Author: Land8: Landscape Architects Network

10 top tips from our resident AutoCAD expert UrbanLISP to make your work in AutoCAD more efficient.  When drawing by hand, we use a box of pencils, crayons, a ruler, and maybe a compass. Whatever we use, it’s all on our desk, in sight and ready to grab. AutoCAD is stuffed with functionalities hidden in menus, on palettes, and behind shortkeys. In order to get the most out of AutoCAD, we list the 10 must do’s to become a professional AutoCAD user: 1. Layers, layers, layers Without a doubt, one of the most important aspects in a drawing is the use of layers. An empty drawing by default only has one layer, named “0” in AutoCAD. Don’t use this layer unless you know what you are doing; it behaves in a particular way. It’s hard to create too many layers, but to prevent getting lost, it’s wise to think of a layer structure first. Add numbers for main categories as a prefix of the layer names so they are grouped together in the layer menu by default. As suffix, it’s good to add a code related to the type of object it’s used for; -b for layers that are boundaries, -h for layers with hatches, -t for layers with only text. You’ll get layers like 012-grass-b and 012-grass-h.

2. Blocks Use blocks whenever you can. In essence, they are little drawings on their own and usually represent something iconic, like a tree or a car. They can help to make quick changes to your drawing or quantify your drawing. Remember layer “0” in the previous pointer? When used inside a block, the entities on that layer will adopt the layer, color, etc. of the layer on which the block is placed. So blocks are more flexible than you might think, especially when you make them dynamic. But that would be an article of its own. When you create a block, there are a few things to keep in mind: Pick the insertion point carefully, mind the rotation, set the units, and think of a proper name. 3. Customize Although AutoCAD is already packed with functionalities, customizations are essential to optimize your workflow. You’ll be surprised by what you can customize. The two images above show good examples; layers can be imported through a pull-down menu and blocks can be inserted through a tool palette. One of the easiest of customizations is the addition of hatch patterns. Google “AutoCAD hatch patterns” and look for hatch patterns you like. Download the .pat files and place them in a folder. Add the path of that folder to the “Support File Search Path” in AutoCAD’s option menu at the “Files” tab. When you open the hatch dialog box and select the Custom tab of the hatch pattern overview, you will see all the hatch patterns you collected in that folder, ready to be used. If that inspired you, you can take it even a step further: Take one of those .pat files and open it in Notepad. If you’re able to wrap your head around it, you’ll become a hatch master. 4. Build a library OK, so we covered layers, blocks, and hatch patterns. Time to organize them. Before layers can be added to a drop-down menu and blocks to a tool palette, you need to create and collect them. Every time you create a CAD drawing and you’re happy with the graphics, use those layers for the next drawing. A few projects further down the road will help you to fine tune those layers. When you reach that point, you can consider adding them to a drop-down menu. There are plenty of websites with free AutoCAD blocks for trees, cars, etc. Every time you find nice blocks, save them somewhere in a separate file. Over time, that file will fill up and become a valuable resource. To make them easily addable to your drawing, you can put them on the tool palette as shown in pointer 2. 5. Design center In an office with several AutoCAD users, it’s good to lay down an office standard and invest some time in drop-down menus and tool palettes. It definitely pays off. If you are a student or self employed, all these fancy tricks may be a step too far. There’s an easy work around – Design Center. With a design center, you can navigate to any drawing and add blocks and layers from it without having to open the drawing. So collect all the layers you’ve set up and blocks you’ve collected, put them in one source drawing, and you will have created yourself a library. Don’t forget to back up that file, though! 6. Keep your drawing clean When doing everything mentioned above, your drawings should become well structured and organized. To keep them structured and organized, it’s good to remove unused elements from your drawing. Your drawing is basically a graphical representation of a database. If you removed a block from your model space, it doesn’t mean it’s out of the database. With purge, you can remove blocks, layers, text styles, etc. that are not used in the drawing from the database. You’ll see when you run it a few times that you can keep on purging. Overkill is a useful command to remove duplicate entities. You can try it by opening a drawing, drawing a rectangle, copying it, and placing it exactly on top of the other rectangle. After running overkill, there’s only one left. 7. Close the ribbon, use your keyboard After AutoCAD became a commercial product in 1982, it was further developed and changed drastically. These changes not only defined particular generations of AutoCAD, but also particular generations of users. Early users relate lineweights to colors. In the first decade of this millennium, 3d became a focal point of Autodesk, and in AutoCAD 2009 the ribbon was introduced following the changes Microsoft made to the interface of their “Office” suite. Why Autodesk introduced this interface is subject to debate, because every professional user of AutoCAD can confirm — use your keyboard! Think about it: A ribbon in “Word” or “Excel” makes sense. With these programs, you enter text and data with your keyboard. It would conflict with keyboard commands. AutoCAD is the opposite; you click positions in your drawing and select entities with your mouse. Going back and forth with your mouse to click icons is just a waste of time. Besides that, ribbons and toolbars take up space. Unlike with a Word document, you want as big a surface as possible on your screen for your drawing in order to have the best overview. You’ll need to learn a lot of key combinations, but you will get used to it quickly. There’s a good way to learn it; every time you use a particular command several times in a short amount of time, look up the shortkey combination. For instance, M for Move, F for Fillet, H for Hatch. Makes sense, doesn’t it? Or dimensioning commands: DLI for Dimension Linear, DAL for Dimension Aligned, DRA for Dimension Radius. Do you see the pattern? Of course, this is also customizable. Find the file called acad.pgp (usually at C:Program FilesAutodeskAutoCAD 20XXUserDataCacheen-usSupport) and open it in Notepad. Here you can define some basic shortcuts for basic AutoCAD commands. And don’t forget about key combinations with ctrl and alt. We all know ctrl+C and ctrl+V; with alt you can navigate through the drop-down menus. And this is also customizable! 8. Add apps Just about any action in AutoCAD can be automated. Using the keyboard rather than the ribbon will speed up your workflow. But it’s nothing compared to using apps. In case you missed them, you can find some demonstrations of apps for AutoCAD here on landarchs that can be downloaded at urbanlisp.com. UrbanLISP apps, or commands, follow a similar strategy for shortcut key combinations as the dimensioning layers in the previous pointer, so they are easy to remember. See these AutoCAD tutorials:

• 4 AutoCAD Commands to Draw Paving Patterns on Curving Paths
• How to Show Topography in your Plan Drawing in AutoCAD
• How to Place Large Quantities of Trees in a Master Plan Instantly with AutoCAD

9. Snap and select like a pro There are two main purposes for the mouse in AutoCAD: defining positions and selecting objects. If you want to draw accurately, snapping to the right point is extremely important. It sounds obvious, but it deserves some attention. The more objects in your drawing, the more snapping points you’ll have. If there are a few snapping points close to each other, the chance of snapping to the wrong point increases:

