habitat. Through the use of a Fresnal Lens and a mirror on the roof of the box, the algae is able to absorb twice as much energy during the day from the sunlight, allowing photosynthesis to occur much faster than it normally would. The more the Dinoflagellates produce, the more efficient the installation is. With the use of hydrodynamics, water flows across the clear plastic shapes inside the box, creating smooth bio-light along their edges that can be seen at night.

The main focus of the project is to act as an educational tool, helping people to realize that the algae has detrimental effects, even though it is aesthetically pleasing at night. However, as a way to retain the boost to the economy, the installation functions as a much safer and viable option for eco-tourism. With the mass production of such installations, tourists will still be able to see the mesmerizing, sparkling water without the algae doing damage to the environment. This project makes you rethink the value of beauty in our landscapes. In a human-dominated world, there are times when our pleasure takes precedence over a healthy ecosystem. Would you trade our environment for a picture-perfect, moonlit beach walk?

WATCH: The BLUE ISLAND- Bioluminescent installation

Recommended Reading

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Article by Taylor Stapleton

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Espace Bienvenüe: Paris Est. Scientific and Technical Pole by Jean-Philippe Pargade Architecte in Marne-la-Vallée, France. Paris Est. Scientific and Technical Pole came about in the spirit of creating a more sustainable urban civilization. The minds behind this project sought to achieve a unique blend of innovation and sustainable practice that would best benefit the local region while still maintaining an extraordinary aesthetic standard. The project is located in Cité Descartes within Marne-la-Vallée, which is just a 20-minute ride away from Paris and a central building block for the future development and re-imagining of eastern Paris. Marne-la-Vallée has a current population of about 280,000 residents, with the potential to hold up to 500,000. With the selling point being the maximum utilization of resources in its central location, the Scientific and Technical Pole with serve as a place for education, research, and engineering.

Espace Bienvenüe: Paris Est. Scientific and Technical Pole

As a result of the project’s association with the Université Paris-Est, the French Ministry for sustainable development, and other organizations, 1,500 workers — including engineers, researchers, and doctoral students — will make the establishment a front runner in the realm of urban planning and design.

How to Approach a Vision for Sustainable Cities

The French Ministry of Ecology, Energy, Sustainable Development and the Sea describes the objectives of the Scientific and Technical Pole as satisfying and meeting the needs of various challenges. Some of these challenges are social, economic, and ecological — common components of design when planning for a sustainable project. The Scientific and Technical Pole managed to address the various levels of each of these challenges, not only on a project-based scale, but toward future urban design and planning applications.

Built to Sustain Jobs, Education, Training, Culture, Services

Socially, the project works to sustain jobs, education, training, culture, services, and other benefits to its surrounding society. In addition to that, it has the potential to serve as a center for innovation at an international scale, where education, engineering, and research are all collaborative with other research sites, communities, and places of higher education. This potential connectivity at an international level makes the Scientific and Technical Pole a place that not only practices sustainable methods and planning, but serves as a working example for those wishing to apply some or all of its principles to their own projects.

Designing the Pole

The design of the Scientific and Technical Pole campus in Cité Descartes has been executed in a way that leaves it completely upgradeable, expandable, and able to blend with the adjoining urban environment. This new urban campus block blends existing facilities with new construction such as the Bienvenüe building, a space that brings a decent amount of greenspace to the campus.

The Rolling Hills

The long concrete structures of Bienvenüe undulate with the landscape and make for a beautiful break in the otherwise linear qualities found in the sleek urban architecture. Rolling areas of grass cover the Bienvenue, making up a large park for recreation. If you take a look inside the design of Bienvenüe, it becomes clear that the architects made it just as flexible inside as it appears outside.

Architect Jean-Philippe Pargade perfectly balanced the many uses of this building, including the varied scales that may be needed within the space, as well as fostering collaboration among engineers, students, and researchers all alike. The main space in the building sits just below bends in the waves of landscape. Within its expansive glass walls are areas for eating, recreation, instruction, lecture, laboratories, and general meeting spaces.

