Article by Emily Sinclair – Play Landscape be-MINE, by Carve and Omgeving (design) and Krinkels (contractor) in the town of Beringen, Belgium. Many of our society’s past practices have created scars in our landscape, such as post-industrial sites which are unusable due to contamination and dangerous conditions. Lately, these sites have become grounds for renewal; projects which revitalize and reinvent the site from a wasteland to a landmark – usually while keeping the historical context. One such site is the Play Landscape be-MINE, by Carve and Omgeving (design) and Krinkels (contractor) in the town of Beringen, Belgium. The Play Landscape began with a competition set out by be-MINE, a tourism and recreation organization in Beringen. The town put forth the challenge to reimagine the rubble heap (or ‘terril’) created from the waste of old mining practices and redevelop the landscape in a way which adds an element of play, while still educating visitors on the history of the site. The winning entry, chosen in 2015, was the Play Landscape be-MINE, by Carve and Omgeving with Krinkels contractors.
When we explore the details of the project, we begin to see why it was deemed the most fitting, as it is pointedly making references to the previous land use and history of the town while encouraging people to scrabble and play along the way, up and down the side of the hill.
The Play Landscape has three main parts to the design, which are revealed as you move through the landscape and up the rubble hill. The first part, the Pole Forest, is created using the sturdy poles which used to hold up the maze of mining shafts. The poles are set upright into the hill, pulling the gaze upwards, towards the top of the mountain. This set up cleverly relates back to the movements up and down the mining shafts; the miners always thinking about heading up, back towards the light. In between the poles, the hammocks, nets and beams create the adventure play course.
The Prismatic play surface is next in the ascent. It is laid over the hill, prismatic-shaped play surfaces rise up and down between the pole forest. Ropes and climbing handholds dot the surface so that visitors can choose to take control of their ascent if they’d rather not take the flat pathway which runs up the hill. The challenge is heightened by the route becoming narrower at the top of the hill and more scattered at the base. Adding to the experience are several tunnels and a long slide, all geared towards challenging people – especially children – physically and mentally, as the course gets harder as they move up the hill. As adventurers reach the top of the mountain they are rewarded with the sight of the coal square. Sixty meters up, nestled into the mountain, the square is unseen before the summit has been achieved. Its sunken nature allows a reprieve from the harsh winds present at that altitude. Other character of the sunken square is the disappearance of the surrounding landscape, creating a true oasis, more than a rest stop on the top of a mountain. The view outward is not the point of this platform; instead, the visitors are invited to browse the interpretive panels and immerse themselves in the mining history.Pathways from the nearby Spurs Park bring people to the base of the mountain, connecting the adventure mountain to other recreational paths in the area. As part of the masterplan for Beringen, connecting the mountain and making it accessible to skiers, wheelchairs, strollers, bikes, and other methods of mobility was extremely important. Opening the mountain to all sorts of users allows for a greater draw from the surrounding areas and incorporates the design into the community with ease.
The history of the site is very important in this design, the timbers of the pole forest being brought right out of the shafts which produced the terril, the colours of the mountain, the pathway materials. All of these choices were made with the intent of bringing the history of the mountain to the front of the discussion. Throughout the entire mountain there are rest places combined with information panels, connecting visitors with all the past history of the site.The Play Landscape is one of many projects the town of Beringen and be-MINE plan to finish, all revolving around Beringen’s post-mining landscapes and encouraging more recreational activities while also bringing in tourism to the town. What is most admirable about their efforts to reinvigorate the town is that they are not turning their backs on the mining practices and – most importantly – the hard work of their past citizens which built the town to what it has become.
Project Name: Play Landscape be-MINE Design team Omgeving: Luc Wallays, Maarten Moers, Peter Swyngedauw, Ada Barbu, Tom Beyaert Design team Carve: Elger Blitz, Mark van de Eng, Jasper van de Schaaf, Hannah Schubert, Johannes Müller, Clément Gay Date of design: January 2015 Date of completion: September 2016 Masterplan Avonturenberg: Antea Group Main contractor: Krinkels Sub contractors: Van Vliet BV, IJreka BV Size: 10.060 m2 (of which 5200m2 rope forest, 1200m2 prismatic play surface, 1200m2 coal square) Websites: www.omgeving.be, www.carve.nl Photography: Benoit Meeus, Carve (Marleen Beek, Hannah Schubert) Location: Beringen, Belgium Client: be-MINE Recommended Reading:
Article by Emily Sinclair
Article by Aybige Tek – Buffalo Niagara Medical Campus, by SCAPE Landscape Architecture in USA, New York, Buffalo Buffalo Niagara Medical Campus Project by SCAPE Landscape Architecture in New York is an inspiring project for many other streetscapes that may be boring. This new linear park, which has been completed in collaboration with planners and urban designers and all kinds of other related consultants, achieved a motivational result for all its users to enjoy their walk or ride. This project has provided a relaxing outdoor walking path with its many features and unique approach. Ellicott Street, surrounding the medical campus, has been renewed. What are some ways to design sidewalks of a medical campus in the city for urban design? How can we make walking around campus or in campus streets more relaxing and enjoyable?
This design approach suits this project. Just by creating basic small changes in an appropriate way, a linear park is created. Using sidewalks with landscape designs may look like a simple idea, however it effects a lot of daily life actions for wellbeing. The streetscape pavement has a triangular flow which is situated linearly, with green planting on both sides along the street. The landscape design is drawing a zigzag-like movement for its users and this breaks up ordinary straight-line walking. The pavement has a horizontal pattern to cut the monotonous look which the site had previously. Pavement stones and concrete are a darker gray color in between lighter tones of gray. This contrast on the floors breaks the single-color boredom on the floors. Dynamic feelings are achieved with this landscape design and that idea has continuity. How did they execute this movement in design? The trees and plants are planted in irregular, modern-art-abstract shapes. The landscape design looks like a modern art abstract blob painting. The design is succesful because passing by circular edges is easy on the eyes. Considering people walk or ride by these spaces everyday; the design is working.
As Ellicott Street became Ellicot Park, it gained new sidewalks, planters, landscaping, benches and street lighting. The linear streetscape project has new sidewalks with custom streetscape elements along it. The street has been repaved and new curbs have been added. Traffic signals have been installed and striping was painted for bicyclists. A new LED street light system has been installed. After the renewal project, people, patients, employees and any person around the neighborhood can have a pleasant walk in the sidewalks. The side planting shapes create a flow which is relaxing to see. The bicyclists also see strong views when they ride by the block, because the shapes of the landscape design are almost like art, from that point of view especially. Mailboxes are installed to create life when people use them to post letters. The lighting system for the street is cruical for nights and dark winter times.
New sidewalks, LED lighting, planters, unique landscaping, benches, mailboxes, patterns on the floor and bike racks have been installed. With these minor changes, many streets in cities can be renewed. Other streets can also renew their spaces with a similar design approach. Design, thinking about users, and new plantings can go a long way for better life.Patients, visitors, students, neighbors, and employees use this project. They can enjoy their walking while they work or visit. The landscape project is also important for patients’ wellbeing. The Buffalo Niagara Medical Campus has added new jobs to the city and created a lively and energic medical life sciences campus in the heart of downtown. The project has helped in renewing the infrastructure that strengthens surrounding residential neighborhoods. The pavement plantings have brought a cooling effect when walking. These plants are also harsh-weather resilient, therefore the landscape also looks great in winter. Large areas of spaces have been made green. A rainwater capture system has been used which makes the project sustainable also.