If you want to have some more certainty that you snapped to the right point, you can type the snap point you need. Before clicking, type the first three letters of the snap you need. In the example of the images, it’s PER for perpendicular, INT for intersection and END for endpoint. It will temporarily disable any other snapping option. When you need to select multiple entities, there are also several ways to create a selection. Two basic methods are the crossing and window selection. When you click and move your mouse to the left, you’ll get a green field with a dashed white edge. This means you select everything touching the green field. Moving your mouse to the right will create a blue field with a white outline. This will select everything completely within the white outline. Most regular users know this. There are several other methods, however. When you are about to create a selection, you can enter, for instance, CP (crossing polygon). This will allow you to create a polygonal shape with a green field. Anything touching the green field will be selected. WP (window polygon) will do the same, but will only select everything within the blue outline. In the most recent versions of AutoCAD, you can even apply these methods just by dragging your mouse! By typing an F (fence) you can create a line and everything touching it will be selected. Click here for a full overview of selection methods. 10. Be consistent Consistency is crucial. If you created a system for naming layers, stick to that system. Don’t introduce another for that project. Create blocks in similar ways so they are easy to exchange. Stick to a system that makes sense when you customize shortkey combinations for commands. Create a system in naming your files and organizing your folder and stick to it! Of course, systems can change and be developed. Introduce changes in a new project. – These pointers are focused on AutoCAD. However, most apply to virtually any CAD program. Sometimes the terms are different: In SketchUp, blocks are called components; in Illustrator,they’re called symbols. For AutoCAD, you can use .fas files as apps. For SketchUp, they’re called rubies (.rb) and for Illustrator, they end with the extension .aip. So optimize your workflow and become a pro!

Recommended Reading:

• Digital Drawing for Landscape Architecture by Bradley Cantrell
• Detail in Contemporary Landscape Architecture by Virginia McLeod

Article by Rob Koningen

You can see more of Rob’s work at UrbanLISP

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 The New St. Petersburg Zoo by TN Plus & Beckmann N’Thépé Architects in St. Petersburg, Russia.  Located in the heart of Alexander Park in St. Petersburg, Russia, the Leningrad Zoo was founded on Aug. 1, 1865. According to the Saint Petersburg Commune, the Leningrad Zoo is the oldest zoo in Russia and the second-largest zoo, after the Moscow Zoo. Currently, the zoo holds approximately 600 species of mammals, birds, fish, and invertebrates from various parts of the world, according to the Leningrad Zoo, and, like most others zoos around the globe, suffers from lack of space. In 2010, the city decided to relocate the zoo and organized an international competition for the new Primorskiy Zoological Park. The winning project was designed by a team formed by Bruno Tanant and Jean Christophe Nani of the landscape design firm TN PLUS, with Aldric Beckmann and Françoise N’Thépé of the architecture firm Beckmann N’Thépé. These architects created a fascinating project concept based on the primitive continent of Pangea.

St. Petersburg Zoo

Pangea was the supercontinent that existed more than a million years ago. The concept embraced by TN Plus & Beckmann N’Thépé consists of reuniting the Pangea. Using water on the site, the team created six circular islands: South East Asia, Africa, Australia, South America, North America, and Eurasia, representing the pieces of the Pangea. The idea was to introduce, on each of these islands, ecological samples and native animals of each continent.

Connecting Islands Through Bridges Following the main idea of the project of the Pangea reunion, the architects connected all six islands by bridges, forming one huge park. Additionally, the North America and Eurasia islands were linked using a pack of “ice” from the Artic Pole. Moreover, since the area of the new zoo is very large and composed of islands that needed to be interconnected, the project relied on different means of transportation, such as pedestrian walkways and boats. Boat Transportation Boat transportation also connects the zoo to the center of St. Petersburg. All of these different transportation alternatives not only connect every island and the city with the zoo, but also integrate the entire project, making the environment more genuine for both humans and animals.

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• Diana Memorial Fountain: “Reaching Out, Letting In.”

Sanctum for Biodiversity The dimension of the site allows the zoological park to be a substantial sanctum for biodiversity. Unlike most zoos, the Primorskiy Park will support large animal species in adequate conditions considering the space and the wildlife environment. All of these concepts were designed by the architects to be as natural as possible. It is worth noting in the design drawings the existing well-balanced relationship between man and nature. Indeed, it is very apparent that TN Plus & Beckmann N’Thépé designed the Primorskiy Zoological Park with a green consciousness, respecting the environment. Providing Shelter for Tropical Animals and Plants Concerned about the adaptability of species that may not be suited to the region’s winter weather, the architects designed several greenhouses that follow the circular shape of the islands. These greenhouses will be made out of a pattern of intersecting circles of steel and covered with an ultralight material called Ethylene Tetra Fluoro Ethylene, or ETFE, providing shelter for tropical animals and plants species by maintaining the appropriate climate needed for survival. Future Considerations There is not much information related to the greenhouse functions and use of renewable energy or other sustainable solution; however, taking into consideration the designers’ respect for the environment, it is not a surprise to anticipate that such solutions will be considered at some point in the design or implementation phases of the project. Avoiding the Cruel Stereotype of a Zoo In fact, TN Plus & Beckmann N’Thépé, with this project, avoided the cruel stereotype of a zoo, promising a change in the zoo design style. Initially, Primorskiy Park was planned to be completed by 2014, but, unfortunately, the project was suspended due to the opposition of a part of the Russia Municipality regarding the project implementation site. Despite the possible site change, it is a project that we must follow closely, as its new concepts and ideas might revolutionize how zoos are designed and influence a new generation of zoo designers. Certainly, projects like these help to construct a better, environmentally friendly world by respecting and preserving nature and by creating an educational facility for us to learn more about our wildlife and biodiversity.

Full Project Credits:

Project: New Zoo of St. Petersburg Designers: TN Plus & Beckmann N’Thépé Architects Zoologist: Eric Plouzeau, Biozones Consulting Zoo Expert: Monika Fiby Botanical: Albert A. Tourette Location: St. Petersburg, Russia Total Area: According to TN Plus: 140ha According to Beckmann N’Thépé Architects: Site Large: 300ha Emprise Zoo: 96ha Client: Ville de St. Petersburg/Intarsia Budget: 287 M € HT Area in Context: The site is in the northern suburbs of the city not far from the Bay of Finland, in the frontier between a new residential district in plain development with high rise buildings and a natural reserve.

Recommended Reading:

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Article written by Sarah Suassuna

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Bus Stop by mmmm… in Baltimore, S. East Avenue in Highlandtown, USA.  Awhile ago, I watched an artistic installation made by the collaborative mmmm… for a bus stop in the city of Baltimore. It is undoubtedly outstanding because of its minimal and clean style, high functionality, identification, and as a positive feature in an otherwise anonymous place, but I found myself wondering, why is it beautiful? What is beauty? Is the Latin phrase “de gustibus non disputandum est” true? Is there no accounting for taste? Is beauty really only in the eye of the beholder? The question is, why do we like something? Why do we surround ourselves with nice things, live in a nice place, buy nice stuff?

Bus Stop by mmmm…

But let’s start from the beginning: The city of Baltimore opened a collaboration with citizens associations and the group TRANSIT- Creative Placemaking with Europe in Baltimore in order to include European artists in the urban renewal of the city. Through this collaboration, the city was able to identify the principal needs of the community and, through a contest, examine different solutions. The winner was mmmm…’s perfect bus stop – or as the studio calls it, the obvious bus stop.