Harnessing Bioclimatic Strategies

Buildings on the site were designed in a way that would harness as much bioclimatic strategy as possible. The expanse of glass and windows allows for solar heating and natural ventilation, while the land acts as a natural insulator. Strategic positioning of the building’s facades in northern or southern exposure was key to the design, so that when paired with rock facades for insulation purposes, bioclimatic considerations would be at their greatest potential. Recommended Reading

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Future Applications

Applications of sustainable planning through the use of strategies such as bioclimatic design, integration into existing cities and communities, and fostering innovation and collaboration on an international scale are components of high priority. What makes the Scientific and Technical Pole a success is how the designers chose to approach such a challenge.

The Power of Focuses Objectives

Becoming overwhelmed by this sort of task would be easy, but breaking the issue down into core objectives makes the assignment more approachable. If you know you are keeping with a vision for sustainable cities, then bioclimatic design and resource-smart applications will likely be a main objective. Then you can decide what makes the project unique, what draws people in, and what will ultimately contribute to the city and the people who surround it. If there were a sudden burst in the creation of innovative campuses such as the Scientific and Technical Pole, imagine how quickly they could all be connected through research and innovation. Do innovative and sustainable campuses provide a solution to healthier urban development?

Full Project Credits for Espace Bienvenüe: Paris Est. Scientific and Technical Pole

Project Name: Espace Bienvenüe: Paris Est. Scientific and Technical Pole Design Budget: €95 million (2014 value) Client: Ministry of Ecology, Energy, Sustainable Development and Regional Planning Architects: Jean-Philippe Pargade Location: 77420 Marne-la-Vallée, France Architect in Charge: Caroline Rigaldiès Partner: Jean-Pierre Lamache Studies Leader : Christophe Aubergeon, Malika Benzemra, Marco Carvalho, Joana César, Paolo Correia, Jean-Patrick Degrave, Emmanuèle Fiquet, Emilie Guyot, Antoine Hermanowicz, Joon-Ho Lee, Aline Marthon, Natacha Nass, Lucy Niney, Audrey Oster, Maxime Parin, Anne-Sophie Richard, Samuel Rimbault, Vincent Sengel, Ji Yeon Song, Marie Suvéran, Arthur Tanner, Van Hai Vu Area: 35300.0 sqm Project Year: 2014 Photographs: Sergio Grazia, Luc Boegly Recommended Reading

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Article by Megan Criss

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This infographic was originally posted on www.icebike.org.  Having published numerous articles on LAN in regards to the significant development of sustainable infrastructure in Copenhagen including bicycle tracks, it was only a matter of time before we were contacted to share an infographic on the topic. Below is an outline of the facts and figures that are contributing to Copenhagen becoming the ultimate bicycle friendly city. – Cykelslangen is part of Copenhagen’s vision to become the best cycling city in the world by the end of 2015. According to the VisitCopenhagen website, “Copenhagen’s ambitious goal for 2015 is that 50 percent of all who work in Copenhagen will commute by bike, according to the City of Copenhagen’s environmental plan, ECO-METROPOLE OUR VISION 2015, which together with other green initiatives, works towards making Copenhagen the world’s best biking city.” Read more here.

Bike City Copenhagen: This Is The Ultimate Bicycle Friendly City (Infographic)

For a more detailed account that goes beyond this graphic, click here. Recommended Reading

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Infographic contributed by Mads Phikamphon

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ENEL Pavilion, by Piuarch, in EXPO 2015, Milan, Italy. Can you imagine a forest composed not only of green trees but also of LED-illuminated vectors? Wouldn’t that be splendid? What if such a forest exists? Who wouldn’t wish to go there and be absorbed in the fascination of that daring design combination? To witness the encounter between natural and artificial? Although this collision may seem to have a dramatic and frightful ring, the truth is quite different. Because behind that innovative design we are going to tell you about stands a great idea — and an even greater cause. It is an influential aesthetic effect, and a feast for all your senses. If you are thirsty for something futuristic, inspiring, and ingenious, you have come to the right place. Light up your day by joining us on our bright and shining stop by Expo Milan 2015.