In this campus project, SCAPE used linear planting beds for plants. When they added new trees, they paid attention to the existing trees’ roots and where those roots ended, because this was crucial for great design and future sustainability. The vegetation, shrub layer, understory tree planting, and canopy tree planting that SCAPE has used are native and city-adapted species. Common hackberry, celtis occidentalis is one of the trees that have been planted here. The landscape architects have structured a chart of plants used in the project for each season.
Planting includes celtis occidentalis (common hackberry) and gleditsia triacanthos (honey locust), as well as cercis (Eastern redbud) trees and landscape planting in fluid, irregular circular shapes to create a moving and dynamic space for pedestrians and bicyclists. A variety of planting makes this project break out of the older “just a straight sidewalk” feeling and brings people a chance to observe the seasons, sit down, and relax, watching the different types of plants and flowers. A variety of plants have been planted such as: amelanchier canadensis (serviceberry), ilex glabra (inkberry), nandina ‘Gulf Stream’ (heavenly bamboo), metasequoia glyptostroboides (dawn redwood) which are all right choices for North America.
After all is done, well, New York has gained a green infrastructure institution with its plaza and streetscape to the city block. Buffalo Niagara Medical Center is a compact urban design example even some other campuses may modify and repeat its concept and ideas to refresh! What other urban design projects can you name that are similar to this Buffalo project?Project Name: Buffalo Niagara Medical Campus Landscape Architect: SCAPE Landscape Architecture Collaborators: Narchitects, Foit Albert, Tillet Lighting, Ty Cole Studio Lighting: Tillett Lighting Design Sustainability: Significant greening of a large area; rainwater capture in ROW Client: Buffalo Niagra Medical Campus / City of Buffalo Project Location: USA, NewYork, Buffalo Competition: 2006 Date of Completion: August 2014 Size: 3,300 linear feet Cost : $2.8 million Photo credits: SCAPE, Ty Cole Studio, nArchitects, Tillett Lighting, Foit Albert Recommended Reading:
Article by Aybige Tek
Article by Amrita Slatch – A review of Fontys University of Applied Sciences by Mecanoo, in Eindhoven, Netherlands. We all wish to study at an institute that gives us a very inspiring ambiance to study in. And usually, it’s the campus area that provides for such thinking. But one always wonders; what are the nuances that help shape such spaces? Spaces that not only make students feel stimulated with ideas but also make the entire process enjoyable to come to. One such institute in the Netherlands has just done exactly that. Let’s find out how it’s done at the Fontys University of Applied Sciences.
Earlier, the entrance to this institute was through a parking lot. It was realized that due to this, the space became very inactive and quiet. Not much like what an institute should be! This gave rise to a need for renovation and extension of the existing building which connected the indoor and outdoor spaces for the students and staff to meet, interact and network.
A landscape and urban design firm, “Mencanoo”, founded in Delft, took over the responsibility of providing the students of Fontys with a campus they would love to come to. They proposed the idea of shifting the parking lot towards the south edge of the property and in the middle, running 3 major paths or “connecting links” as they would call it, which tie the institute building to the adjoining residential area. The design of each of the pathways followed a similar design language but with different contexts.
The main institute building expands into an area where indoor and outdoor spaces meet with cobblestone flooring that defines this space. Seating areas designed in hardwood make for an excellent, comfortable choice for students and faculty to sit for casual and formal discussions. This space basically acts like an extension of the main building into the open, with flowering plants and sedges that mellow the ambiance of the space.
As one walks ahead onto the pathway that is executed in concrete paver blocks with white stone edging, in the background, an amphitheater is placed overlooking the lawn and the meandering pathway. Adding an amphitheater in institutional settings tends to increase the visibility of things that move around the campus, also becoming spaces for students to revel and celebrate events in.
The center or the heart of the campus at which the 3 pathways meet has a seating area surrounded with an array of flowering plants and sedges. These act as walls, forming private and semi-private spaces that shy away from the reveling amphitheater and provides for a much quieter space so students can read or study. Adjoining the heart of the campus, one will encounter a group of nine well-shading trees planted very close together, forming a grove which becomes a nice place to relax during harsh summer days.
And finally, when the pathway ends at the residential area amidst more seating options and more shade-providing trees, one realizes that they have moved from a semi-formal environment to a more casual one. This space thus invites more interaction amongst students while enjoying the natural beauty around that is filled with elm, birch, maple and oak trees.
It is very important to note that the movement across the campus is changing from a semi-formal space at the main institute building to a casual space at the residential area. And this transition of spaces happens so fluidly one may not realize it initially, but it definitely is a key ingredient in making the design very efficient and providing for a visual and a spatial overhaul. One may wonder how this transition is done so fluidly.
And the answer simply lies in the use of a very subtle landscape materials pallette, with mostly greys and whites used for the paving, shades of brown used for seating and planting curbs, to sedges that offer delicate hints of white, purple and red. The subtlety of all this is broken by a dash of yellow daisies and the elm tree with its seasonal variations in color.The best way to make a campus alive and thriving is by designing spaces that invite students to connect and network. The Fontys University of Applied Sciences has done just that by incorporating seating areas rightly designed for every situation that may arise in an educational institute like festivals, gatherings, study groups and so on.
The best effort put forth was with the idea of shifting the parking lot to the edge of the campus and forming the green heart of the campus with a very well-maintained landscape design. The idea of forming connecting links also helps in resonating the idea of a modern educational environment with no need of four walls but just a very well-shading tree. To anyone who wishes to design a perfect college getaway needs to surely visit this campus and feel the rich environment themselves. The amphitheater, the grove, the pathways all might even make you wish that you had such spaces in your campus too. Have they been successful in their attempt to enliven the campus environ? Does landscape play a key role in elevating the ambiance of institute campuses from a formal to a fun-filled one? Was your institute campus as inspiring as this? Share your thoughts and comments below.Programme: 8,000 m2 renovation and 1,000 m2 extension of the R3 building with two lecture halls (130 and 144 seats), class rooms, a variety of learning spaces, meeting spaces, media library, coffee bar, interior design and campus landscaping Project Name: Fontys University of Applied Sciences Location: Eindhoven, Netherlands Date of Construction: 2014 Size: 9000m2 Client: Fontys Hogescholen, Eindhoven Designed by: Mecanoo Structural engineer: Bartels ingenieursbureau, Elst Mechanical engineer: K&R Consultants, Apeldoorn Building physics consultant: MobiusConsult, Delft Wayfinding and identity Silo: Den Haag (European Design Award 2015) Recommended Reading:
Article by Amrita Slatch
Landscape Architects Network feature a company profile for HASSELL . With social development getting more advanced than ever, projects around the globe have become more complicated. Established more than 75 years ago in Adelaide, South Australia, this award-winning company has strived to provide the best solutions in these challenging and competitive times. HASSELL has delivered over a million square metres of workplace design for over 1000 clients. At the same time, it has participated in different competitions including this one; It was also ranked 25th in the 2010 World Architecture survey of the world’s 100 biggest architecture practices, indicating the status of the company.