Certainly Not the Conventional Bus Stop The studio designed a bus stop that is very different from what we usually see, including an artistic matrix in the functionality of the object, creating a real masterpiece. What is a bus stop useful for? It gives shelter from the weather and a place to sit and rest while waiting. It usually has a common look, often combined with advertising or signage, and is quite anonymous. Most bus stops are indistinguishable from one another, and if we don’t really know the place or read the name written upon the pole, we might not know where we are. These are the bus stations we all know. From the Creators of the Metting Bowls… But what could happen if we give an anonymous place an artistic makeover? Something new will come about, creating a different atmosphere in a place most people pass by willy nilly. From the minds of the creators of the “Meeting Bowls” At Times Square (See image below) was born an “obvious bus stop”, consisting of a sculpture of three gigantic letters rendering the word BUS, each 14 feet by 7 feet. It provides the usual shelter from the elements, but also provides preferential access to public transport for the disabled and a multifunctional bench that could be used to sit or recline. All of these features are hidden within the word BUS. A Symbol of Fun What happens in a place like this is that everyone can find his own way of making the act of waiting for the bus more pleasant, and that was the aim of the artists who created this iconic meeting point, a symbol of fun, interaction, and — using their words – a way to “transform the dull experience of waiting for the bus to an entertaining, leisurely space in the middle of the hectic rhythm of the city”. Indeed, removing a plain piece of urban furniture and replacing it with a strong, positive connotation, the designers were able to influence the characteristics of an entire block. Not More Plexiglas The materials used for the construction are warm and engaging — not more Plexiglas and cold steel seating, but a double row of wooden joists fixed above and below to a steel structure that acts as a carrier for the entire sculpture, a surprising result both from the point of view of aesthetics and function. It is easy to see that a structure like this can be universally recognized as beautiful, and here we return to the initial question: What is beauty? Related Articles: 

• 10 Top Examples of Land Art From Around the World
• Urban Artwork Transforms Everyday City Space into a Lively Plaza
• Shanghai Red Carpet Park Lets People Reflect on Their Everyday Lives

The Process of a Winning Design Let’s talk about this bus stop: It was chosen among a multitude of others, and it was the first idea drawn from the study. It was initially discarded because it was considered too trivial by the artists themselves. But it turned out to be the winner. Was the proposal instinctive? Was it the designers’ primal instinct that took them to the most immediate, the most beautiful of all, and then reasoning that brought them to study, develop, and eventually backtrack? Well, it seems that is exactly what happened. The first ideas — those conveyed by instinct — seem to be winning ones. Mirror Neurons (Here’s the Science, Pay Attention) To assist the processes of perception, there are mirror neurons in our brains (recently discovered in 1992) that are used to convey emotional states and are the key to activating the process of empathy between living beings. Indeed, they act at the primordial level, an area research has shown to be very important for those involved in the visual arts. How much might we be influenced in our daily lives if art could find more space in our cities? Maybe we could benefit from being “bombarded” by positive messages conveyed by the art. The difficulties of each individual certainly would not change, but the collective mood could be raised, with a ripple effect that could be surprising — like an obvious bus station.

Full Project Credits:

Project: Bus Stop Location: Baltimore, S. East Avenue in Highlandtown, USA Designer: mmmm… Date of Construction: 2014 Size: 14 feet x 7 feet Show on Google Maps

Recommended Reading:

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Article written by Valentina Ferrari

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We take a look at the water sculptures of artist Giles Rayner. For Giles Rayner, it all started at the age of 16 when he fell in love with the sculpting of ceramics. Years later, he felt an attraction for metalwork. Since then, he has built up an incredibly varied portfolio of water sculptures. He has the ability to create sculptures that not only work in terms of scale and design, but are also timeless. Because of this, his work can be placed almost anywhere, from a country yard to a modern garden to a public space. His works intrigue; they have a simple aesthetic beauty but radiate energy in combination with the water. As Rayner puts it, the water not only has an aesthetic purpose, it is “the element that embodies designs with real life, binding order and chaos and achieving — sometimes the dramatic, sometimes the peaceful”.

Giles Rayner

If we take a closer look at his creations, we have the feeling that he sometimes defeats the impossible, putting real energy into each design. Take his Falling Leaves water sculpture, for example. The 12-foot-tall sculpture contains five triangular “leaves” of reinforced copper. The water runs from the upper leaf, joining each torrent as it tumbles through the other leaves into the water basin. To correspond to the size of each leaf, more water is introduced at each intersection. All this without ever seeing one tube.

Brainteasing operation, only Giles has the answer. Another brainteaser is the Whirlpool sculpture, a six-foot-tall reinforced copper pyramidal basin. The water clings to the steep exterior of the bowl as it gently overflows, sucked downward in an impressive vortex into the center of the basin. I’m still not quite sure how the water in both sculptures is pushed upward. You judge for yourself! Force Meets Elegance An excellent example of elegance combined with brute force is the Lasso, a three-dimensional movement of six tubes of stainless steel from which converging water jets cause a starburst effect in the center. That elegance can also be seen in the Serpent, a nine-foot-tall spiral of marine-grade stainless steel. The spiral starts from a broad base and ends in a small top, where a water jet falls down. Converging Water Jets System The Implosion, Fusion, and Coral water sculptures also all use the converging water jets system. Rayner’s attention to detail is clear. The water jets come together in the middle of the circle, and not a bit lower or higher. It takes precise work to make sure the lowest jets have enough power and the others less energy to get them to the same point. More Amazing Works It’s not possible to review each of Rayner’s works in detail. But the following creations still deserve your attention. Blade looks at first to be just a creation of bronze (and structural stainless steel). But the 30-foot-tall 12-foot-wide water sculpture is a work of art worthy of review. The Blade consists of 31 pieces that overlap like the scales of a fish. The scales are largest on the base, becoming smaller as they go up. From the top, water flows down all over the object, leaving no small piece dry. The Use of Reinforced Copper The Twiggy water sculpture is a 16-foot-tall fountain composed of many hollow tubes of reinforced copper. The sculpture looks like a big torch or tree, with water raining down from the “twigs” that represent a burst of energy. When an auxiliary pump is turned on, a burst of water breaks up in the structure to form a cloudburst. In combination with some lighting, this gives the sculpture a completely different appearance at day or night. Exciting the Senses Related Articles:

• Amazing Kinetic Sculptures That Could Hypnotize You
• The Pine Cones of Floyd Elzinga That Challenges your Perceptions
• Mark Nixon’s Chimecco Chime Bridge

Exciting the Senses Rayner’s sculptures excite the senses in a new way. The combination of light, water, and movement adds a totally new dimension. The thoughtfulness and complexity of his sculptures are sometimes overlooked because of their simple appearance. That’s what makes Giles Rayner a leading water artist and sculptor. We just couldn’t publish this articles without featuring these ones:

Recommended Reading:

• Flume & Vortex: The Art of Two Fountaineers: The Extraordinary Lives and Works of Giles & Ranulf Rayner by Jenny Pery
• Land and Environmental Art by Jeffrey Kastner

Article by Sander Van de Putte Return to Homepage

A Toddlers Playground, by Espace Libre, in Alfortville, France. When children play in the open air, they experience life to the fullest, all of their senses being stimulated in the most amazing ways. “A Toddlers Playground” is the kind of project that you understand from the start, being designed and realized for children. Thanks to the talented team of architects from Espace Libre, the town of Alfortville, France, now has an incredible playground, a perfect environment in which toddlers can develop their broad and fine motor skills. The project was completed in 2014, covering an area of 2,500 square meters and having a budget of 400,000 euro. What resulted was a playground filled with color and elements of creativity.