ENEL Pavilion

Together, we will go into the pioneering design concept of ENEL Pavilion. We will trace the whole story of how the architecture firm Piuarch managed to create a pavilion, an LED forest, a smart energy grid, and a landscape instead of architecture, all in one.

In the Beginning There Was … Energy

То comprehend thoroughly the design of ENEL Pavilion, first we have to pause on the main subject of Expo Milan 2015. Namely, how did the team of Piuarch embody the theme of the exposition, “Feeding the Planet, Energy for Life”?

In the answer to that question lies the pivotal point of the entire design concept: The architectural theme with which the designers impregnated the pavilion was “energy sharing”. The architecture sends a strong message that sharing is the future, and that sharing energy and resources can feed our planet. Following that appeal, the architects created not a closed box, but a void instead – an open space defined by trees and vectors, powered by a smart grid. The same smart grid that is the base that visitors walk on and thus receive the message.

Why a Smart Energy Grid?

The innovation of the smart grid bears the idea of rational energy distribution. As architect Francesco Fresa, founder of Piuarch, makes clear: “The theme is that sharing is enriching and allows our society issues to be solved. Expo Milano 2015 conveys an important message, which must be approached adequately. Sharing is thus fundamental, since it responds to the needs of our society: If the resources are distributed rationally, the problem of hunger can be overcome. Nowadays, the food produced is more than necessary, but the fact that it is not shared leads to the impoverishment of the earth and prevents the development of countries.” Recommended Reading

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

The Breaking New Design

In designing the pavilion, 650 polycarbonate vectors were grafted onto the grid. An open-work volume was created through the composition of these remarkable illuminating verticals. The fundamental conceptual and structural element is the grid, drawing a fancy cellular pattern on the ground. With the educational approach of conveying the idea of energy sharing, the grid uses a network of metallic elements that transfer electricity distribution and data flow. To represent a system’s nerve endings, the vertical vectors are planted onto the net. “The Enel Pavilion is not a containing volume; it is instead a void. It is thus no architecture, it is a landscape; that is why we can speak of a microcosm,” as architect Germàn Fuenmayor, also a founder of Piuarch, says. WATCH: Expo 2015: Virtual Tour of the Enel Pavilion

Interactive Environment

Having various heights between 5.3 and 7 meters, the poles draw a vertical forest, inspired by the kinetic work of art “Penetrable” by Jesus Rafael Soto. In this way, visitors’ perception changes incessantly, parallel with the different vistas. The playful atmosphere rises through the elevated sinuous path, drawing into the LED forest adventure. The excitement takes over when people interact with the tubes’ multiple effects of changing lights and sounds. The ephemeral spectrum ends with green areas of Mediterranean vegetation, adding even more brilliance for each season. The dense courtyards allude to the theme of sustainability, which falls once again under the spotlight. The use of greenery also softens the context, while natural colors, scents, and textures poise the balance between living and synthetic. WATCH: Penetrable Art Installation by Soto

What’s Inside the Microcosm?

Getting closer to the heart of the installation, we will now peek into what is hidden in there. As we pass through the experiential walkway, an interactive informative strip leads us to the control room. This is where ENEL’s center of gravity lies. Its educational character uses films and interactive devices to help people understand how the intelligent network proceeds. Shimmering kinetic mirror components form a stage machine, which represents the net’s pattern in the control room.

A second glassed showroom offers entertainment in between the virtual forest and the terrace. An illuminant experience of sheer lightness flares up. The glass surfaces create a feast of light, glamour, and reflection. All that, thanks to the energy obtained from the pavilion’s photovoltaic panels. WATCH: Experiencing ENEL Pavilion

Light the Universe

Having gone through the whole concept and embodiment of ENEL Pavilion, we can only feel enlightened. Because literally and figuratively, the experience one can gain from ENEL is effulgent. And the message is simple – by sharing energy, we can feed the planet. And by feeding the planet, we can light the universe and make it a better place. What could possibly express that message in a more dazzling way?