Having expanded into South East Asia and the United Kingdom, HASSELL recruits integrated design teams including talented landscape architects, urban designers, architects and specialist consultants. With teams including Landscape Architecture, Architecture, Knowledge and Sustainability, the projects ranged from health specialist facilities to leading research universities, from airport terminals to world-class stadiums. With this business background, it is not hard to connect with a business philosophy that emphasizes openness and democracy. Otherwise, how could they be successful like this?
From an anecdote regarding a career at the firm; “Information and formal design reviews are truly egalitarian, and fresh perspectives or ideas are welcome and encouraged.”, “… all team members are left with a sense of ownership of the work produced.”. Information exchange is extremely valued here; no one is left behind for any task. Everyone has ownership for what they are doing in being a part of the organization.Let’s look at the following project as an example. The superbly-crafted Fiona Stanley Hospital is located in Perth, South Australia. It was the largest project ever in South Australia at its time of development, which was worth $2 billion with a total of 8 buildings. The look of the project first stands out with the glassy and green character of the buildings. Then, the outdoor design will come over with extensive plantation in the outdoor spaces.
These create a suburban park vision, in contrast to other comparatively monotonous views towards a hospital. Not only patients, but also the staff, can gain access to sunshine, fresh air, and the relaxing atmosphere easily. As research shows, being in a calm environment will bring positive effects to the physical and psychological conditions of a person. In other words, the physical and mental recovery process is improved.Let’s look at another project, this one for a public utility, that HASSELL created way back in 1999. This is the Qantas Domestic Terminal in Sydney, designed to allow the airline to cope with the ever-changing aviation industry. During the planning process, the future changes were taken into account. What if there were larger planes which require more space and height? What if the number of passengers rocketed? What if the check-in procedure was modified by the government? In light of this, the structure is very spacious and column-free to allow a maximized flexibility for subsequent aviation development.
When passengers come in, they can engage in various activities. They can find their way easily due to the clear sight lines constructed by natural lighting. They can take intuitive pathways to enjoy the facilities before boarding or after arrival instead of getting lost, the last thing a traveller would want. With such strategic planning for the enduring nature of the project, it helped the airline to embrace changes easily without further expenditure, and to provide a positive airport experience. An enjoyable airport experience is guaranteed. This could be the best summary to describe the works of HASSELL; “We are a collective with a shared design philosophy but diverse experience and perspectives.” Experts also need to work together to adapt to the dynamic environment, for the most thoughtful and enduring result. So next time when you get stuck, it may be a good idea to consider how time will impact on the environment and what can be done to make it more people-centric.
Founders: Philip Claridge, Colin Hassell and Jack McConnell Managing Director & Chairman: Robert Backhouse Year of Foundation and Location: 1938, Adelaide, South Australia Address: Level 1, 82 Waymouth Street, Adelaide, SA, Australia 5000 Website: https://www.hassellstudio.com/en/ E-mail Contact: aross@hassellstudio.com, shabjanovic@hassellstudio.com Social Networks: Facebook, Twitter (https://twitter.com/HASSELL_Studio), LinkedIN (https://www.linkedin.com/company/hassell), Instagram (https://www.instagram.com/hassell_studio/), YouTube (https://www.youtube.com/user/HASSELLStudio/videos)
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Article by Paul McAtomney – We take a moment to consider 10 things that need to be considered in ecological planning and design. The forces of current global conditions hovering over the human race today—population densification and growth, unbridled urbanization, changing climatic conditions, food production, and biodiversity loss to name but a few, alter ecosystems and cause environmental damage from the local to the global. To address these conditions, many landscape architects are shifting to a more systems-based and ecologically-driven approach to the design of the contemporary landscape. For those unversed in ecological planning and design, here are 10 things to consider.
As with any piece of design, context is everything. All design problems and interventions are embedded in and must respond to a wider ecological (and cultural) context, and a rich understanding of these factors is critical. How is the design integrated with a site or region’s soils, flora and fauna, materials, culture, climate, and topography? In the article, Ecological Urbanism: a Framework for the Design of Resilient Cities, landscape architect Anne Whiston Spirn reaffrims this by proposing that site boundaries and scope of work need to ultimately be expanded in order to address the challenges posed by site, program, and context.
The scale and scope of ecology extends far beyond the limits of the urban terrain. To facilitate connections between contexts, ecological designers need to scale-link. Often we only register relationships or processes at a single scale. But as ecological design stalwart Sim Van der Ryn acknowledges, all design activities have impacts far beyond perceived scales and political jurisdictions. What is critical is for the landscape architect / urban designer to understand the scales at which a system operates or at least which processes and disturbances are occurring.
How do we make sense of systems? We catalogue them—give them hierarchy and a relationship to one another. For example, is the system in question open or closed? Natural or built? This cataloguing of systems allows us to view and understand our milieu as made up of a series of integrated, overlapping networks, making it easier to comprehend the complexity of landscape processes to which a site is connected and track flows across the landscape.
Green Infrastructure (GI), such as performative parks, urban forests, and drainage corridors, down to green roofs, for example, has emerged as a concept to describe the spatial integration of natural systems and networks with hybrid infrastructures or built landscape systems. By considering key ecological principles of scale linking, hierarchy, and process relationship, designers are able to reduce the burden on traditional grey infrastructure systems and concurrently provide a plethora of environmental and social benefits.
From GI we secure the provision of ecosystem services—benefits derived from nature in urban and human-dominated landscapes. Frederick Steiner, the Dean for the University of Pennsylvania School of Design, suggests these services can be direct—air, minerals, food, water, and energy etc.; regulatory—water purification, carbon sequestration, climate mitigation, pest and disease control etc.; or cultural—intellectual inspiration, recreation, eco-tourism, scientific discovery, and so on. Turenscape’s landscape architects applied ecosystem service metrics to the design of Qunli Stormwater Park, combining recreational use with aquifer recharge and native habitat protection.
Every city and settlement is prone to specific natural and human-induced disasters. Green and landscape infrastructure systems offer potential to ameliorate the impacts and aftermath of disasters and hazards. Human settlement has always gravitated to and expanded upon areas of high ecological constraint such as floodplains and coastlines, with settlement decisions often at odds with the natural systems they are embedded in. The critical question is how can we adapt to these catastrophes, and even exploit them?
Designers are in general trained to imagine or choose a future state for a site and design it accordingly. The multiple possible operating states of ecosystems, however, illuminates that not all features of the landscape are equal—some are enduring, others temporal. To anticipate and design for change and ephemerality is to design ecologically—what Nina Marie Lister calls adaptive ecological design, design that “demands adaptability, [and] is predicated on resilience”. Lister puts this into perspective by considering many of today’s designed landscapes that require copious economic and ecological inputs to remain in constancy, but which are rarely designed to absorb and adapt to short-term disturbances or long-term ecosystem transformations.
By its very nature, ecological design is transdisciplinary, stretching across a plethora of disciplinary boundaries in order to formulate new concepts and theories. Many of today’s ecological design problems bridge conventional scientific and design disciplines. Yet, all too often, design and planning processes remain routine and homogenous. In his book Ecological Design, Sim Van der Ryn suggests that only if artists talk to scientists, writers to designers, engineers to biologists, architects to physicists, farmers to ecologists, and so on, can the blend of ecology and design continue to be forged.