A Toddlers Playground

One cannot design a space intended for children without taking into consideration what children actually need. In going through with the project, the team of architects from Espace Libre has gone beyond that scope, performing extensive research on children and how they perceive space. It was this thorough research process that allowed the French architects to create a space that suits the concept of early childhood development to perfection.

Fun and Fuctional Looking at how the playground turned out in the end, it is quite obvious that every element has been considered in regard to how fun and yet functional it actually is. Children have the opportunity to engage in numerous activities in this space, developing skills that are essential for the future. Generous Space Divided in a Creative Manner As the architects had a generous amount of space to play with, it should come as no surprise that they also managed to divide it in the most creative way possible. A quick glance over the playground will reveal three main areas: plot, adult area, and children area. The interesting thing is that each space has its own designated functionality, which manages to successfully integrate into the overall use of the playground. The Use of Micro Altitudes One of the most interesting demonstrations of creativity relates to the use of various micro altitudes. There are shooting steps, slopes, and hollow elements that children are definitely attracted to, allowing them to enjoy the numerous physical activities provided in the designated area. Moreover, the choice of micro altitudes contributes to the overall visual aesthetic appearance. The Importance of Using Mulitple Materials It is also interesting to see the wealth of materials that have been used in the project and how they contrast with one another. Among these materials, one can find the practical concrete that kids can use as a giant drawing board, as well as the soft soil and grass that allow for an instant connection with one’s senses. An Incredibly Colourful Experience The beauty of this playground lies in how colorful it is, with shades of red and beige, blue and yellow, green and brown being used on different elements. There are also different textures to discover, appealing first and foremost to the tactile sense. Playground Contributes to the Development of Children’s Sensory Skills The multitude of elements used in making this playground definitely contributes to the development of children’s sensory skills. Children can walk on different surfaces, enjoying the variety of textures presented to them. They can listen to the hissing sounds that come from the playground furniture and enjoy the way light reflects through the transparent structures. As you look throughout the playground, you can see how much thought has been put into this project and how this diverse area is more than a suitable place for toddlers. Taking in Information Through the Senses Toddlers take in a lot of information about the environment through their senses. They use the tactile sense in order to discover textures and understand different objects. On the other hand, they rely on the senses of hearing and seeing in order to orientate themselves in a new surrounding. All of the senses provide information and a playground like this one allows toddlers to instantly draw the information they need for the development of sensory skills. Great Choice of Vegetation Even though this is a space designed for children, the architects working on the project have gone with the concept of abundant vegetation. There are different types of trees and shrubs, not to mention a wealth of grasses and perennials. In choosing the vegetation, the architects have considered the benefits offered to children and adults. All of this vegetation generates a lot of oxygen, reducing the negative consequences of pollution. Choosing the Correct Vegetation There is one more aspect to consider and that is related once more to the sensory development of children. The vegetation chosen for this project appeals to the different senses of the children, allowing them to develop the necessary sensory skills. The tactile sense is stimulated by the touching of different grasses, such as Panicum, Imperata, or Spodiopogon. The sense of smell is enticed, as children can smell lavender, oregano, or verbena. Last, but not least, the sense of taste is developed, with choices such as sage, mint, and thyme being available here. In conclusion, this is one great playground to bring your kids, providing a wealth of stimulation and helping him develop in a correct manner. There are plenty of opportunities for physical movement, generous quantities of fresh air, and colorful elements for the kids to enjoy. Plus, adults will find the area to be relaxing and perfect for warm summer afternoons.

Full Project Credits:

Landscape Architecture: Espace Libre Location: Alfortville Design Year: 2013 Year of Construction: 2014 Area: 2500 m² Budget: 400 000 euros

Show on Google Maps

Recommended Reading:

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Article written by Alexandra Antipa

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Thessaloniki New Waterfront Landscape Design by Nikiforidis-Cuomo Architects in Thessaloniki, Greece. Thessaloniki is the second-largest city in Greece, with more than a million inhabitants. Developed along the coast of Thermaikos Gulf, the city’s proximity to the sea has defined its character to a great degree. The “in-between” of sea and city became the object of an architectural competition held by the Municipality of Thessaloniki in 2000. The architectural firm Nikiforidis-Cuomo Architects won the top prize. The project was completed in 2014 and has already become well known and enjoyed by the citizens of Thessaloniki, as well as by city visitors.

Thessaloniki New Waterfront

The three kilometers-long promenade starts from the White Tower of Thessaloniki, an emblematic city landmark, and reaches up to the New City Concert Hall. The intervention unfolds in two parallel zones along the water. Each line differentiates in terms of function, scale, and character.

The two project zones are The Breakwater and the Inner Gardens: The Breakwater The Breakwater zone unravels right along the water surface. It is the place for walking, running, and enjoying views of both the city and the sea. The motion on the Breakwater reflects the motion of the water surface. The visitors come in contact with light, the sea breeze, and a wider sense of perspective. The wooden deck right along the water’s edge marks the boundary between land and sea. The linear luminaria along the wide concrete paving create a sense of rhythm across the waterfront and make the place accessible during the night. There is a wide zone for pedestrians and a separate bicycle zone. The Inner Gardens A zone of green areas has been developed along the Breakwater and the urban tissue. Instead of designing a long linear park, the architects have opted to create a sequence of open-air green rooms with a variety of characteristics. Sports and recreation facilities have been allotted in each of the gardens. Each Garden Concept derives from a different topic related to the senses, the city memory or the vegetation characteristics. Playing on the Historical Context For instance, the Garden of Alexander refers to the historical king of Macedonia, Alexander the Great. There is a statue of Alexander already allocated in the area. The intervention creates an appropriate context for the sculpture, combined with recreation and green areas. Taking Advantage of Golden Views The Garden of Afternoon Sun has been designed as a mild, natural slope that functions as a viewpoint toward the waterfront, especially during the afternoon. The Garden of Mediterranean has been created by enhancing the existing vegetation, mostly large trees, with orchard trees and Mediterranean herbs. The existing walking routes have been maintained and paved with stabilized soil, in order to create a natural result. Visitors can relax at various sitting areas and a small open-air café. Nature Inspired Gardens On the other hand, the Garden of Seasons resembles a natural field with indigenous wildflower species. There is a great diversity of herbs, water plants, and flowers that are mainly found in the Greek countryside. The garden visitors have the opportunity to become acquainted with nature, which has been developed within an urban frame. These are only a few examples of the diversity featured along the Inner Garden Zone. The different gardens/green rooms are: • The Garden of Mediterranean • The Garden of Sand • The Garden of Seasons • The Garden of Alexander • The Garden of Music • The Garden of Odysseas Fokas • The Garden of Shadow • The Garden of Afternoon Sun • The Garden of Sculpture • The Garden of Water • The Garden of Sound • The Garden of Roses • The Garden of Memory Open-air Rooms The idea of open-air rooms is a clear reference to the pre-existing landscape of the area. There used to be small, domestic gardens that reached the natural seashore, before the landfill of the coast. Interpreting public space in terms of private function is an interesting perception. It allows for small scale, intimacy, and a sense of community to develop in a large-scale intervention. “The landscape has been interpreted rather than redesigned” It makes a rather philosophical comment on the almost conflicted relationship between private and public space that one observes in Greek cities. It also allows the design to adjust to the variations and pre-existing elements found along the intervention site. The landscape has been interpreted rather than redesigned, which seems to be the project’s great success.