Full Project Credits for ENEL Pavilion

Project Name: ENEL Pavilion Location: Expo Gate, Via Luca Beltrami, 20121 Milan, Italy Architects: Piuarch Client: ENEL Area: 900 sqm Project Year: 2015 Concept and Architectural Design: Piuarch (Francesco Fresa, Germàn Fuenmayor, Gino Garbellini, Monica Tricario) Team: Gianni Mollo, Davide Fascione, Alessandro Leanti, Marco Dragoni, Jenny Spagnolatti, Gianluca Iannotta. Visual Experience: To Do – h+ – (H) Films Systems Design (MEP): ESA Engineering Team: Francesco Gori, Laura Cocchini, Laura Razzolini, Claudia Iacopo Structures Design: FV Progetti Team: Filippo Valaperta, Sabina Franco, Orlando Briccola Greenery Design: Cornelius Gavril Quantities measurement, technical specifications and safety: GAD Studio Team: Paolo D’Adda, Luca Cedrelli, Vittorio Grechi Recommended Reading

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Article by Velislava Valcheva

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The Coast, by Tierra Design, Sentosa, Singapore. In the heart of Singapore, it is often difficult to find a space secluded from the hustle and bustle of the city. For the last few years, landscape architecture in Singapore has concentrated on creating tranquil and luxurious private spaces — and residents of The Coast have paid a high price for just that. Situated in a residential enclave of Sentosa Island Cove, The Coast is a large apartment building — the only residential building with access to panoramic views of the South China Sea. The design is focused on creating a holistic integration of the built environment, combining architecture, landscape, and interior design. While the building itself is much like any other apartment building in Singapore, the outdoor complex makes this site truly unique.

The Coastline is Reflected Through Design

The design aesthetic of this project by Tierra is simple and elegant, bringing the built environment to life by incorporating the rhythms and hues of the earth, its materials, colors, and sounds. Water plays a large part in the design, not only in the swimming pools, wading pools, and ponds, but also in the form.

Verticle Wall Plantings

Because the site is located on the sea, it was important to the designers to reflect the surrounding water in the architectural landscape elements. This can be seen in the vertical wall plantings that appear to cascade like waterfalls, the stepping stones through the ponds that mimic large lily pads, and the flowing hardscape geometry.

Lighting Creates a Tranquil Mood

The large site is tied together through the use of circular forms within the landscape, such as the floating planters, green mounds, outdoor pavilions, Jacuzzis, and viewing platforms of the waterfront. The landscape lighting is integral to the ambience of the space, sensitively complimenting the tranquil mood of the design. Early evening views of the ocean are enhanced through hidden lighting; as well as giving a more fun vibe to the water features and swimming pools at night, the colorful lighting adds interest to the landscape. Recommended Reading

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Playing With Levels

The landscape architects chose to lower one section of the site below water level to create a private enclosed space, providing quiet relief from the surrounding city. The willows in this space add to the feeling of a secluded storybook pond. The simple and clean lines of the other spaces on the site — utilizing only wood, stone, and water — create a contemporary yet soft and quiet space. The entire site has used an uncomplicated tropical planting plan of to create a lush environment.

Creating the Tanquil Oasis

Every element of the design has been chosen specifically to create a peaceful oasis feeling in the residential development. While this sounds like a simple design, many landscape architects find this difficult, adding too many elements and cluttering the view. Simple is key in keeping a space relaxing, because too many distractions can overwhelm someone interacting with the space. Tierra makes designing a tranquil space seem effortless.