Cultures are manifestations of design, or at least, of the intentional shaping or manipulation of our landscapes. Modern industrial societies, however, have collectively denied the nature / culture interface, viewing them as opposed. This false division has led to design ideologies that narrowly cater to human interest, often at the cost of environmental, cultural, and social values. Ecological planning and design offers a potent means to (re)imagine (and re-discover) the relationship between nature and human culture that traditional place-derived societies once fostered.
Last, the importance of assuming a speculative posture when confronted with urban / ecological design problems cannot be overstated. In their book Ecological Urbanism, Mohsen Mostafavi and Gareth Doherty opine that “[t]oo often, environmental design is presented as a problem-solving agenda with moral/ethical ramifications, or with preconceived aesthetics that identify it as sustainable.” Speculations, however, yield creativity. An ecological approach is needed for many of today’s problems, but not one absent of imaginative and ductile design ideas that go beyond purely environmental concerns. Rather, speculative ecological design affords designers the chance to develop layered, flexible, and adaptive design responses that navigate the nexus of nature and culture.
Ecological planning and design will continue to play a critical role in the shaping of our future urban habitats. The aforementioned points are 10 that I consider fundamental, complex, and interesting. What other principles do you, the readers, consider to be central to ecological design?Recommended Reading:
Article by Paul McAtomney
Article by Sophie Thiel – We take a moment to recap 10 incredible landscape architecture projects that also make great tourist spots about the world. The combination of landscape architecture and traveling gives all of us a great opportunity to view the world from a nature-centered perspective, as well as to immerse ourselves in the many different cultures and traditions of our global family. This article is the last of our “Tourist Spots for Landscape Architecture” series. (Links all at the bottom of the article). The previous articles shared collections of 10 landscape architecture projects from each of the world’s continents that also make for must-see tourist destinations. To finish the series, I have summarized the most incredible of these tourist spots:
The Warde project is a wonderful addition to West Asian landscape architecture. This art installation in Jerusalem is one of few felicitous projects that offer a playful and interactive environment and, at the same time, succeed in gentrifying the whole neighborhood. Ever since these eye-catching red flowers were constructed, they have invited people not only to actively engage with them, but to notice a site that was previously neglected. Through an inflation and deflation mechanism, the flowers open and close in reaction to people passing by or every time a tram arrives. Hence, the flowers provide shade during the day and provide light at night — at least as long as people stand under those giant red poppy flowers. It is safe to say that this project doesn’t exist anywhere else in the world. So go try it out for yourself!
The city of Genk in Belgium was one of the first to turn a former coal mine into a buzzing cultural hub. C-Mine is a must-see destination for both travelers and landscape architecture pilgrims. Be part of the C-mine expedition, which consists of adventurous activities through the routes formerly used by hard-working miners. Or buy a ticket to one of many events taking place at this special spot on Earth.
Pretoria, one of South Africa’s three capital cities, hosts a park with a spectacular view of the metropolis that invites visitors to keep watch over the maturing democracy. Because at Freedom Park, the story of Africa – and the liberation of South Africa and its people – is told. The local landscape architecture firm Greeninc designed Freedom Park to be a place of peace and growth. “[The] garden is a tribute to African and human dignity, and a place for the renewal of the human spirit…” the website says about the meaning behind this project. A mixture of architecture, landscaping, sculpture, archives, and imagery is used to distinctively explain the history and heritage of this region. This is truly a must-see park project and one of the best examples of contemporary South African landscape architecture.
Hidden in the city of Kontum in Vietnam, you will find one of the most beautiful bamboo projects of the last few years. The Kontum Indochine Café is an architectural bamboo masterpiece and part of a hotel café that offers an outstanding dining experience. The exceptional form of the bamboo columns of Indochine Café was inspired by traditional Vietnamese fishing baskets. The loose structure of the bamboo ceiling provides not only shade, but also maximizes the wind flow through the building. However, due to special characteristics, it resists even severe storms during the windy season. A shallow artificial lake sits right next to the café, reinforcing the natural open space concept. Not surprisingly, all travelers regardless of their knowledge of landscape architecture will enjoy this place.
Yet another exceptional tourist spot can be found in South America. The Quilotoa Crater Overlook is one of the best viewing platform projects in the world. It enables visitors to step out over an active volcano at nearly 4,000 meters above sea level in the middle of the Ecuadorian Sierra and its sensitive Andean Paramo ecosystem. One thing is for sure: The Quilotoa Crater Overlook project, also called Mirador Shalala by the indigenous people, teaches everyone the lesson of how to meet human needs without compromising a perfect natural site. Enjoy your stay at the overlooking platform and its breathtaking views.
6. Pirrama Park – Sydney, Australia, by ASPECT Studios The historic development of Pirrama Park is a prime example of a project in which residents made their will known in favor of building a public park rather than another new residential development. The community action enabled the highly promising open-space area in Sydney to become a multiple award-wining project of landscape architecture. Today, Pirrama Park is one of Sydney’s major public parks on the harbor waterfront, offering a plethora of refreshing experiences while connecting visitors with the water’s edge. I strongly invite you to take a look for yourself. Enjoy a picnic or barbecue on one of the many hot summer afternoons at this park and be inspired of the landscape planning and participation processes that led to this awesome space. 7. Vinterbad Brygge – Copenhagen, Denmark, by BIG Scandinavia is a paradise for travelers seeking landscape architecture tourism spots. At Vinterbad Brygge in Copenhagen, visitors not only enjoy breathtaking landscape architecture, but also share the special bathing tradition with the Scandinavians. Enjoy the breathtaking view of the Copenhagen skyline while swimming, or appreciate the ceramic mosaics with humorous motifs while sweating in the sauna. Thermal bathing is an essential part of northern cultures and shouldn’t be missed when visiting Scandinavia, especially not at Vinterbad Brygge.The Simcoe Wavedeck at the central waterfront is another unique project, which can be found in Toronto – a city full of astonishing landscape architecture. The wooden deck structure is a one-of-a-kind project that adds a sense of interconnectedness and identity to Toronto’s new waterfront at Lake Ontario. The functional but artistic design features an informal public amphitheater-style space with impressive curves that soar more than 2.5 meters above the lake. The design was inspired by the shoreline of Ontario’s Great Lake, as well as the famous Canadian cottages. The WaveDeck is meant to give urban dwellers a feel for life at the lake – it is a place to play and live for young and old, for tourists and landscape architecture pilgrims alike.