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• How Beirut’s Zeytouneh Square is Reuniting a Divided Urban Community
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• Diana Memorial Fountain: “Reaching Out, Letting In.”

Greek, urban landscape has recently become an object for contemplation and intervention for architects and landscape professionals. A number of architectural competitions regarding parks and public squares have been held. The New Waterfront of Thessaloniki Landscape Design has also been a competition object, as previously mentioned.

What are the major values of this project? What I would consider as one of the project’s major values is the introduction of a new mentality regarding urban space and landscape construction in Greece. This project could and should function as a role model for designers and builders in order to define the image of the contemporary Greek city. It embraces the Mediterranean character, it awakens the memory, and it enhances the urban landscape with contemporary design elements.

Full Project Credits:

Project Name: Thessaloniki New Waterfront Landscape Design Designers: Nikiforidis-Cuomo Architects Location: Thessaloniki, Greece Area: 238.800 m² Date of Completion: 2014 Construction Duration: 2006-2014 Budget: €43.200.000 Contractor: Sidirodromika Erga S.A. Client: Municipality of Thessaloniki

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Recommended Reading:

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Article written by Eleni Tsirintani

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To be a successful landscape architect, one has to possess multiple qualities. The way to success is always pursued by three basic factors – the ideas we have, the persistence to realize them, and the way we present (or sell) them. Those three things go hand in hand. It’s not enough just to have good ideas. Almost every person has good ideas. But the difference between the good professional and the average one, is that the good landscape architect has the full package. He has ideas, knows how to present them, and is persistent. In this article, we will focus on the third part of the design process – how we illustrate our design concepts and why is the way we do it so crucial? If a designer generates original ideas but doesn’t display them in an attractive way, he will be wasting efforts, time, and money. If another designer doesn’t have marvelous ideas, just decent ones but is able to create a mind-blowing illustration of them, which one, you think, will gain more? After clarifying the significance of designers’ presentation skills, let’s discuss the two most popular graphic techniques for Landscape architects.

Hand Drawing versus Computer Rendering

Hand Drawing Although the majority of designers nowadays prefer computer rendering, hand drawing is still very much alive and kicking. It remains the most fluent and unhindered way to transmit what is in designer’s imagination to the physical world.

Pros: 1. Closest to your initial idea Sketches and hand drawings are the fastest medium through which you can deliver your concepts on a sheet of paper. As creative personalities, landscape architects know that inspiration doesn’t always give a notion when it arrives. That’s why, if you don’t have the intention of becoming Michelangelo, you should at least try to sketch – to feature your primary ideas. This is how you will stay closest to what only your imagination can create. 2. Gives you freedom and creativity Perhaps everyone will agree that your hand is the tool which gives you limitless freedom when drawing. There’s no computer that will let you do exactly the same sketch like the one done by your hand. Sketching also allows you to prepare numerous versions of your concept very fast, and then to decide which one to develop. Thus, you train and improve your creativity. 3. Develops your analytical skills To visualize your design plans, a great attention to detail should be considered. Shapes, materials, vegetation… A landscape architect should study profoundly the nature of each object in a scene. How those objects interact, reflect light, cast shadows – all those things must be observed and analyzed by the designer. Drawing teaches you both – to observe and to think. Cons: Besides all the advantages of sketching, there are certain offsets going along. 1. Paper can be damaged easily You should be extremely precise while drawing on paper. Erasing a mistake from a sheet is much harder than clicking the undo button. Paper can also be unintentionally stained or moistened. 2. Only one original of your work As an artist, you spend hours and efforts to create your perfect visualization. Although you get paid for your work, you give away your only original, which isn’t a pleasant feeling at all. The Golden Mean Before exploring how the other way of visualizing works, let’s take a look at one medial method – using a graphics tablet. This instrument of illustration can be defined as a combination of hand drawing and computer rendering, as it creates hand-drawn images, in a way similar to a person who draws images with pencil and paper. Still, the computer facilitates the process and the final result differs a lot from authentic hand drawing. Computer Rendering Now that we reached the subject on computer rendering, it’s time to mark the pros and cons of it. Pros: 1. Saves your time for a number of reasons This is the greatest advantage of all the computer programs you use. Although it takes time to study how to use certain software, the time you waste while studying it will be compensated later in your daily work. You won’t waste time calculating measurement, you won’t have to analyze how to draw a scene because the computer will do that for you. Furthermore, while your computer is rendering, you are free to start another project or spend that time in another useful way. 2. Better accuracy No matter how precise you are when drawing, a computer will always win the battle with the human hand. Designers who draw by hand are often tempted to “measure by eye”, which leads to mistakes and bad final results. 3. More opportunities When you draw, you can hardly escape from your style. Although this could be a plus for your reputation, sometimes it may tip the balance in the wrong direction and make your works look all the same. The plethora of 2D and 3D graphic programs offers a plenty of filters and effects, which allow you to try and apply various styles to your projects. Related Articles: 

• Digital Drawing for Landscape Architecture, second edition | Book Review
• Top 10 YouTube Tutorials for Technical Drawing
• Freehand Drawing & Discovery by James Richards | Book Review

Cons: Like hand drawing, computer rendering has its shortcoming too. 1. Licensed versions require resources The greatest disadvantage of computer programs is that licensed versions have their price. Although there are free demo versions, they often process slowly and lack a part of the tools and libraries, which licensed programs have. 2. Misleading clients Subconsciously or not, designers tend to carry away with the effects they use in visualizations. Too much exaggeration could result in misunderstandings with clients, who expect that the realization will look just like the scene you showed.

Hand Drawing or Computer Rendering? Hand drawing and computer rendering are both important. A landscape architect should know how to use a pencil, as well as he should move with the times and keep up with the current technologies. Ultimately, there’s no matter which method you decide to choose. Just make sure you give prominence to the one that gives you more pleasure and master it until you know you are the best at it.

Recommended Reading:

• Drawing and Designing with Confidence: A Step-by-Step Guide by Mike W. Lin
• Landscape Perspective Drawing by Nicholas T. Dines

Article by Velislava Valcheva

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A book review on Designing With Succulents by Debra Lee Baldwin.  Having a landscape with succulents might be easier than it seems. Succulents offer plentiful colors, textures and shapes that provide stunning project possibilities for any landscape designer and gardeners. Moreover, succulents are very resistant to drought due to their water storage in their leaves, stems, and/or roots. Due to this fact, many landscape designers have been using theses species to create a xeriscape, reducing the need for supplemental water from irrigation. Debra Lee Baldwin, who is completely in love with succulents, share with us in her book “Designing With Succulents” some of hers and other people experiences of working with succulents over the years. Following her tips, advice and thorough explanations about how to work with these magnificent plants, you will be able to create and maintain your own succulent garden.