Tranquility Comes at a Price

In all its extravagance, the space presents a soothing living experience away from the busy city lifestyle. However, people have to pay a hefty price for such luxury. The units in the building are consistently sold for anywhere between S $3.6 million to S $8 million (approximately $2.6 million to $5.8 million in U.S dollars). It goes to show that the landscape surrounding a building is extremely important and can dramatically increase the price of residential properties.

What Could Make This Project Even Better?

The only unfortunate aspect of this project is that the space is not open to the public, as it would be a great way for locals to relax at the waterfront. Tierra has managed to create a beautiful and luxurious oasis within a vibrant, bustling city. The design is a celebration of the ocean on which it is situated, brilliantly mimicking the water throughout the landscape and hardscape. Would you pay this kind of price for peace in a busy city?

Full Project Credits for the Coast

Project Name: The Coast Location: Sentosa, Singapore Date of Construction: 2010 Landscape Architect: Tierra Design + POD Client: Ho Bee Cove Pte Ltd. Recommended Reading

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Article by Taylor Stapleton

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Meeting Bowls, by mmmm… ,Times Square, New York City, USA. Sometimes we only need to think simple to make the best pop-ups! This was certainly the case for Times Square’s temporary transformation back in August 2011, when Times Square Alliance and the Consulate General of Spain in New York City agreed to manage a space to calm the non-stop hustle and bustle of Times Square. The finished product was a new public art installation of urban furnishing called the Meeting Bowls. The project was designed by Madrid-based mmmm…, a collective of four Spanish designers (Alberto Alarcón, Emilio Alarcón, Ciro Márquez, and Eva Salmeron), with the aim of giving the public another vision of what the most crowded street in New York City could look like with just a simple design that is more than eye candy.

So, what was the BIG idea?

The idea was to install three giant bowls to bring people from every walk of life into an outdoor, intimate space to build connections. Strangers were brought together while sitting inside, next to each other and at the same time facing one another. This is something most designers tend to forget about when creating outdoor furniture – providing an opportunity for the simple act of having a face-to-face conversation. Recommended Reading

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

As Tim Tompkins, president of Times Square Alliance, explained: “Times Square stands as a testing ground for emerging ideas, and the Meeting Bowls offer a unique approach to foster private, intimate conversations in this enormous and often anonymous public setting”.

The Ingenious Logistics Behind the Project

The first prototype was constructed in Spain out of CNC cut-fiber boards. But instead of shipping the Meetings Bowls from Spain, mmmm… used global computer-aided manufacturing by emailing 250 parts of its digital drawings to Advanced Cutting Services in New Jersey. With the cooperation of R&N, they succeeded in cutting the sheets of waterproof, high-density chipboard, or MDF, with computer-driven routers.

The parts were then moved to Times Square, where the whole assembling process took the team just two hours to finish. The only tools they needed onsite were screw guns and rubber hammers — a great demonstration of doing more with less! What Would You Call it? Much has been written about the unusual shape of the bench design once the three bowls were shown to the public. Indeed, some have called them “baskets”; others have describe them as “salad strainers”. Animal NY have called them “tourist cages“. Each of the three bowls were five feet tall and seven feet in diameter, providing enough space for eight people to sit comfortably on a first-come, first-served basis.

A Way to Enjoy Both The Intimate and Public Space at The Same Time

The collaborative of Spanish artists, mmmm…, designed the Meeting Bowls in a way to generate a slight impression of floating, as they gently rock when people step in and out. Plus, with all the enormous video screens and flashing billboards of Times Square, people can both enjoy the intimate spaces as well as the open view of the streetscape. Those who have experienced the project were able to record their dialogue with others inside the Meeting Bowls using their smartphones and sharing them on the project website accessed by a QR code. They also were able share through the mmmm… website, Facebook, and twitter pages with the hashtag #MeetingBowls.

The Big Impact of Having Big Bowels

During the one-month event, the Alliance estimated that about 20 million pedestrians saw Meeting Bowls, while tens of thousands took photos. “Times Square is pleased to be a testing ground for emerging ideas about gathering in our public spaces and thus enriching cities worldwide,” Tompkins said. “The Meeting Bowls are a new type of temporary and playful urban furniture creating a small oasis among the rush of pedestrians.”