9. Cape Royale Resort – Sentosa, Singapore, by TROP: terrains + open space Singapore is famous for hosting world-class landscape architecture. The Cape Royale Resortgarden, which creates a magically peaceful reality in the middle of the chaos and rush of the busy city of Singapore, is one of those high-end projects and one of the area’s biggest tourist attractions, with beautiful views of the sea. The creation of the hotel garden seems to magically connect water features, sculptures, differentiated paving, and original planting. When even a garden’s colors harmoniously mirror the natural surroundings of the sea, the beach, the plants, and the sky, you know there was nothing left to chance in the design. Come and enjoy a special treat at Cape Royal Resort while staying in Singapore. 10. Kirstenbosch Centenary Tree Canopy Walkway – Cape Town, South Africa, by Mark Thomas Architects Canopy walkways are booming and pop up nearly everywhere around the world. However, the Centenary Tree Canopy Walkway, also called Boomslang, is one of the most felicitous walkway projects and part of the Kirstenbosch National Botanical Garden, which clinched the top 2015 International Garden Tourism Award, crowning it as the best botanical garden in the world. The Centenary Tree Top Walkway is a surreal, snaking bridge that creates a meandering, aerial path. By carefully hoisting the steel beams over the canopy, the designers were able to give people an amazing new way to appreciate the forest of the arboretum of Cape Town while causing minimal disturbance to the sensitive natural environment. Every tourist and person related to landscape architecture will find inspiration in this project. – Our planet is full of heterogeneity and different design styles. Hence, this final collection of projects from all over the world should encourage you to seek out landscape architecture and its regionally varied shapes everywhere you go. Don’t forget: The most precious projects are those from which we can learn and take inspiration for ourselves. Remember this in your travels around the world. See the full series below:What projects would you add to the list?
Article by Sophie Thiel
We take a look at solar farms. Looking at how they could be a huge opportunity for landscape architects in the future. Consumer behavior changes rapidly when prices fall low enough. The price of solar panels have now hit historic lows and that is expected to change energy generation forever. The US Department of Energy predicts that solar panels will cost one-fourth the current price by 2020. The panels could lose 10% of their value every year for the next decade, according to UK researchers. With massive demand and lower prices, the renewable energy boom could prove to be lucrative for landowners and landscaping businesses.
Over the next three years, more than 100,000 acres are expected to be brought under management as solar farms in the United States. States and corporations are driving this demand. Savvy investors can hire landscape architects to utilize this land to its full potential. Landscape architects can go beyond simply designing the solar farm layout. They could find themselves in a prominent role at the forefront of the energy revolution. Even urban landscape architects could get involved. According to the American Society for Landscape Architects, using green technology in innovative ways will help us create the sustainable cities of the future. In their report, the ASLA clearly outlined how big an opportunity this could prove to be. Soon homes will be constructed with solar efficiency in mind. Architects will be entrusted with the task of making sure the house is properly positioned to take advantage of the sunlight, the roof is capable of holding PV panels, and the right combination of photovoltaic cables connecting the panels and medium voltage cables to hook up to the grid are included in the initial design specifications. Lighting in gardens could have standalone solar power sources, while there could be a need to create a special space for a powerwall, like the one sold by Tesla. At the moment, it seems the public is too caught up with the technological, environmental and political implications of solar power. Over the years as solar power and farms get more common, consumers could start paying more attention to the landscape designing challenges of the energy boom. Landscape architects, meanwhile, are still coming to terms with this new trend. Most have never worked on an exclusively renewable energy projects. But with experience, architects could start to shape energy policies across the world. Savvy entrepreneurs could start by taking advantage of the business opportunities. Architects could equip themselves with special knowledge of this upcoming field and offer their services to corporations or consumers, who will eventually look for sustainable solutions to their energy needs. Solar energy is bound to make a difference over the long term. But there are certain groups of people who could benefit in the short term and help push this trend forward. Professional landscape architects could be one of these groups.
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Article by Bilal Sajjad Featured image: By MrRenewablesWestmill Solar Co-operativeBen Cavanna – Own work, CC BY-SA 3.0, source.
Article by Kamil Rawski – We take a moment to explore 10 of the best ecological designs in the world and look at how they merged with their environment. It is hard to choose only 10 designs from among hundreds, even if we are just considering the most ecological ones. First, we have to think about what it means to be ecological. I have tried to choose projects that represent aspects such as increasing biodiversity, protecting the environment, changing (or healing) polluted sites, using sewage systems intelligently, supporting water retention, and connecting people with nature. How many of these can be combined in one project? Aesthetical features also must be taken into consideration. Human interference in nature is not always a catastrophe. When the designers have skills and care about the environment, great projects can be created. An appropriate approach to the design process can connect people with nature without disturbing it.
Below are the Top 10 examples of the world’s best ecological designs:
The Vancouver Land Bridge is a kind of a wildlife crossing that allows animals to cross human-made barriers in a safe way. The bridge reconnects the Columbia River with Fort Vancouver in natural way, using fluent, curved shapes. The whole design is complemented by sustainability solutions such as storing rainwater to irrigate many native plants (e.g. California Oatgrass Danthonia californica and Small Fescue Vulpia microstachys), supporting this system by the river during the dry season.
Everyone interested in green walls knows how many benefits they bring. But what happens when we build a huge pergola? The designers from West 8 had to ask themselves this question. They designed the transparent, honeycomb-like pergola to be about 3.5 kilometers long and 6 meters high. Over the course of time, it will be overgrown by climbing plants and become a house for a lot of animals, such as owls, bats, and many others. That’s what can be called increasing biodiversity. The designers perfectly show how to create an elegant, miniature eco-system.
The Vaguada de las Llamas is a space created as the result of development of the city. Unfortunately, this special area was degraded, risking loss of its unique biodiversity, including all species of reeds. Thanks to the significant location of this place, it was decided to transform it into Atlantic Park. Community functions had to be balanced with protecting unique ecology. The designers were able to do it by dividing the park into three areas categorized by their use, character, and planting scheme according to the topography, and they did it very well. They also designed many features, such as an outdoor amphitheater, an artificial lake, and botanical gardens. Certainly this project shows that it is possible to make a space friendly for both the community and the environment.
Designers from Shma fit this design into the existing landscape, which was threatened by erosion due to surrounding mountains. They decided to embrace this natural process in their design. They had to protect the slopes by using grass as groundcover and changing the path of an existing waterway. Thanks to this, the plants are preserving the soil on the slopes and a large pond on the lowest level serves as a water reservoir. The result is both environmentally friendly and sustainable.
An important aim in this design was the reconciliation of economic development with the preservation of the natural environment. The main element in this park is water, which is aligned by oak trees and accompanied by a reed bed that purifies runoff water. Decks and bridges make moving around the park easier and non-invasive. When walking there, you have the impression of being in a wild place and exploring natural space. This project clearly shows the importance of not harming nature.
This project from China shows how to restore and transform a local ecosystem into functional space. Turenscape designers had to find a solution to clean a site polluted by sewage and garbage, and they have done it in the best way by preparing appropriate strategies. To create wetlands and new habitats and to preserve the trees, the concrete channel of the river had to be destroyed. The designers also combined the functional and aesthetic aspects in this project, increasing the access of local communities to this space and preserving the environment.
The idea behind this project represents many trends of sustainable planting design. To attract wildlife, the designers created a lot of meadows to increase biodiversity and make the landscape more naturalistic. Furthermore, the designers planned for various plant habitats from different climatic zones: Europe, Southern Hemisphere, North America,and Asia – all on a half-mile-long space. The wetlands serve many ecological functions, including toxic retention and ground water recharge.