Designing With Succulents

The book is divided in two parts, “Design and Cultivation” and Plant Palette, with a total of ten clear and well-organized chapters, resulting in a comprehensive and didactic guide. In each chapter the author focus in a different subject and, together, prepare the readers not only to design a succulent garden, but also to maintain it. The Part One, which consists from Chapter One to Six, is about Succulents’ Design and Cultivation. If you are new in the garden field, you will find, in this part, the information needed to start. In the course of the Chapter One, the author makes a great description of some initial characteristics that are important to consider such as insolation analysis, soil evaluation, water and irrigation design, preparation of the garden and how to maintain it. This chapter touches on all the planning stages that the readers should respect when designing a garden with succulents. Other more general explanations made by the author, for those who are beginning to understand a garden, are about basic concepts of Garden Design such as Scale and Proportion, and Repetition and Contrast. In this chapter, you can also find some beautiful pictures of front yards, slopes, and terraces.

How to Work With the Succulents Colors Departing from basic concepts and advancing into more practical topics, Debra tells us, in Chapter Two, how to work with the succulents colors from the leaves to the flowers and from your front yard to pairing plants and pots. In addition, you can find a short list of succulents organized by color as to the leaves, and by shape as to the flowers to support species selection. Get it HERE! Excellent Design Exmples Included Throughout Chapter Tree, the readers will find several possibilities of outdoors succulents’ gardens. Many of the design examples, such as green roof, rock, desert, beach or even labyrinth gardens might hook and surprise the reader given the unexpected result. Likewise Chapter Tree, Chapter Four is about the various possibilities of use of succulents in small places from pots to wreaths. Different from previous chapters, from Chapter Five to Chapter Six readers will find more information about how to maintain the succulents garden. While in Chapter Five, the author explain how to deal with succulents in a colder climate, in Chapter Six the author knowledgeably share with us her terrific experience about what did work and did not work for her in situations that she needed to get rid of weeds. Moreover, she gives us some planting and propagation tips, completing the maintenance reference guide. Get it HERE! Important Details Make This Book Worth it! In Part Two, which consists of Chapter Seven to Nine, the author concentrates her attention in succulents’ species. Readers will find some well-organized lists divided over three consecutive chapters: “Tall and Immense,” “Midsized, Small Succulents”, and “Companion Plants”. Since this part of the book works more as a guide, it might be unexciting to some readers, but, at the same time, it is what was missing to make a whole book for anyone willing to work with such plants. Why would anybody get this book? In summary, if you are a gardener, a landscape designer, a teacher or even someone who is a succulent lover, this is a must have book. Following the steps and tips written by Debra Lee Baldwin, you certainly will be able to plan, plant and maintain any succulent garden. In the end, you will see that taking care of succulents is much easier than you initially thought, and the final result will pay off.

Pick up your copy of Designing With Succulents today!

Article by Sarah Suassuna Return to Homepage

Yi Zhong De Sheng Secondary School, Foshan, China, by Gravity Green. Is it possible to create an educational environment that integrates play and learning? Most people have been brought up in a traditional educational structure based on determination of rules, obedience, homogenization, collective thinking, and memorization of tedious knowledge. This is often accompanied by dull environments and rigid schedules. China’s state education system is often considered to be both rigorous and traditional, based on the philosophy of one-sidedly passing on knowledge from generation to generation. In reality, the quality of education China’s students receive varies greatly. Parents often invest a lot, depending on where they live and how ambitious their choice of school, making decent education a privilege.

Yi Zhong De Sheng Secondary School

But what is decent? We are beginning to witness advances in education, with innovative proposals related to integrative learning processes being implemented as an interesting option for a more effective and inspirational approach to education. Foshan, a city located in the province of Guangdong in China, is the location of the Yi Zhong De Sheng Secondary School, a 2009 campus enhancement project designed by Gravity Green Limited and Frank Yu and Claude Wong of Gravity Green Partnership architects. Gravity Green is a young studio with a clear vision of design called “Smart and Great”, which pursues comprehensive, sustainable, and responsive design solutions to highlight the uniqueness of each project.

The Learning Playscape The importance of play in learning and development from childhood to maturity is vital at each stage of life and in all its different forms, styles, and meanings. Children respond in a positive way when information is delivered in a cheerful space, in a non-academic environment or activity. In other words, learning should be an interactive, virtuous cycle in which children participate actively by integrating observation, exploration, intuition, and application of many other processes of human behavior stimulated by the natural environment. Therefore, the scenery of Yi Zhong De Sheng Secondary School was designed and remodeled into a huge encyclopedia, allowing students to explore and to interact in this massive outdoor classroom. As a result, Gravity Green received the Merit Award of the HKILA Design Awards for the Yi Zhong De Sheng renovation project. Related Articles:

• How to Grow a School Garden – Book Review
• Dyslexia in Design – Is Dyslexia a Problem or an Advantage to a Designer?
• 10 Great Places to Study Landscape Architecture in Europe

The 10th anniversary of the school was an excuse to enhance the old-style open space and change the appearance of the school as a whole. The building has a built area of 12,500 square meters and is home to 2,800 students. The complex comprises a display of blocks with open spaces in between, which suggested an opportunity to transform these voids into dynamic and stimulating learning spaces to rejuvenate the complex as a whole.

Themed Courtyards The courtyards were organized and selected to depict three academic subjects: physics, geography, and art. From these broad fields, complex topics were chosen, such as the Universal Law of Gravity, Law of Energy Conservation, Energy Generation, Kinetic Energy Mounds or Wind Farms, and the Law of Gravity and Demography. These laws and principles were then transformed cleverly into Isaac Newton’s Gravity Law Garden, the Geo-map Courtyard, and the Energy Generation Law Garden. Using a Variety of Shapes and Colours The themed gardens and installations use a variety of shapes and elements (color cubes as benches, colorful 3d typography as signage, etc.) and all these elements are integrated harmoniously with natural elements and textures. The purpose of using these pieces is to capture the curiosity of students and provoke their desire to touch, interact, examine, and experience by their own will. Multi-functional Spaces These courtyards are not only used for educational purposes, they are also a hotspot for social interaction among students who spend their breaks and spare time relaxing in the grass, close to the trees, bushes, ornamental grasses, and flowers that beautifully embellish the school. A mixture of trees offers much-desired shade during hot summer days, creating a perfect atmosphere for contemplation and study. The design studio selected natural wooden materials to contrast with the concrete tiles placed in the courtyards to suggest different areas within the public space. Opening up Possibilities A playful learning space opens up possibilities for individuals to become intrinsically motivated to define for themselves what to learn, how to deal with change, and to discover, moved by their own curiosity and desire. This enhancement project is an example of how this bottom line can be translated conceptually in the spheres of architecture and landscape, and shows the positive impact of integrated clever design. Full Project Credits: Project name: Yi Zhong De Sheng Secondary School Location: Foshan, China Client: Deming Education Investment Company Limited Landscape Architect: Gravity Green Limited Architecture Firm: Gravity Partnership Limited Design date: 2009 Completion date: 2010 Site area: Approximately 12,500 square meters Awards: The Hong Kong Institute of Landscape Architects, Merit Award: Overseas Landscape Project 2012 Show on Google Maps Recommended Reading:

• Landscape Architecture: An Introduction by Robert Holden
• Landscape Architecture, Fifth Edition: A Manual of Environmental Planning and Design by Barry Starke

Article written by Claudia Canales Return to Homepage

Presqu’île Rollet Park, by Atelier Jacqueline Osty & associés, Petit-Quévilly and Rouen, Seine-Maritime, France. As the industry of coal storage begun to lose importance in the past years previous port sites turned into wastelands, but they did not lose their importance or dynamism. Cities became denser so that these sites along rivers and ports became focal points for development and investment. As part of the project, Seine Ouest-Rive Gauche and being in direct relationship with two major elements – the Seine river and the eco-district – Presqu’île Rollet Park designed by Atelier Jacqueline Osty & associés draws the tableau of restoration of nature in the city. Furthermore beyond the park’s function, it shows the reconciliation of the city of Rouen and of the Flaubert district with the river. The design of this park places value on the identity by retaining former materials and elements of the site.