Finding The Potential of a Space

By being part of Times Square Alliance’s continual improvement to find better solutions for the district’s development, the Meeting Bowls project has demonstrated what we could possibly do with that space if we devoted it to something other than pedestrian traffic. This experience helped to raise a human aspect within a large modern city such as New York, where people can be less gathered into a mass and more easily identified as individuals. WATCH: Meeting Bowls

Eva Salmeron of mmmm… mentioned in a press release: “Contemporary to the recent Spanish 15-M Movement, and similar in aspiration, we hope the Meeting Bowls will encourage dialogue and interaction in the most important main square in the world, Times Square. The small group discussions will promote a sense of community and humanize the modern city.”

All in all, the great lesson we can all learn from this project is that when well-designed outdoor furniture is in the right place, it can have a significant influence on pedestrian activity, such as getting to know people, forming group discussions, and starting friendly dialogue between strangers. The Meeting Bowls was definitely a good opportunity to make real connections and build relationships among people within a positive environment. What are some other outdoor design characteristics that can effectively encourage social activity on streets?

Full Project Credits for Meeting Bowls, by mmmm…

Name of Project: Meeting Bowls Client & Developer: Times Square Alliance Designer: mmmm… Period of Design: August 2011 Location: Times Square, New York City Recommended Reading

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Article by Naila Salhi

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Lonsdale Street, by Taylor Cullity Lethlean Landscape and Urban Design and BKK Architects, in Melbourne, Australia. Modern cities with interesting architecture and good infrastructure still have problems with green spaces. We have noticed that public squares are sometimes underdone or misused. It happens everywhere, but what is the first step to change this situation? First and foremost we should study excellent urban projects. Doing this enables us to take a fresh look at the matter or even find inspiration. On the other hand, we are able to find solutions to urban problems, such as heavy vehicular traffic. Development of motorized transport has had a major impact on the shape of cities. Wide pavements are being replaced with parking and roads. However, when public squares focus on pedestrians instead of cars they can become examples of successful design. Lonsdale Street is a fine example of this much needed balance between ecology and human needs.

Lonsdale Street

Premier Boulevard in Dandenong

This extraordinary project is located in one of the suburbs of Melbourne, Australia – Dandenong. It is a prosperous retail spine with many shops and a dynamic produce market situated here. So it makes this area a unique and significant space in the city. Due to the retail located here, there is also a lot of traffic congestion, which has had a strong impact on the shape of the boulevard.

This congestion is what inspired city officials to finally fix the problem. A public consultation confirmed the cultural and physical potential of Lonsdale Street and encouraged officials to make a change and start the revitalization process. After many discussions on the street’s former shape, Australian architects from BKK studio were ready to face the challenge. In 2011 their incredible project was finished. Lonsdale Street had been transformed into a premier boulevard and a gateway to East Victoria.

The First Impression

When we look at Lonsdale Street from a bird’s eye view, we can notice that nothing is random or unnecessary here. Parallel lines found in the flooring and more subtly in the long road, with two lines in each direction and a pedestrian area with parking are what catches the eye. A natural barrier – trees, divides these zones. They not only bring oxygen, but also create a secluded spot where people can rest or simply relax. This is what we notice first, but why is Lonsdale Street unique and very interesting for landscape architects?

Focus on the Function

First and foremost, Lonsdale Street is a well-organized space. Vehicular traffic is considered and it is not disturbing to pedestrian movement. Therefore, it is no wonder that people from Dandenong simply love this place. They can comfortably park their cars, go shopping and then take a break in this amazing area. Wooden benches invite everyone to sit under pin oaks trees and low bushes help create the right atmosphere. The street is known for being a marvelous place, which certainly no one wants to leave.