This project shows how to practice sustainable urban development. The designers had to ensure that the local ecosystem would not be harmed, because it is located in a legally protected wetland. The first challenge was to take care of the water — to purify gray water and introduce a rainwater management system. The next problem was to integrate the recreational needs of about 4,000 people while preserving nature. The Klein Weikerlsee lake was extended by an additional 70 percent, and a park was built to act as a transitional filter between the residential area and the natural landscape. Solar City is a great example of design with high-quality climate protection, user satisfaction, and energy management.
Canberra is an Arboretum with a capital A. It was created thanks to the growing awareness of the possibility of the extinction of many species. It is placed about six kilometers from the center of the city, on a 250-hectare area. The whole design is like a huge seed bank of the world’s most endangered tree species. The sustainability in this project is first rate, including the irrigation system. But the appearance is also important. That’s why we can also find a Visitor’s Center, the Events Terrace, a very nice pod playground, and other features here.
This is the best ecological design showing how to use surrounding natural resources without excessive interference. When your main aim as a designer is to protect the environment, you have to be careful. This place was merged with the tropical jungle by planting appropriate native vegetation and using mostly local natural materials. There are also water features, herb gardens, and geothermally heated water tanks. Everything is in harmony with nature. What more could you want? This project is simply a masterpiece!
– There are other outstanding ecological designs, but I wanted to share with you these 10, because they show the approach of the designers to planning the landscape in a way that preserves nature. It’s hard to do such things, but it is certainly worth it. The more aware people are about ecological design the better, because these days it’s more important than ever. Think about all the places you know that should be transformed into something better and friendlier for both nature and people. What other examples of fine ecological design can you share?Recommended Reading:
Article by Kamil Rawski
Article by Eleni Tsirintani – Tram Square area in Purmerend by NEXT Architects & Rietveld Landscape, in Purmerend, Netherlands. Tram Square, or Tramplein in Dutch, is located along one of the main accesses to the town of Purmerend next to one of the canals crossing the city, the Noordhollandsch Kanaal. The Square has been designed by the Amsterdam-based office, NEXT Architects. Purmerend is a town in the North of Holland. It is surrounded by *polders, the characteristic entities of Dutch landscape indicating reclaimed land surfaces. Therefore water has always been present as a limit/defining element of the landscape. This condition has also affected the Tram Square design. *A polder is a tract of low land, especially in the Netherlands, reclaimed from the sea or other body of water and protected by dikes.
The architects had to come up with creative answers to some rather difficult questions when designing the project, such as:The existing roof of the bus station has been maintained. However it has been moved to the center of the surface, parallel to the canal to accommodate circulation on both sides. The functions sheltered there, like the waiting area, the ticket office, and the driver’s residence have been renovated and unified with the use of tiles and glass.
The architects have worked with visual artist Merel Noorlader to design the glass walls around the central station. A collage of historical images places the structure into its context while allowing for transparency and visibility towards the road and the canal. There is infinite creativity even when it comes to bus stops. The following LAN article shows a great example with a good sense of humor too; “A Bus Stop You Will Never Miss”A linear element unfolding along the street accommodates all small-scale facilities like signage, litter bins, benches, and advertisements. The length and the materials used create a large object that works as an equivalent to the rest of the design elements. The linear construction defines the Square’s edge and forms the limit along the street.
The covered bike parking has been allocated in the north part of the site. The bike parking level has been submerged. This submersion creates a milder visual impact of the bikes and allows for the creation of a viewpoint on the bike parking roof. An urban balcony facing towards Tram Square and the Canal has been formed.
The comfortable flight of stairs on both sides makes access towards the viewpoint easy. A curved bench in the center provides the visitor with a place for relaxed reverie towards all directions. The wooden deck gives the impression that the visitor is on a boat, floating right next to the water. The bike parking shapes the limit between the square and the adjacent gas station. The water edge along the Square has been shaped into a contemporary, linear space that allows for water proximity and relaxation by the canal.The Melkwegbridge, though not part of the Square design, plays an important role in shaping its character. The Bridge has been divided into two distinct elements. One part serves as pedestrian circulation and it reaches 12m above water level, shaping a dynamic curve, and the other part forms a Z-shape on the horizontal level to ensure a mild slope for bicycles and small vehicles.
The Bridge provides a sense of verticality, complementing the horizontal lines of the Square design. Furthermore it invites circulation in the heart of the square and a better sense of human scale and movement in a space dominated by large vehicles. It is no coincidence that the two projects combine so well together. They both have been designed by NEXT Architects. Tramplein proves that there are no dull projects. Creativity and design integrity could be discovered in every design process. So, next time you have an assignment that does not look interesting or challenging, look more carefully; high-quality design can emerge everywhere!Project: Tram Square Purmerend Design: NEXT Architects & Rietveld Landscape Location: Purmerend, Netherlands Date of Completion: 2016 Client: Municipality of Purmerend Recommended Reading:
Article by Eleni Tsirintani
Article by Cristina Ferrara – We explore 10 of the best green roof designs in the world, looking at what makes them so special and how they impact their environment. As well as protecting buildings and adding character to the urban environment, green roofs can help to manage rainfall and create diverse new habitats for plants, wildlife, and people. Green roofs help to cool urban environments, improve air quality, and provide biodiverse habitats for wildlife. They manage rainwater by reducing run-off and filtering out pollutants and can also insulate buildings, reducing heating and cooling costs — this is how they can help mitigate the urban heat island effect. But they are also aesthetic frames for urban surroundings and social and meeting places for people who live inside buildings. Would you like to discover how?
Let’s see 10 of the world’s greatest green roof projects and take inspiration from them! (Click on any of the headlines to learn more about the project)This particular roof garden in Brera, a central district in Milan, perfectly shows that is possible to re-invent old and historical places and buildings. Orto fra i cortili is a rescued roof, transformed into a green roof for residential use. A modular system of pallets hosts four types of plants made of a variety of color palettes. The plants include two varieties of salad vegetables in purplish red and green, and two types of pansy in yellow and purplish blue. The flowerbed disposition is in repetitive straight lines, so the result is a series of monochromatic color strips. Environmental benefits are given by the pallets placed above the beams. This means the beams are supporting the pallets, creating a sort of empty space between the two and the shielding effect of the platform can help in reducing the temperature of the building and consequently helps to save money for cooling in summertime.
The lack of design and specific projects of the outdoor urban spaces around commercial districts and shopping centers brought Buro Sant en Co together with the municipality of Rotterdam to create the project “Roofpark Vierhavenstrip” retail (indoor) with a spacious outside public roof park, with multiple positive aspects not only for the surrounding neighborhood but also for the whole district. Tall trees and green hedges are planted on the eastern part, on the top of the commercial façade. The western part is characterized by the folded surface and several theme gardens with three special places; the Mediterranean garden, the playground, and the community garden, while a central water stairs and a greenhouse are focal points. This project is a clear and smart example of how it is possible to deal with the necessity to design urban space not just around a commercial center but rather on the top of it.
Part stylish green roof, part car park; this happened in the historic downtown of Porto, where together with the restoration of a building, architects incorporated a patio that has a dual function. The building now has a residential function, mainly for young people, and above one of the residential units, a patio space is entirely dedicated to car parking. It is made of triangles of grass and sod, proposing the pattern on the building’s facade. These triangles will support the weight of vehicles and facilitate water drainage into the ground while the footfall and traffic from the cars helps in maintaining the grass at a low level, requiring little other maintenance. Aesthetic and practical, this green roof patio-park demonstrates that exterior design combined with functional purposes can also be part of a sensitive redevelopment for historic architecture.