Presqu’île Rollet Park

How to recapture a river bank? The banks of the river Seine located in the neighborhood of the Flaubert eco-district developed on the site of a former port and industrial wasteland. Thus, the river banks struggled with soil contamination. Because of this, and the desire for nature, different steps had to be found to overcome the present difficulties of creating biodiversity and restoring the river banks.

Planting 100,000 Native Trees The renewal of the natural banks begun with planting 100,000 native trees constituting a forest mound. The hill contains the volume of soil excavated during the work on the river banks. The artificial “ecological niche” helps develop a wildlife refuge and an island with an original shape reflecting the natural scale of the Seine meander. Through the direct use of green plants, the contamination of the soil is reduced through the process of phytoremediation. Ideal Place for Events The second strategy of the recapture was the design of the park landscape. The platform lying alongside the water and the industrial quays represents an ideal place for events, together with the large clearances intended to accommodate festivities. From the Gustave Flaubert Bridge, the large walk in the river park takes you through different “paysages” (landscapes). Planning for Now and Beyond At the rear of sheds 106, 107 and 108 extends the “Jardin du rail” (garden of the rail), a playground and two wooden structures for children, and a “pétanque” area (a traditional game from Provence), a large flowery meadow for relaxation and leisure. This particular strategy also accounts for the future through careful planning. A concert hall and a business incubator will in future add to the recapture of the river banks. How to reconnect people to water? The imprint of the industry on the city of Rouen had major negative effects such as contaminated soil. This is especially true of the nature in the city. The restoration of the landscape, biodiversity, and river banks resulted in the Presqu’île Rollet Park. The development of the banks of the Seine River is the first transformation of the district. The improvement of the quality life for locals, as well as tourists, is tremendous. Nature Inspired Walkways Along the 2km long promenade along the Seine, the alteration between designed functionality and “rewilded” nature makes the perfect combination for inspirational walks, sport, and relaxation. Therefore the missing link between the people, river and nature was restored through this peninsula-park that also became the natural neighborhood of the Flaubert eco-district. What are benefits of re-using of materials? The integration of some existing raw materials into the former wasteland has a wide range of benefits. The so-called new-life reuse of the former railway tracks evokes the spirit of the site– the dynamic of a port and of the water. These are embed in the soils as the grass lashes and reminds of another successful project, the Highline in Manhattan. Not only the railway but also reused paving stones and concrete becomes an essential part of the park. Reused Elements The reuse of the pavement saves money and resources. It also limits the environmental impact of the construction. The benefits are extended to the community too. The reused elements confer identity and preserve the special character of the port. The people living in the new eco-district can have a direct tangent to the past of the site.

Related Articles: 

• 10 Practices Showing That “Sustainability” is More Than Just a Buzzword!
• 5 Landscape Architecture Buzz Terms, Explained!
• Exceptional Ecological Park Reconnects Children With Nature

Biodiversity Created Where Once it was Lost The successful recapture – planting, designing and planning – of the Seine River banks synchronize with the reconciliation of the city river relationship and nature restoration. Where biodiversity was created because it had been totally lost, the relationship between people and the river has been restored and reconciled because it was never absent. An Ecological Laboratory The old island that was used for storage of coal became a natural island with its forest hill, meadows, and promenade, where it is possible to discover new and unique views of the city and harbor. As a kind of ecological laboratory and a potential environmental workshop the Presqu’île Rollet Park goes beyond park functions. The reuse of materials shows an environmental awareness that can further change attitudes of local people. Full Project Credits: Project: Presqu’île Rollet park Team: Prime Design Consultant, Landscape architect: Atelier Jacqueline Osty & associés (Jacqueline Osty, Loic Bonnin, Gabriel Mauchamp, Fanny Guimet) With ATTICA, urbanist, EGIS, Engineer consultant, BURGEAP, Environment engineering, Michel Boulcourt, forest plantation consultant Client: Communauté de l’Agglomération Rouennaise Location: Petit-Quévilly and Rouen, Seine-Maritime (76), France Planning: project studies: 2009-2011, construction: 2012-2013 Area: 12.5 hectares in a future eco-district of 31 ha, Budget: M1: 16,3 M € HT, M2 : 36 M € HT Awards: “Grand prix d’architecture et d’urbanisme de Haute-Normandie” 2014, Prix de l’aménagement Program: Redevelopment of the Seine’s bank as part of the project Seine Ouest-Rive Gauche, within the eco-district Flaubert Show on Google Maps

Recommended Reading:

• Urban Design  by Alex Krieger
• The Urban Design Handbook: Techniques and Working Methods (Second Edition) by Urban Design Associates

Article by Ruth Coman Return to Homepage

This week’s Sketchy Saturday top 10. This week’s Sketchy Saturday top 10 is as electrifying as ever. However with such a diverse range, one does have to question – “How do we put the various styles up against each other and choose a top 10? It’s not easy, mind you, but let’s start by looking at the name “Sketchy Saturday“, the key word is “Sketchy” and preference will always be given to work with a high sketchlike presence and raw style as opposed to the more refined rendered types. However with such a diversity of style and no control over who enters on what week, keeping a level of consistency in the judging process is a challenge in itself, and sometimes the sketchy entries are swamped by the more refined styles. This week we achieved a good balance between the raw sketches and the more artistic entries. Enjoy this week’s Sketchy Saturday top 10! 10. by Anastasia B. Uli, University of Florida, Urban Designer at Florida Community Design Center, Gainesville, FL