Ecology Meets Urbanization

On the other hand, the ecological aspect is also significant. Lonsdale Street is perceived as an environmentally friendly space. Not only does Dandenong’s public square produce oxygen, but it also saves the city a lot of money, which city authorities in other towns must spend on items such as water bills. How is this possible in a tremendous metropolis such as Melbourne? The answer is surprisingly simple, a linear garden along the length of Lonsdale Street is reusing storm water for irrigation purposes.

Lonsdale Street by Night

Lonsdale Street is not only a great place to hang during the day, but also at night. If someone thinks that Lonsdale Street shuts down when the last shop closes – they would definitely be wrong. It is a lively place even in the evening. Vertical street lamps, designed by Electrolight in collaboration with Daniel Sequeira, line the street and glow in a rainbow of colors. These lights attract people’s attention and make Dandenong’s public square a special meeting point for townsfolk, at any time of the day. There is no getting around the fact that, in recent years Lonsdale Street has positively changed into a desirable place that everyone is talking about. For the first time in a long while, designers noticed vehicular traffic’s consequences and created a solution. This project is known for being well thought out and responding to the people’s needs, as well as ensuring a balance between the environment and architecture. People of Melbourne should be proud that one of the most captivating urban projects is situated in their city.

It doesn’t happen very often that highly urbanized areas are in dialogue with nature, proving that there is always a chance to connect function with aesthetics. Undeniably, this public square design is an inspiring example of revitalization that returns public space, dominated for many years by cars, to the pedestrians. Do you think that some elements used for Lonsdale Street’s revitalization process could be applied to neglected public spaces that urgently need intervention by landscape architects?

Full Project Credits for Meeting Bowls, by mmmm…

Landscape Architects: Taylor Cullity Lethlean Landscape and Urban Design Collaboration: BKK, Electrolight, Design Flow and David Sequeira Location: Dandenong, Victoria, Australia Size: 30,000m2 Completion Date: 2007- 2011 Client: Places Victoria Construction budget: $35,000,000 Project Team: Simon Knott, Perry Lethlean, Scott Adams, Lisa Howard, Noelle Teh, Lin Tan, Michael Roper, Michael White Project Management: Places Victoria Builder: Canteri Brothers Civil / Structural: Arup Civil (Langhorne Plaza): Argo Civil / Structural (Langhorne Plaza): KLM Lighting: Electrolight

Awards for Lonsdale Street:

2013 AIA National Architecture Awards, Winner Walter Burley Griffin Award for Urban Design 2013 AIA Victorian Architecture Awards, Winner Melbourne Prize 2013 AIA Victorian Architecture Awards, Winner Urban Design 2013 PIA Australia Award for Urban Design, Commendation 2012 AILA Awards, Excellence Award for Design in Landscape Architecture Recommended Reading

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Article by Paulina Sawczuk

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St Johannesplan & The Konsthall Square, by White Arkitekter, in Malmö, Sweden. The coastal city of Malmö, located just a short train ride from the Danish capital of Copenhagen, is one of the most diverse and fastest growing cities in Sweden. The population includes a huge proportion of immigrants and young people, as well as thousands who commute to and from nearby Copenhagen for work and school each day. Its diversity, combined with its unusual location, makes Malmö one of Scandinavia’s most unique and vibrant cities.

St Johannesplan & The Konsthall Square

Moving 37,000 People a Day

Located outside of the main downtown district, Triangeln was a relatively quiet area until recently. With the completion of the new City Tunnel train connecting Malmö’s central station to Copenhagen via the Tranglen station, the area has been transformed into a bustling commuter hub. This radical change means that the Triangeln area is now accommodating upward of 37,000 commuters each day. As a result, the city needed to create a space that would both reflect and accommodate this change, while still complementing the existing community.