Make the landscape meet technology: this is the Mecanoo Architecten aim, who designed the library of Delft University on a sloped plane, extending the grass from the ground to the very edge of the building roof so you can walk on the grass lawn above the building. The important insulating properties of the planted roof control substantial temperature changes, provide excellent soundproofing, and allow for the gradual evaporation of rainwater held by the vegetation. In the middle of the roof garden, a pointed cone stands in the middle of the green lawn and it also acts as a beacon on campus, day and night, and the inside central void allows daylight into the internal spaces below; a strong project, recognized also as a landmark for the entire area.
The Urban Heat Island Initiative was launched in 2000 by Chicago trying to solve the problem of the city’s lack of green spaces. The project also had a scientific aim, of testing the benefits of green roofs on air temperature, air quality, and stormwater absorption. The City Hall roof garden is home of intensive and extensive roof garden technology so that it can include in the study a widevariety of plants from low-growing sedums and grasses to medium-sized shrubs and trees, planted on cantilevered platforms to give them the needed depth for their roots. As well as being a habitat for various insects and birds and a filter for air pollution, results showed that the green roof not only reduced the Urban Heat Island effect – it is seven degrees cooler than the surrounding roofs – but it can also retain 75% of rainwater, reducing the building energy consumption costs by a lot!
The ASLA Green Roof project converted an existing 3,000-square-foot roof into an interesting example of green roof technology, supporting an active social space and demonstrating the environmental benefits of green roofs. The waveforms of greenery are a filter from the noise and views of the building’s HVAC units (heating, ventilation, and air conditioning), providing a silent and isolated environment. Moreover the HVAC now have more efficiency in the summer because they stay cooler in the shade of the waves even though the roof gives better proof of itself during the winter when the insulation effect makes a difference by decreasing heating costs by 10 percent. Obtained results show, in fact, that the green roof retained thousands of gallons of storm water, reduced building energy costs by hundreds of dollars a month, and significantly lowered outdoor air temperature. This can definitely be considered an experimental roof garden, a sort of practical case study where the overall plantings include many “experimental” plants which are not typical green roof plants.
This roof garden is an accurate reproduction of the Dutch landscape. It divides the entire area into different “rooms” with various ecological choices, separated by “dikes” constructed of sea clay; one room, planted with native and near-native species on the dike attracts butterflies and bees while the remaining space between the dikes is a perfect habitat for birds. The heat island effect is substantially mitigated thanks to the rainwater harvesting and storage on the roof garden. Undulating dikes and plantings want to be evocative of waves since water plays a focal role within the garden, together with a large irregularly-shaped lake on the site remembering the sea, while reflective linear pools closer to the existing building bring to mind memories of Dutch canal images. There are several points of view framed by soft planting forms that simultaneously offer privacy or invite users to explore the entire area, giving a sense of escape and relief in deep contrast with the linear architecture of the EPO building. All progressive ideas for a roof garden built in the 1990s.
Built by OSLO; Ontwerp Stedelijke en Landschappelijke Omgeving, the building is an informational museum in `s-Hertogenbosch (Den Bosch), Netherlands. Next to the terraced cafe built on the old foundation, the park gains full sun for most of the day so that it was necessary to create a climate comfort zone through some different heights of honey locusts (Gleditsia triacanthos) which provide shade and relief to visitors. The hardscape is in contrast with the greenery soft shapes; the building and the rooftop park have many hard lines and sharp angles reinforced by particular concrete paving tiles on the floor, and on the contrary, some wooden planks painted with red Cook Paint contain different Carex species that give kind of a natural effect to the space. This rooftop garden has a social function as recreational place, connected with the history of this town because this is not just an implementation of a city green space but also is a focal destination for people visiting or living this city.
Relaxing idyllic oases; these are the two parks built in an industrial building in Eindoven. In 2000, 27 hectares have been transformed, with the opportunity to develop the rooftops as green open space for their inhabitants. Two rooftop urban parks were created as an artificial landscape with the most natural appearance. Special views from the cantilevered platforms, in contrast with hidden spaces, are isolated from the traffic below. The project aims to combine technological and contemporary landscapes together with natural shapes. This conceptual dualism is perfectly rendered by a combination of pioneer planting with paths and terraces that lead to green, shaded and sheltered “outdoor rooms” as well as open and sunny “plateaus” that drastically oppose the outdoor furniture, which is made of contemporary and hard materials. These spaces illustrate what happens when good balance and an expert matching of colors and forms are the winning strategy.
Nouvelle at Natick by Martha Schwartz is the best proof that urban living can offer luxury, privacy, and marvelous views from a roof garden. It is a perfect balance between nature and spatial perspective and offers a wide variety of elements and rich colors. Big trees dominate the space and provide comfortable shade. This roof garden has been specially designed to connect the residences, to stimulate interaction and enjoy the open green space with an intelligent selection of greenery made up of ornamental grasses, flowering perennials of seasonal colors and evergreen shrubs. Some design principles perfectly transpire from the project: regular geometry with curved and elegant forms, clever green distribution and careful disposition of elements. This urban oasis is a rescued place and was transformed into a livable and glamourous garden, able to attract people and make them part of the surrounding landscape. It is a perfect combination of elements where precise, purposeful choices abound, such as the selection of trees which created living screens and protection against the wind. This is what sustainable urban living is all about. Completed in 2008, the project received and deserved the BSLA Award (Boston Society of Landscape Architects) in 2012.
All of these projects are excellent examples of how a new approach to roof design can improve our perception of spaces: more interpretable surfaces, reconciliation between nature and architecture, different habitats, innovative places to live and new points of views on our cities.
Article by Cristina Ferrara
We take a look at green solutions that may indeed end up saving you money, so you can spend it on what really matters.
Solar panels are more affordable than they’ve ever been. The key is utilizing them to their fullest ability. A single solar panel doesn’t give a lot of energy. But if it’s hooked into a source of energy storage, suddenly it becomes exceptionally effective. All you really need is a good-sized car battery. If you can sequence several car batteries together, you can increase your storage capacity such that one panel may see to a single individual’s needs for a twenty-four hour period. If you can get a large enough energy storage station, relatively few panels could provide the electricity needs for an entire operational wing of a business. Solar energy isn’t the only way in which “green” technology is rapidly reshaping the architectural landscape; but it is one of the most easy to understand. Following, several additional ways of increasing sustainability while decreasing expenses will be explored. Clouds Of Green Have you looked into cloud computing technology? This is a great way to consolidate resources, save money, and decrease your carbon footprint. Fully transitioning to the cloud removes the need for an on-site server array. This reduces your energy costs, your maintenance costs, and your upgrade expenses. Any server will require an upgrade over time. According to Moore’s law, technology doubles at an exponential rate. While this may not be a continual, absolute rate of expansion, it is definitely something whose effect still forces businesses into a regular upgrade every several years or so. The cloud allows you to get around this. Cloud options also have backup and data recovery built-in, and allow for a warm reboot. This allows systems to regain their functionality after a crash in minutes rather than hours, curtailing unnecessary downtime and ensuring profitable operations.