“I love to draw, paint and sketch, especially combining the reality and imagination. I call it Realistic-Comical. This drawing ” The Stitch at Animal Kingdom, Orlando, FL” was done in less than 45 minutes. I always set the time limit to practice my sketching ability. The sketch was made using ink and pencil (Color) technique on canvas canson paper”. 9. by Andi Papastefani, Boston, MA, USA. student (graduate candidate) of Landscape Institute of the Boston Architectural College “This sketch is part of a proposal for a Front Garden for a new small villa (Villa XLT) to the owner and to her architect. This Front Garden is designed in cottage style, aiming to create a joyful entrance to this small contemporary villa. Villa XLT is designed by Skender Luarasi, architect and it is built in Tirana, Albania near Dajti mountain. In the design of this front garden Mediterranean shrubs are used, along with small trees and grasses. The introduction of a water feature near the donkey steps makes the entrance to the villa more pleasant. The drawing technique for this presentation is color pencils and watercolor”. 8. by Vanessa Marques de Souza, BH- MG – Brazil Architecture, Interior Architecture, Landscape and Urban Planning Student “Motivation/reason for making the sketch: ( I made those sketches for my LA studio at KSU). Style in which the sketch is made: ( All are freehand drawings). Location: ( Leadership Building, Kansas State University – campus Manhattan). The material used: ( graffiti and Ink)”. 7. by Jack Tremblay, Landscape Architect, USA “It’s been a while since I drew this. It was for the school or the architect, not sure. Either way it was used for sales promotion. It was straight technical pen on mylar”. 6. by Camille Briez Chauvey “Concerning This Sketch: It’s an atmospheric sketch to illustrate the Garden of ‘hotel De Sambucy’ In Millau – France. Which, I used ink (rotring ) And Graph’it markers for the shadows”. 5. by  Dinu Marian Alexandru , student University of Arhitecture and Urbanism Ion Mincu Bucharest , Romania “This is an exercise in inner perspective, made in two complementary colors and marked by the presence of Mr. Mies van der Rohe: D”. 4. by Peter Bonette “This represents a new entry portal to an existing amenity space or courtyard. The drawing is on trace using a marker and colored pencil”. Drawing Related Articles: 

• Freehand Drawing & Discovery by James Richards | Book Review
• Digital Drawing for Landscape Architecture, second edition | Book Review
• Top 10 YouTube Tutorials for Technical Drawing

3. by Eirini Mouka, master’s degree student of Landscape Architecture, at Neapolis University of Pafos, Cyprus. “I am a Landscape Architect from Greece and now I’m doing my master’s study in the Neapolis University of Pafos, in Cyprus. This sketch was made for a school project, in order to learn how to observe and note the elements of famous historical gardens. Firstly I drew it with pencil and then with a pen. It shows some site views from “Patio de Los Naranjos”, a great historical court in Cordoba, Spain”. 2. by Karl Bergot, an Interior designer specialized in high end residences for Middle east “This is the first proposal for the guest house of a quite huge villa in Dubai. The techniques are hand sketch perspective and then after scanning inlays of photoshop to improve ambient in drawing”. 1. by Pablo Saiz del Rio, Architecture student, Spain “I believe in drawing as a way of performing what each one is capable of imagining. Although photography helps in showing a more generic vision, through each stroke of the pencil it is showing the true intention of the architect, your own expression”. – That’s this week’s Sketchy Saturday Top 10, congratulations to all of you who featured, you have come out on top of a very talented bunch of people. Check out the Sketchy Saturday official Facebook album and see literally 1,000′s of incredible sketches! Follow all the winning entries on our dedicated Sketchy Saturday Pinterest page. If you want to take part send your entries to us at office@landarchs.com Recommended reading:

• Sketching from the Imagination: An Insight into Creative Drawing by 3DTotal
• Architectural Drawing Course by Mo Zell

Article by Scott D. Renwick Return to Homepage

Holalokka, by Dreiseitl, in Oslo, Norway. Water has always served as inspiration for some of the greatest renovation projects, as is the case with Holalokka, bearing the signature trademark of Dreiseitl. This project was commissioned by the City of Oslo, Norway and had 13.3 Multiconsult as faithful partner. Covering an area of 2 ha (5 acres), it was completed in 2007 and it demonstrated once more how amazing the blend between urban hydrology and landscape architecture actually is. Holalokka was part of a larger scale restoration project of the Norwegian River Alna. In choosing the design elements, the talented team working on the project considered the importance of storm water management, using water as a central element of the new urban park and adding plenty of informal recreation areas as satellite elements.

Holalokka, Oslo, Norway

The main idea of the project was to release the beautiful Alna River from its concrete prison, bringing it to its natural form and thus creating one of the most incredible projects in the field of urban planning. Today, it is enough to look at the soft planted banks and at the pond areas, in order to understand what a successful creation is all about.

The Understatement of the Century To state that the architects and engineers working on the project had a unique perspective would be the understatement of the century. The concept of re-naturalization was primordial for this project, as it allowed for the creation of a unique habitat. What resulted was an urban park with amazing green spaces and plenty of water elements to satisfy the thirst of visual aesthetics of prospective residents. The interesting thing is that the water elements have been chosen so as to guarantee the sustainable management of the river at the same time. Water Elements, Signs of Finesse and Elegance Leonardo da Vinci once said that water is the driving force of all nature. Taking a look at the design of Holalokka, it is quite easy to agree with above statement. It is amazing how the natural qualities of the Alna River were restored, being blended into the urban area to perfection. The water elements appear as signs of finesse and elegance, completing the urban picture. Delicate pathways create a connection between the river and the local circulation, offering a wealth of recreation possibilities. Definitely Good Enough to Swim in According to the talented team that has worked on the project, the water matches the highest standards of quality, being so good that one could easily swim into it. With such thoughts in mind, the bathing pond and the beach were created as central elements of the park. It seems that every element has been considered with regard to the people who will be coming to this urban location – just take a look at the wooden deck, which represents the perfect place to get a tan. And if you are all about visuals, you will certainly enjoy the view from the wooden deck. You will have the opportunity to look straight at the cascade elements, which are wonderful to say the least. See More Projects Featuring Atelier Dreiseitl:

• How The Chicago City Hall Green Roof is Greening the Concrete Jungle
• Potsdamer Platz in Berlin Becomes a Sustainable Ecofriendly Urban Square
• How Bishan Park Became “The Central Park” of Singapore

Sustainable water management, one of the main objectives of the project This project becomes even more amazing once we stop and consider the way it covered the concept of sustainable water management. The paradox is that, even though there were a lot of technical aspects of water management to integrate into the urban park, this is not obvious when looking at how relaxed and attractive the atmosphere of the park actually is. Holistic Thinking Leads to Great Design Features The experienced team working on the project managed to combine the storm water management from the nearby industrial buildings directly into the river system. Moreover, rainwater was collected from the roofs and transmitted through the most interesting surface details directly to the biotope area. In this area, the rainwater goes practically through a cleansing process, being then slowly released for irrigation purposes. A Project That Speaks From the Heart In conclusion, Holalokka is the kind of project that speaks from the heart. Combining elements from both urban hydrology and landscape architecture, it is a bold design statement. On one hand, it promotes a relaxed park atmosphere, with water elements drawing attention wherever you go. On the other hand, for those with an eye for detail, it is all about sustainable development, using modern technologies for capturing rain and storm water. Interesting enough, from whichever perspective you decide to look at things, water remains the central element of this amazing project! Full Project Credits: Project title: Holalokka Landscape architects: Dreiseitl Partner in charge: Dieter Grau Project engineer: Andreas Bockemühl, Stefan Brückman Team: Ulf Glänzer, Jessica Read Client: City of Oslo Partner: 13.3. Multiconsult Area: 2 ha / 5 acres Completion: 2007 Show on Google Maps

Recommended Reading:

• Urban Design  by Alex Krieger
• The Urban Design Handbook: Techniques and Working Methods (Second Edition) by Urban Design Associates

Article by Alexandra Antipa Return to Homepage