One Project: Two Spaces

White Arkiteker’s design proposal was selected as the winner of an international design competition by the city to re-imagine the space around the Triangeln station. The design transforms this previously overlooked area into a bustling commuter hub and outdoor living area for locals. The project area can be divided into two main squares: Konsthalltorget and Sankt Johannesplan. Konsthalltorget is adjacent to the city’s art gallery (Malmö Konsthall) and the Triangeln shopping center. The gallery is one of the largest in Europe. It exhibits modern art from around the world and attracts 200,000 guests each year.

Recommended Reading

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

As a significant stakeholder in the project, the art gallery was extremely involved in the design process, ensuring that the new space would function harmoniously with the gallery. The Konsthalltorget space acts as an extension of the art gallery, and was designed to complement and showcase the gallery’s unique and stunning architecture, as well as to host temporary outdoor exhibitions. The second part of the design, Sankt Johannesplan, is oriented toward St. Johannes Church. Built during the Art Nouveau period and also called the Church of Roses, the church is an important landmark in the city. Sankt Johannesplan is also the location of the new Triangeln station’s north entrance and acts as a hub for commuters.

A Bustling Public Space in the Triangeln District The paving is made up of simple, rectangular pavers that can be easily changed, moved, and customized to accommodate different types of activities and events. In dark, contrasting pavement, an abstracted nature pattern — inspired by the Art Nouveau architecture of St. Johannes Church — adds dynamism to the space. This paving spills across the street, linking the two spaces visually, as well as establishing the area as a pedestrian priority zone.

Flexibility Was a major Factor in the Design Scheme

Round planters that double as benches, as well as some scattered perennial beds, add some green to the space. While more trees would be a welcome addition to brighten and break up the space, it was important that the design be flexible and adaptable to various types of events, as well as free of obstruction for busy commuters. A 30-square-meter area of water jets adds a certain playfulness to the space, and becomes a popular area for children during the summer months.

Robust Responsive Environment

Toward the center, an elevated concrete disk works well as a stage and display area during events and exhibitions, but also functions as seating for day-to-day use. At night, the illuminated platform, along with the rest of the nighttime lighting design, creates a lasting impression for passersby.

The Glass Dome

The glass dome structure is the northern entrance to the Triangeln train station. Situated in the middle of the space, it acts not only as a station entrance, but as a stunning architectural feature for the square. Aside from the train station, several bus lines service the area, and bicycle parking has been provided onsite. The site’s design is complementary to the city’s shifting transportation policies, which focus on incorporating and facilitating public and active transport, rather than the use of private cars. Already, the square has become a popular place not only for commuters, but also for skateboarders, filmmakers, artists, and musicians — acting as a hub for not only transportation, but for recreation and culture.

A Hub for Commuters — and for the Community

Malmö was already known globally for its innovative architecture and public realm, and White Arkitekter has elevated an overlooked area to a public living space and bustling commuter hub, accommodating more than 37,000 people a day. The combination of contemporary minimalist and ornate Art Nouveau styles gives the square a distinct and memorable feel that effortlessly complements its surroundings, while efficiently moving commuters. The site’s location supplies the space with a steady flow of people to animate it, from the bustling weekdays to lazy Sundays. While the primary purpose of the site is as a hub for the city’s thousands of daily commuters, and the open design of the square mitigates congestion and facilitates the efficient movement of people, its great location has also helped it to become one of Malmö’s newest local hangouts.

Full Project Credits for St Johannesplan & The Konsthall Square

Project Name: Sankt Johannesplan and Konsthalltorget. (St Johannesplan & The Konsthall Square) Location: Malmö, Sweden Designers: White Arkitekter AB Team: Niels de Bruin, Anna Eklund, Gustav Jarlöv, Andreas Milsta (lighting design), Ebba Matz (artist) Date of Construction: 2014 Size: 28,000 sqm Client: City of Malmö and The Swedish Church Photographer: Hanns Joosten

Recommended Reading

• Natural Swimming Pools: Inspiration For Harmony With Nature by Michael Littlewood
• You Can Draw in 30 Days: The Fun, Easy Way to Learn to Draw in One Month or Less by Mark Kistler

Article by Michelle Biggs

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