A “cool” roof has several different meanings. Firstly, colors used are “cool” colors—that is to say: colors that have been specifically designed to reflect not only the sun’s heat, but hidden spectrums of light like ultraviolet radiation. Secondly, this reflective nature actually ends up keeping the rest of the building rather cool. According to Fidelity Steel, “In the Pacific Northwest, a cool colored roof limits the need to cool a prefab metal building during the day by 15-25%.” Imagine cutting the costs of air conditioning as much as 25%. If you were paying a hundred dollars a month for this, you’ve instantly saved $300 for the year. Larger operations stand to save much more in this way. But prefabricated steel buildings have an even greater advantage than the cool roof—especially those structures that are curved such that their appearance is that of a half-cylinder planted in the ground. Solar panels can be installed that follow the arc of the sun across the sky, maximizing energy input. By using solar panels and a “cool roof” technique, you can decrease costs involved in maintaining your building, cooling your building, and energizing your building. Additionally, this is all done in a green, sustainable way which doesn’t harm the environment or your bottom line.
The cool roof technique combined with solar energy and the cloud will substantively reduce operational costs. An even more exciting advantage becomes visible when you realize that these innovative technological breakthroughs are available to individual citizens as well as big-ticket organizations—and the savings still remain.
The green transition is finally becoming financially lucrative, which is the most necessary component in substantively decreasing negative environmental impact across the globe. It’s getting to the point where avoiding the green transition will actually cost more money in the long run. Author Bio Kevin Bennett Title: SEO Marketeer Kevin is an SEO marketeer with OutreachMama and Youth Noise who designs value-rich content aimed at increasing clientele for expanding businesses. Networking, building partnerships, and providing quality products with shareable value make this possible. He’s an author (Amphibian and The Thief and the Sacrifice to his credit) whose professional writing follows business trends in technology, marketing, SEO application, and much more. Recommended Reading:
Article by Caitlyn Bell Featured image: Licensed under CC0 Public Domain. Image via Pixabay – Source. Image in article: Licensed under CC0 Public Domain. Image via Pixabay – Source.
Article by Maria Giovanna Drago – The Westergasfabriek Terrain, by Kathryn Gustafson and Francine Houben from Mecanoo, in Amsterdam, The Netherlands. The Westergasfabriek Terrain by Kathryn Gustafson and Francine Houben from Mecanoo, Amsterdam, the Netherlands. The Westergasfabriek was the largest factory which produced coal gas in the Netherlands during the nineteenth century. It’s just outside the centre of Amsterdam and towers over the landscape with its red and yellowish bricks in the Neo-Renaissance style of the time. It used to provide energy for street lighting; that is why it’s strategically located between the railway, the waterways and the major streets. With the end of the industrialization boom in 1967, its activity terminated, giving way to emptiness and abandonment.
Cleaning up the whole area was hard. The soil was deeply polluted because of tar, cyanide, asbestos, and mineral oil storage. It took more years than expected to make the area safe. In 1992 the district council entrusted the area to a cultural expert to prevent the buildings from being squatted. The Holland Festival took place there and it was very successful. By that time a few adventurous types started hanging out over there, they were mostly young creatives and local artists which were not seeing a plant anymore, but a quite attractive opportunity for their performances and exhibitions. So when the ‘Temporary Use Project Leader’ came up with the possibility to rent the places for cultural purposes the entrepreneurs didn’t want to miss the chance.
This phase didn’t last just one year as planned, but over seven years, indeed, meetings and cultural events came to life there between 1992 to 2000 (the date of commencement of the construction). It was also a popular location for commercial filming and photo shoots. The rest of the population was in agreement as they openly asked for a park when consulted by the project team.The project bears the signature of two amazing designers; architect Kathryn Gustafson and Francine Houben of Mecanoo. The selective process was intense since the city council had invited twelve landscape firms to present a preliminary masterplan as a very first step, then five of them were selected for the second phase. Gustafson and Houben won the competition in 1998 as they caught the cultural vocation of the area and matched the new people’s needs and points of view with the old industrial pre-existence.
The park extends longitudinally from east to west, overlooking the city with many of its historic buildings. There are only thirteen of the originals left and they are protected for their architectural and historic value. A narrow channel separates the city from the park, but three bridges connect them after all; the outer two are driveways while the central one is a contemporarily-designed footbridge.
There’s a long straight main way running parallel to the channel; it’s the Gosschalklaan and goes from the Westerpark in the east to the Citè des Arts in the west, passing by The Village, the Kinderdrop+Spektakeldorp and the Gashouder. It is made of Asian yellow stone. The Events field is a huge green field at the centre of the park, it slightly slopes to isolate itself from the next railway and it overlooks a small channel to the north, which can be dried out for big events, the style of the whole area reminds one of 1950-60’s common leisure areas. The Westerpark reminds one also of the 1960s European parks developed around a central circular area with a small artificial lake and characterized by narrow paths between trees and greenery. In another way the Westergasfabriek Terrain is also modern because today it invests in another type of energy source; the solar panels, which are placed on the roof of the Gashouder; a circular metallic cylinder which hosts musical events, expositions, conferences and so on. Also The Village embraces modernity among its old walls: it host shops, offices, bars and pubs, and even a television studio which broadcasts national talk shows and other important TV shows. The Importance of Being Connected A relevant factor guarantees the success of the park. It has roots in the cooperation between the permanent tenants who run shops, restaurants, offices and also most of the cultural events, together with the temporary ones that keep the park alive by offering new initiatives to attract visitors: this clearly demonstrates how unity is strength. They also do well in keeping the online promotions updated through the modern digital channels that everybody uses and which therefore are now fundamental. Indeed the website is rich in content both in Dutch and English languages: you can find information about the history of the area, also the park’s design guidelines and information about the shops, refreshment points and of course the calendar with the events and a related map of locations. The Westergasfabriek Terrain is on the main social network! It has a thousand followers on Instagram where you can find pictures of people hanging out at musical events or drinking a cup of coffee outside in the park. It is also on Facebook where it’s reviewed with a grade of 4.3 points out of 5, and on Twitter and LinkedIn.Of course, a free Wi-Fi network covers the whole area of the park. Making the Difference The difference between people’s needs in the nineteenth century and today in modern society are revealed through the story of this project. It is also a tangible example of how much power people have to change the world. How do you think locals can be involved to improve the design processes and the life of a project? To what extent it is advantageous to involve them?Program: Transformation of the former Westergasfabriek terrain in a cultural park, with re-development of 8,000 m² industrial buildings and 3,500 m² new development Project: Herinrichting Westergasfabriekterrein Winnend ontwerp meervoudige opdracht Scope: Transformation of the former Westergasfabriek Terrain in a cultural park Location: Amsterdam, The Netherlands Area size: 11,500 m² Design: 1997-2000 Execution: 2000-2001 Client: Stadsdeel Westerpark, Amsterdam; Projectgroep Westergasfabriek; MAB B.V., Den Haag Management consultant: MAB b.v, The Hague Structural engineer: ABT b.v., Delft Mechanical engineer: Techniplan adviseurs b.v., Rotterdam Team: Kathryn Gustafson i.s.m. Mecanoo architekten bv Recommended Reading:
Article by Maria Giovanna Drago